Here are 100 books that A Place to Start a Family fans have personally recommended if you like
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Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (N.G. Children’s Books, 2015) and Construction People (Wordsong, 2020) as well as Highlights for Children magazine.
This book proves that poetry is thoughtful, succinct, and beautiful to read – and most importantly, accessible to all. From elephants and cheetahs to American bison and polar bears, David distills the essence of each animal into short poems that are brimming with insight and wit. While all of David’s books in this series are wonderful, In the Wild was one of the first and remains one of the best.
“A stunning combination of poems and illustrations celebrating some of Earth’s wildest and most beautiful creatures.” — Kirkus Reviews (starred review)
The stellar team who brought us On the Farm presents a companion book evoking creatures of the wild in simple, clever poems and vibrant woodcuts. From the lion standing alone on the African savannah to the panda in a bamboo forest, from the rhinoceros with its boot-like face to the Arctic polar bear disappearing in the snow, David Elliott’s pithy verse and Holly Meade’s stunning woodcut and watercolor illustrations reveal a world of remarkable beauty and wonder.
4.5 billion years ago, Earth was forming - but nothing could have survived there…
From Cells to Ourselves is the incredible story of how life on earth started and how it gradually evolved from the first simple cells to the abundance of life around us today. Walk with dinosaurs, analyse…
Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (N.G. Children’s Books, 2015) and Construction People (Wordsong, 2020) as well as Highlights for Children magazine.
When it comes to animal photography, National Geographic set the standard for excellence – and when one pairs 200 of their best photographs with poetry from some of the country's finest poets, you end up with a beautiful, coffee table book that deserves to be in every house.
From classic poets like Robert Frost, Emily Dickinson, and Rudyard Kipling to contemporary writers including Naomi Shihab Nye, Jack Prelutsky, and Jane Yolen (and even a few from anthologist and former U.S. Children’s Poet Laureate J. Patrick Lewis) this is a book you will want to take time to peruse read, and ponder.
What could be better than cuddling up with your child and this book on your lap and allowing your imaginations to soar with the words and images? Lovingly selected by U.S. Children's Poet Laureate J. Patrick Lewis and paired with vibrant animal photography, this collection of poems is an exuberant celebration of the animal kingdom and a beautiful introduction to this genre of literature.
Designed for family sharing but targeted to ages 4-8, this dynamic, fresh, yet still classic collection of animal poems is a must-have for the family bookshelf. Featured poets include J. Patrick Lewis, Dorothy Aldis, Emily…
Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (N.G. Children’s Books, 2015) and Construction People (Wordsong, 2020) as well as Highlights for Children magazine.
Leslie Bulion combines her love of science and poetry to create fascinating, fun, and memorable books. While she has published several animal poetry collections, At the Sea Floor Caféstands out for its exceptional balance of science fact and literary value.
Leslie is extremely skilled at finding the perfect poetic forms and phrases to do her subjects justice while never veering off into overt didacticism. Fun and surprising, this book is perfect for the nature science lover in the family.
Dive in--to award-winning, funny science poetry about a remarkable array of sea creatures! AT THE SEA FLOOR CAFE: ODD OCEAN CRITTER POEMS is a creative nonfiction companion to elementary and middle school ocean studies. Let s visit a habitat shallow and deep, and boiling hot, where acids seep, and frigid and pressured and mountainy-steep, Come explore the sea!
Examine odd critters, enormous and tiny, sunlit reef toasty and arctic ice briny, jelly-ish, delicate, venomy, spiny, They all live in the sea!
What sea creature literally spills its guts when disturbed? Why do bottlenose dolphins wear sponges on their heads?
The summer holidays have finally arrived and Scout can’t wait for her adventure in the big rig with Dad. They’re on a mission to deliver donations of dog food to animal rescue shelters right across the state. There’ll be dad-jokes, rock-collecting, and a brilliant plan that will make sure everyone’s…
Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (N.G. Children’s Books, 2015) and Construction People (Wordsong, 2020) as well as Highlights for Children magazine.
