Here are 100 books that What We'll Build fans have personally recommended if you like
What We'll Build.
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There is much in the world that we cannot change. This is much that can make us feel sad or angry. So, is there nothing we can do about all of this? I believe in the depths of my being that we can all reach out, be kind, and do good deeds. Instead of just complaining about wrong things, we can do something to try to make the world a little better, a little brighter, even if it’s just for one other person. That’s why I wrote my book.
I loved the relationship between the boy and his grandmother, and I thought the message was poignant and wonderful. It’s good to let children know that though some people have more than others do materially, it does not make them better. And it is up to everyone to reach out to those who have less if they can help.
Every Sunday after church, CJ and his grandma ride the bus across town. But today, CJ wonders why they don't own a car like his friend Colby. Why doesn't he have an iPod like the boys on the bus? How come they always have to get off in the dirty part of town? Each question is met with an encouraging answer from grandma, who helps him see the beauty and fun in their routine and in the world around them. This energetic ride through a bustling city highlights the love and understanding between grandparent and grandchild as the world comes…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
We’re picture book lovers and best friends that met in college at Washington University in St. Louis. Our friendship started out with long telephone conversations during the pandemic, and have now blossomed into a picture book partnership where we hope to write books that make people feel warm and fuzzy through the universality of the human experience. Vivienne is still currently a student at WashU, but will move to New York post-graduation. Eugenia has since graduated and is currently a designer in the children’s department at Chronicle Books in the Bay Area.
There is so much we love about this book. Every page stretches the imagination on how much one can love in physical distance form and it makes you realize that love, in a sense, has not bounds. You can’t guess how much Little Nutbrown Hare is loved, but he are loved endlessly. Not only is this book warm and fuzzy vibes, it makes you want to cry with this father and child relationship. Vivienne’s dad is a big inspiration in my life and it makes her realize how much she love him and hope to be just like him one day.
Celebrate twenty-five years of love right up to the moon and back! A new board-book edition is perfect for little hands.
How much does Little Nutbrown Hare love his daddy? And how much does Big Nutbrown Hare love him back? The cherished tale of boundless affection is ready for boundless sharing in a durable board-book edition for the younger set.
As we grow up, the special relationships with family, friends, and caregivers are what give us our sense of place in the world, make us feel loved, teach us the important things in life, and give us the courage to face each step from childhood to adulthood and beyond. Therefore I love books that celebrate these very special people in our lives.
This is one of my all-time favourite books. I’m a big fan of Lane Smith, I love his books and his illustrations are gorgeous – he has a wonderful ability to tweak his style to fit the specific book and storyline perfectly. Visually an intriguing delight, and a deeply touching narrative about shared time, memories, and love between Grandpa and Grandchild.
Grandpa Green wasn't always a gardener. He was a boy who lived on a farm and a child who had chickenpox. He was a soldier, a husband, and, most of all, an artist.
Grandpa Green wasn't always a gardener. He was a boy who lived on a farm and a child who had chickenpox. He was a soldier, a husband and, most of all, an artist.
Follow his grandson through a garden where memories are handed down through the shapes of topiary trees and imagination recreates things forgotten. Grandpa Green opens the door to a garden of wonder which parents and grandparents will be able to share with children for generations to come. An ode to the joys of a full life well lived as well as exploring some of the sorrow life…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
As we grow up, the special relationships with family, friends, and caregivers are what give us our sense of place in the world, make us feel loved, teach us the important things in life, and give us the courage to face each step from childhood to adulthood and beyond. Therefore I love books that celebrate these very special people in our lives.
Hello, Mum is a visual diary of the magical highs and absurd lows that many parents will recognise – from the shock and awe of the baby days to the delight (and terror) of the toddler years and the mayhem of sibling rivalry. Dunbar's fantastically funny, wise, and enchanting drawings capture this precious and fleeting time with heart-touching perfection.
I follow Polly Dunbar on Instagram and loved seeing her daily sketches, depicting the honest highs and lows of Motherhood in the form of beautiful loose pen drawings and handwritten text. So I was thrilled when this visual diary became a book. It is honest, funny, touching, and tender and a beautiful gift for a new mum.
'Tender, funny, sometimes heartbreaking snapshots of motherhood.' - Shappi Khorsandi
Fantastically funny, wise and charming motherhood sketches from award-winning illustrator Polly Dunbar.
'Go away, I'm busy writing about the beauty of motherhood.'
Polly Dunbar is an award-winning illustrator who usually draws for children rather than adults, but when she had her own sons, she started recording the beautiful and maddening moments of parenthood with a doodle.
Hello, Mum is her visual diary of the magical highs and absurd lows that many parents will recognise - from the shock and awe of the baby days to the delight (and terror) of…
I’m a Minnesota-based children’s writer focusing on a mix of books for kids ages baby to teen. I love writing stories as well as nonfiction books focused on Social-Emotional Learning (SEL). After more than 25 years spent writing for a young audience, I started thinking about how I may be old but don’t necessarily feel old. An image came to mind: a rusty, dusty old tricycle. How might “Trike” feel if a happy, snappy new bike were to appear in the garage? Bike & Trike is the story that arose, one about old vs. new and a daring challenge to determine which bike will be the winner on wheels.
