100 Books Like When Montezuma Met Cortés

A vivid account of life in the Aztec world and the tragic Aztec-Spanish War told by Indigenous scribes writing in Nahuatl during the decades following these events and the transformation to colonial New Spain. Mexican authors began publishing translations of Native-author sources in the late eighteenth century; yet, together with his former advisor, Ángel María Garibay, León-Portilla did more than any other twentieth-century scholar to elevate the voices and perspectives of Nahua peoples, the descendants of the prehispanic Aztecs. The Broken Spears was first published in Spanish in 1959 and translated to English in 1962. It has been translated into many other languages and revised versions since.  Its key sixteenth-century texts include portions of Book 12 of the Florentine Codex, compiled by the Franciscan friar Bernardino de Sahagún, and sections of the Annals of Tlatelolco. Within these composite sources, readers can sense the multivalence of the Native authors… show more.

Any account of dangerous travel holds the potential for unexpected revelation, but this one taps a motherlode of rare insights and observations. Part of the reason is that Diaz, a twenty-something soldier of fortune in Hernán Cortés’ 16th-century expedition to the New World, became enchanted by the Aztec civilization that he and his compadres had come to pillage and destroy. Diaz writes vividly and lyrically, with a keen eye for graphic detail, and is unsparing in his accounts of the remarkable brutality on both sides. Five centuries later, his account remains illuminating and disturbing, and shows it’s not always necessary to like your traveling companion to gain insight into a perilous, previously unknown world.

The great Mexican author Carlos Fuentes wrote this book as a commemorative reflection of an earlier quincentennial, that of 1492-1992. Fuentes’ book is transatlantic in scope and considers the fraught history of Hispanic heritage in the Americas. The title metaphorically employs the mirror—both of the kind fashioned from obsidian by the Aztecs and the one bringing the viewer into Diego Velázquez’s masterpiece of Spanish golden-age painting, Las Meninas—in reflecting on this mixed inheritance five centuries later. Cultural mixing, or mestizaje, defines the creation of Latin America and its millennial-deep roots in the exchange networks, migrations, political alliances, and colonialism on the part of Mesoamerican and Iberian peoples, on both sides of the Atlantic. Fuentes is a gifted writer and Buried Mirror is what first got me thinking about these historical entanglements when I read it as a college student.

We don't know very much about Indigenous women's lives before and during the Spanish conquest. Camilla Townsend let me imagine how Malintzin, an enslaved Indigenous girl who was presented as a gift to the conquistador Hernando Cortés, experienced and made sense of that world.

I was transported to central Mexico and Yucatán through Townsend's careful but lively reading of art, poetry, and historical writings, her lush building of landscapes and lifeways created a space where I could place Malintzin and understand her choices. Those choices were complicated: she transformed herself from a slave into Cortés' most important interpreter and ally, translating Indigenous diplomats and leaders so that Cortés knew whom to trust, speaking back to them as his mouthpiece. I was convinced that Malintzin was both a brilliant strategist and also a woman with few options and not the outright villain or hero that a lot of the literature wishes… show more.

This nonfiction history of Mexico was compelling because it details everyday life in the occupied country. It also provided details of the US and Mexico before and after the Mexican War.

We get a clearer sense of what motivated soldiers on both sides to join in the largest territorial battle in North America. For Americans it was a great adventure, for Mexicans, the defense of their homeland. I also like the author's use of irony and humor, which gives the book a balance that more academic history cannot risk.

Many people don’t realize that there were Indigenous people who chose to side with the Spaniards.

If they had reasons of their own to support the powerful outsiders, they sometimes did so. One such man had a great-great-grandson who became a writer in colonial Mexico. He took the family stories and did some research of his own, and then wrote this compelling account of the decisions his ancestor made and the actions he took.

I love his pride! (Warning: you have to like battle scenes to like this one.)

Four times the sun has died and been reborn, and now we are living in the world of the fifth sun.

In this wonderful imaginative rendering of Aztec history, we move between mythological and real time, following the Mexica people as they gain power and establish a great kingdom, and then suffer the disaster of Spanish attack. The voices of many different people speak through this story, men and women, telling us of the price that they paid each step of the way in the struggle to survive in a beautiful but brutal world.

To complement the perspectives of historians and art historians, Carballo’s book offers the viewpoint and skills of an archaeologist. But Collision of Worlds is far from being a field report from a dig. Instead, Carballo combines the sources and methods of historians and archaeologists to present a thorough and deep-rooted account of the two civilizations that met in Mexico five hundred years ago, giving the reader a more extensive background on the Iberian and Mesoamerican past than the other books I have selected. Like the other books I have chosen, this is recent work, and thus together these books all represent slightly different takes on the topic.

Mixtli, an elderly Aztec lord captured by the Spanish, is reluctantly questioned by a Catholic bishop charged with reporting to the king of Spain about the customs and mores of his new unwilling subjects. The bishop is repulsed and appalled by the violent history and, to his mind, sexual looseness of the Aztecs while blind to the violent depredations of the conquistadors who protect him. But the story that outrages the bishop is for the reader a spectacular tragic saga of the end of the Aztec empire from the point of view of the conquered and a telling of what was lost.

After reading one or more of my other recommendations, you might be ready for some primary sources. But the obvious, well-known sources written in the 16th century—such as those by Hernando Cortés and Bernal Díaz—are very long and tend to be misleadingly presented as straight-forward eye-witness accounts. In fact, conquistador accounts are full of inventions and distortions. Victors and Vanquished offers excerpts from such sources (Cortés and Díaz included), but with helpful introductions, carefully selected and juxtaposed with textual—and even some visual—sources by Aztecs and other Nahuas (the Indigenous peoples of Central Mexico). This is intended for the classroom, as the basis for discussion, so it might not be an engaging read the same way that the other books are. But there is no better way to access such a variety of primary sources in translation, presented in an informed, intelligent, and manageable way.