Here are 100 books that How to Do Nothing fans have personally recommended if you like
How to Do Nothing.
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I am a lifelong feminist and have spent my career and life advancing the status of women and girls. I have started two research centres in Canada–one on violence against women and one on women’s health. I continue to work as a researcher in sex and gender science, advocating for health solutions that also advance gender equity. I first questioned gender roles at age 7, when I was assigned dishwashing and my brother garbage management. I have always longed to understand gender injustices and issues such as violence against women, gender pay gaps, women’s rights, or lack thereof, and women’s activism, and these books have helped elucidate, inspire, activate, and challenge me.
This book gripped me with a host of difficult questions and sorrowful insights into women’s health, racism, science, and medical systems in the USA. It reveals the impact of a previously unknown woman, Henrietta Lacks, who died in 1951, and whose cervical cancer cells were taken without her consent, and then, without any acknowledgement, used by researchers and laboratories to develop numerous treatments, drugs, and experiments.
It made me confront hard questions about class, race, gender, medical ethics, profit, and confidentiality. It is a brutal and detailed read, enhanced by the involvement of her family story, as they later discovered the theft and were to confront her immortality. A must-read by a plucky author.
With an introduction by author of The Tidal Zone, Sarah Moss
Her name was Henrietta Lacks, but scientists know her as HeLa. Born a poor black tobacco farmer, her cancer cells - taken without her knowledge - became a multimillion-dollar industry and one of the most important tools in medicine. Yet Henrietta's family did not learn of her 'immortality' until more than twenty years after her death, with devastating consequences . . .
Rebecca Skloot's fascinating account is the story of the life, and afterlife, of one woman who changed the medical world for ever. Balancing the beauty and drama…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
This book helped me release shame after a colleague of mine told me my work wasn’t “science.”
Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.
Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.
She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.
What stories, fables, and myths have taught you valuable lessons about the world?
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
I’ve always been drawn to the moments when things shift—when what once made sense stops making sense, and you have to find your way through. As a designer and leader, I’ve spent years learning to read change instead of resisting it. I’m passionate about this space because it’s where growth actually happens. These books remind me that clarity doesn’t come all at once; it arrives through attention, through relationship, and through the slow, often messy work of becoming.
I love this book because it changes the way I see the world every single time.
Powers writes with a patience that feels almost radical. I found myself slowing my breathing as I read, realizing how little I notice in the rush of daily life. I love how he blurs the line between human and nature, reminding me that we’re never outside the system—we are the system.
The Overstory humbles me, and because humility, to me, is where clarity begins.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve passionately pursued the art of screenwriting for decades now, with all the ups and downs that go with that—from the peaks of Hollywood projects winning big awards (I was a writer-producer on HBO’s Band of Brothers), to scripts nobody wanted to read and when they read them, they didn’t want to do anything with them. And everything in between. It’s been my career my entire adult life—doing it, teaching it, and helping others understand the requirements of good screenwriting.
This classic is my go-to for the challenges of living the creative life and how to push through them.
In short, punchy chapters, it identifies the main source of blocks writers and artists have and how to push through them.
I love its approach to the workmanlike attitude one needs to have to create consistently and move toward a goal, and how to be clear-eyed about the inner “resistence” we all have that seems to want to stop us.
A succinct, engaging, and practical guide forsucceeding in any creative sphere, The War ofArt is nothing less than Sun-Tzu for the soul.
What keeps so many of us from doing what we long to do?
Why is there a naysayer within? How can we avoid theroadblocks of any creative endeavor—be it starting up a dreambusiness venture, writing a novel, or painting a masterpiece?
Bestselling novelist Steven Pressfield identifies the enemy thatevery one of us must face, outlines a battle plan to conquer thisinternal foe, then pinpoints just how to achieve the greatest success.
I‘ve been thinking about the forces that drive humanity together and pull us apart at the same time since my late teens; back then, I started reading the classical dystopian tales. The (perceived) end of time always speaks to me, because I think it‘s in those moments of existential dread that we learn who we really are. That‘s why I like reading (and reviewing) books, and also why those topics are an undertone in my own writings. I do hope you enjoy these 5 books as much as I have.
When I was younger, I wanted to read all the classic dystopies that are there, and this is, of course, one of them.
So I did expect a dystopie—what I didn‘t expect was the emotional impact this book would have on me. I absolutely fell in love with Guy Montag, one of the best protagonists, in my opinion, telling us his story; and there‘s a whole range of side characters that will stick with you long after the ending.
And the ending—don‘t worry, no spoilers here—is something that really stuck with me. Unlike other dystopian stories, this novel leaves the reader on a hopeful note. It might be a dark and bad world, but it‘s not the end, and there is hope.
The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen.
Over 1 million copies sold in the UK.
Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.
Hi, I’m Neil. We need to live our tiny, precious lives with intention. I write about failure, resilience, happiness, trust, and gratitude. I’m the New York Times bestselling author of 10 books and journals that have sold over 2,000,000 copies and spent over 200 weeks on bestseller lists, including The Happiness Equation, Two-Minute Mornings, and You Are Awesome. I host the award-winning, ad-free, sponsor-free podcast 3 Books, where I’m on a 22-year quest to uncover the 1000 most formative books in the world. Guests include Brené Brown, Quentin Tarantino, and David Sedaris. I give over 50 keynote speeches a year at places like Harvard, SXSW, and Microsoft.