If you wonder why Joyce Sidman is considered one of the preeminent children’s poets of our time, this Newbury Award-winning book should be all you need. From bats and crickets to moths and salamanders – and yes, even the Dark Emperor himself, the great horned owl – Joyce utilizes powerful imagery, delicate wordplay, and a poet’s insight to bring these mysterious creatures out of the dark and into our homes.
From formal rhyme structures to free verse, Joyce combines magnificent poetry with nonfiction sidebars to create a perfect book that enlightens, enthralls, and educates.
Acclaimed author Joyce Sidman has received multiple awards for her books of poetry, including a Caldecott Honor for Red Sings from Treetops. Itself a Newbery Honor, Book, Dark Emperor and Other Poems of the Night features several spellbinding poems about "the feast of sound and spark" that awakens with the raccoons, snails, owls, and crickets each night after sunset.
I’ve loved words from the moment I met them. I wrote my first poem when I was eight years old and haven’t stopped yet! As a children’s book author, I love incorporating rhyme, poetry, or lyrical prose in the stories I write. I was a shy kid and often felt like my poetry wasn’t “good enough.” It is my goal to get kids excited about all forms of poetry and I want them to know that they can be poets if they want to and that writing, reading, and sharing poetry is fun and rewarding.
Like Daniel, young kids may have heard the word “poetry,” but what exactly is a poem?
The collage illustrations will draw you in as Daniel takes a walk through the park asking creatures, “what is poetry,” the spider answers, saying, "to me poetry is when morning dew glistens.” Or maybe it’s “moonlight on the grass.” Daniel finds that poetry is different things to different animals, and he learns that to find his poem all he has to do is look around and listen. A perfect introduction to poetry!
Stunning collage art full of rich color, glorious details, and a sense of wonder—reminiscent of the work of Ezra Jack Keats—illustrate this delightful story celebrating the poetry found in the world around us.
What is poetry? Is it glistening morning dew? Spider thinks so. Is it crisp leaves crunching? That’s what Squirrel says. Could it be a cool pond, sun-warmed sand, or moonlight on the grass? Maybe poetry is all of these things, as it is something special for everyone—you just have to take the time to really look and listen. The magical thing is that poetry is in…
Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (National Geographic Children's Books, 2015).
Narrowing down just one of Joyce Sidman’s poetry collections as ‘their best’ is truly a monumental task, but Winter Bees & Other Poems of the Cold is certainly high on the list! Whether it’s Tundra Swans dreaming of “ice-blue sky and yodel of night” or a leaping, laughing snowflake with “lace sprouting from fingertips,” all the subjects of Joyce’s poems are rendered in elegant yet relatable text while Rick Allen’s linoleum print illustrations capture the ethereal tone of the book.
In this outstanding picture book collection of poems by Newbery Honor-winning poet, Joyce Sidman (Song of the Water Boatman, Dark Emperor and Other Poems of the Night), discover how animals stay alive in the wintertime and learn about their secret lives happening under the snow. Paired with stunning linoleum print illustrations by Rick Allen, that celebrate nature's beauty and power.
Floretta- the story of an old woman who discovers life beautifully anew thru the helping hands of a child. The chakra colors of dawn and twilight are woven through the pages as the cycle of life is magically composed. The subject of “heaven,” has the potential to open discussions with…
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
What I love most about this collection is how it begins with an ending: printed on the inside jacket flap of the book is the end poem, 'The End of Poetry,' which demands an end to the intangibles of poetic clichés and calls instead for physical sensation.
The intense desire to be touched is heightened with the COVID-19 pandemic hanging over each poem; the pandemic is never named, but I felt the ache of social distancing. The pandemic is another kind of catastrophe, one that is tenderly and vividly captured in this book.
An astonishing collection about interconnectedness-between the human and nonhuman, ancestors and ourselves-from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limon.