If I were teaching a course on life, this would be a mandatory textbook. Talib defines black swan events as events that 1) are disproportionately huge, 2) cannot be predicted, and 3) are mistakenly explained in retrospect with hindsight and fallacies.
This book helped me leave my corporate job and strike out on my own. Why? To help unroll the canvas of myself and my life, so I was more exposed to black swan events, leading me to write more books and have more unlikely, amazing experiences.
The most influential book of the past seventy-five years: a groundbreaking exploration of everything we know about what we don’t know, now with a new section called “On Robustness and Fragility.”
A black swan is a highly improbable event with three principal characteristics: It is unpredictable; it carries a massive impact; and, after the fact, we concoct an explanation that makes it appear less random, and more predictable, than it was. The astonishing success of Google was a black swan; so was 9/11. For Nassim Nicholas Taleb, black swans underlie almost everything about our world, from the rise of religions…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
A part of me is reluctant to recommend books on art. The same part of me is reluctant to write books on art. After all, a work of art should speak for itself. Then I remembered that for most contemporary art shows, a catalog is produced, and that catalog typically features an explanatory essay by some sympathetic scholar or critic. If the art of today requires verbal elaboration, how much more will the art of the past—especially the remote past—require such commentary? These recommendations are a selection of some favorite texts about how art comes into being—and is part of our being.
Not much in common between Gombrich and Berger, ideologically—so I would presume. Yet Berger’s social history of Western art, woven into the rise of capitalism, advertising, and mass media, is similarly direct in style.
It irritates me; it’s supposed to irritate. Given its radical energy, the book seems surprisingly undated. First published in 1972, it also still seems adventurous in design—the art book as a work of art.
"Seeing comes before words. The child looks and recognizes before it can speak.""But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled."John Berger's "Ways of Seeing" is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about…
Since a young age, I’ve been focused on how we can build a more just economy that restores and repairs versus extracts from our communities. My expertise is in the micro-economies of alternative, emerging economic solutions—in other words, how businesses and organizations can transform how they work to become pieces of an economy that works for all.
I adore this book because it offers such practical, grounded strategies for navigating and facilitating change, drawing deep inspiration from the natural world.
Its insights feel both wise and usable, and they speak to a worldview and way of being that are profoundly dear to my heart.
It’s a touchstone for me—so much so that it permanently lives on my office bookshelf.
In the tradition of Octavia Butler, radical self-help, society-help, and planet-help to shape the futures we want.
Inspired by Octavia Butler's explorations of our human relationship to change, Emergent Strategy is radical self-help, society-help, and planet-help designed to shape the futures we want to live. Change is constant. The world is in a continual state of flux. It is a stream of ever-mutating, emergent patterns. Rather than steel ourselves against such change, this book invites us to feel, map, assess, and learn from the swirling patterns around us in order to better understand and influence them as they happen. This…
As an environmental educator over the past 18 years, I have come to see that the central question of our work is no longer “how do we get more people to care?” Our work now is to keep ourselves sustained for the long haul of climate justice advocacy that lies ahead. People now care, a lot, and need to know how to avoid burnout and “amygdala hijack”, cope with the hard emotions of it all, and build community. The solutions are no longer just political, technological, or economic. We need to develop existential tools, resources of interior sustainability, and cultural resilience if we have any hope of thriving in a climate-changed world.
Kelsey builds an air-tight case for why the planet needs us to get more in touch with our emotions. Emotions dictate all our behavior and action in the world, and so we ought to know which emotions are most effective and in what situations to catalyze actions for climate justice. Because Kelsey is a scientist herself, she buttresses her case about the role of emotions in saving the planet with powerful data. We don’t need more books on “ten things you can do to save the planet.” What we do need is more books like this, which show us why doom and gloom isn’t the only game in town.
"This book comes at just the right moment. It is NOT too late if we get together and take action, NOW." -Jane Goodall
Fears about climate change are fueling an epidemic of despair across the world: adults worry about their children's future; thirty-somethings question whether they should have kids or not; and many young people honestly believe they have no future at all.
In the face of extreme eco-anxiety, scholar and award-winning author Elin Kelsey argues that our hopelessness-while an understandable reaction-is hampering our ability to address the very real problems we face. Kelsey offers a powerful solution: hope itself.…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Youth play such a significant role in the history of our struggles for justice–and yet most teenagers I meet in the classroom have limited access to these important stories. These stories are more relevant than ever as we see current youth-led activism for #BlackLivesMatter and Youth4Climate Marches. When I talk to youth about historical youth-led protests, their eyes light up–they make these connections lightning fast and say–why aren’t we being taught about things like this more in school?
This book, an anthology from women on the frontline of addressing Climate Change, is a must-read for our teams, including essays from a number of young women leading the charge, including Xiye Bastida Patrick and Alexandria Villaseñor. The book is remarkable in how clear-sighted each writer/storyteller is and how each essay rings with hope.
NATIONAL BESTSELLER • Provocative and illuminating essays from women at the forefront of the climate movement who are harnessing truth, courage, and solutions to lead humanity forward.
“A powerful read that fills one with, dare I say . . . hope?”—The New York Times
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SMITHSONIAN MAGAZINE
There is a renaissance blooming in the climate movement: leadership that is more characteristically feminine and more faithfully feminist, rooted in compassion, connection, creativity, and collaboration. While it’s clear that women and girls are vital voices and agents of change for this planet, they…