"I have always been too sensitive, a weeper / from a long line of weepers," writes Limon. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and…
Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (National Geographic Children's Books, 2015).
Like Joyce Sidman, it’s very difficult to nail down one of David’s animal poetry books as ‘best,’ but After Dark is certainly a must-have. With poems like “Posted Property” (about the cougar), which is broken up over the course of three separate panels picture-book style, and “No Fooling” (about the raccoon), which readers will discover on the back cover, this book features fun, ingenious poetry and sidebars – and is educational yet never didactic
This collection of 22 poems explores the fascinating lives of North American nocturnal animals.
When the sun goes down, many animals come out. Crickets chirp their crickety song hoping to attract a mate. Cougars bury their leftovers for later, leaving few clues for others to follow. Armadillos emerge from their dens to dig for worms, leaving holes in the lawns they disturb. This collection of poetry from acclaimed children's author and poet David L. Harrison explores the lives of animals who are awake after dark. Stephanie Laberis's beautifully atmospheric illustrations will draw in readers, and extensive back matter offers more…
As a poet and a novelist, I'm fascinated by the places where these two genres meet, undo each other, and create something new again. That sounds a lot like what love can do, and whenever I read a long poem that achieves a unique aesthetic unity, I feel the writer has found a new way to love the world, to love the reader. And, as usual, both the world and the reader are challenged by that love—to grow.
Ultimately, this is a work about trauma, both personal and cultural; it is a deeply human testimony to trauma’s power to erase, shape, and reshape the narratives of our lives.
The self, this book implies, is one such narrative, and the forces of contemporary society act in powerful and often surreptitious ways to shape that story.
Rankine is a complete original in her methods of tackling these mysteries, and a reader leaves this book with a sense of having woken, if only a bit more, to the forces that are living our lives for us.
A brilliant and unsparing examination of America in the early twenty-first century, Claudia Rankine’s Don’t Let Me Be Lonely invents a new genre to confront the particular loneliness and rapacious assault on selfhood that our media have inflicted upon our lives. Fusing the lyric, the essay, and the visual, Rankine negotiates the enduring anxieties of medicated depression, race riots, divisive elections, terrorist attacks, and ongoing wars—doom scrolling through the daily news feeds that keep us glued to our screens and that have come to define our age.
First published in 2004, Don’t Let Me Be Lonely is a hauntingly prescient…
It’s Anny’s first day of middle school and, after years of being homeschooled, her first day of public school ever. In art, Larissa asks what kind of ESP is her favorite: telepathy, clairvoyance, precognition, or telekinesis? Tracy asks how she identifies: gay, straight, bi, asexual, pan, trans, or confused?
Where do writers go for distraction? For me it’s usually into the work of other writers and, when I’m done escaping into fiction, I turn to nonfiction and particularly those writers who write about writing. Why? Because it helps refresh my own writing to read those writing with clarity, insight, and coherence when my own process is in danger of fragmenting. What’s more, many writers write so well about the components of writing - voice, structure, narrative or even something as prosaic as getting started - that I am reassured about what I’m trying to do with my own writing.
Even if you don’t want to be a poet, there’s something about playing with poetic form that I think is useful to any writer because it enables you to explore the use of rhythm, metaphor, simile and other ways of honing your consciousness into literary and written form. It demands specificity of description and uniqueness of voice, and Kate Clanchy’s book - she is herself a published poet, writer but also a teacher - gets to the nub of it through examples and exercise, to emerge a more fluent and confident writer, and in whichever form you choose.
Do you want to write a poem? This book will show you 'how to grow your own poem' . . .
Kate Clanchy has been teaching people to write poetry for more than twenty years. Some were old, some were young; some were fluent English speakers, some were not. None of them were confident to start with, but a surprising number went to win prizes and every one finished up with a poem they were proud of, a poem that only they could have written - their own poem.
Kate's big secret is a simple one: is to share other…