In a village at the end of a no-go desert, siblings need to make their own fun. Need a bike? Build your own from scratch!
With a milk pot, old flour sack, and other everyday items, a bike is born—one that can bumpety-bump over the hot sand hills. Sound-words, rhythmic text, and a theme of perseverance make this a stand-out story. Street artist Van Thanh Rudd created illustrations that capture the rough-and-tumble world and its lively characters.
Winner of the Boston Globe-Horn Book Picture Book Award 2019
Winner of the Children's Book Council of Australia (CBCA) Crichton Award for Debut Illustrator 2017Selected as a CBCA Honour Picture Book 2017Shortlisted for PATRICIA WRIGHTSON PRIZE FOR CHILDREN'S LITERATURE 2018'Beautifully written and incredibly powerful.' Books + Publishing'this book is just what many of us need right now' - starred Kirkus ReviewWhen you live in a village at the edge of the No-Go Desert, you need to make your own fun. That's when you and your brothers get inventive and build a bike from scratch, using…
Wade Bradford is the author of several picture books, including There’s a Dinosaur on the 13th Floor and Papa Bear’s Page Fright. He has written over forty plays for young performers, and one middle-grade novel: Camp Omigosh.
A child and his crayon bring a world to life. I can’t think of a better example of the power of the imagination. I was a slow reader throughout elementary school. I preferred books with lots of pictures instead of a lot of words. So, it’s no surprise that I fell in love with Harold and his purple crayon. This book inspired me to create drawings of my own… and eventually just as Johnson does in this classic picture book, I began to combine my drawings with words. I began telling stories.
From beloved children’s book creator Crockett Johnson comes the timeless classic Harold and the Purple Crayon! This imagination-sparking picture book belongs on every child's bookshelf, and this board book edition features sturdy pages and is just the right size for young dreamers.
One evening Harold decides to go for a walk in the moonlight. Armed only with an oversize purple crayon, young Harold draws himself a landscape full of wonder and excitement.
Harold and his trusty crayon travel through woods and across seas and past dragons before returning to bed, safe and sound. Full of funny twists and surprises, this…
I’ve always loved mysterious and hidden places — and they often appear in my writing. My Summer (with Robots) is a great example, as both an underground desert fort and a mysterious house inhabited by robots play significant roles. Both were inspired by events from my childhood in Tucson, Arizona, but who hasn’t created secret places of their own? How about a blanket fort? Or a treehouse? Or maybe you were that kid who made a private den by pulling the covers up over your head and reading your favorite book by flashlight? I hope my selections help you recapture this simple thrill of discovering mysterious places!
As a kid, I was fascinated by the mysteries of ancient Egypt. My mother, an elementary school librarian, introduced me to this book when I was in the fifth grade — and I’ve loved it ever since. The story centers around April Hall, the daughter of a famous movie actress. When the girl goes to live with her grandmother, she and two neighbor kids amuse themselves by creating their own ancient Egyptian “society” based on a shared fascination with archaeology. They make costumes, devise rituals, and even choose a pharaoh to rule them. Their “Egypt” is located in the forgotten storage yard behind a creepy antique shop, but this secret world is threatened first by neighborhood bullies and later by a serial killer who’s stalking children.
The first time Melanie Ross meets April Hall, she's not sure they have anything in common. But she soon discovers that they both love anything to do with ancient Egypt. When they stumble upon a deserted storage yard, Melanie and April decide it's the perfect spot for the Egypt Game. Before long there are six Egyptians, and they all meet to wear costumes, hold ceremonies, and work on their secret code. Everyone thinks it's just a game until strange things start happening. Has the Egypt Game gone too far?
It’s often said that it takes a village to raise a child. I grew up in an intergenerational family in India. Grandparents, aunts, and uncles provided that extended community. Grandparents can pass down traditions, ensuring the preservation of culture. Stories that speak to the reality of multi-generational households can normalize and celebrate the presence of elders. The number of Americans living in multigenerational households is about four times larger than it was in the 1970s, yet the educational potential and the joy of these relationships are often ignored in literature.
I loved that the heroine of this story, Martina, is a quiet, imaginative little girl. In contrast, she has loud, rambunctious Tias. So, she slips away at a party and finds a quiet place to imagine. This rollicking picture book reimagines the familiar Caribbean folktale, la Cucaracha Martina. The illustrations are bold and lively, and they are also available in Spanish.
A quiet girl overwhelmed by her rambunctious family finds a magical land of solitude only to discover what truly makes a home a home in this lively and magical bilingual picture book that reimagines the beloved Caribbean folktale “La Cucaracha Martina.”
Martina does not like parties. Parties are full of tías with their flashy fashions and boom-and-bellow laughter that’s too much for quiet Martina. At least with all that noise, no one notices when she slips away. She finds herself in a magical place: a warm, familiar island where she can finally play in peace and quiet. Martina is home…
Ever since I was a kid, I’ve been more drawn to nonfiction than fiction. I remember spending hour after hour with my mother’s World Book Encyclopedias, memorizing breeds of dogs, US state capitals, and how to sign the alphabet. I loved reading books to learn about all kinds of things, and still do. But when it comes to fiction, unless the words are arranged like musical notes on the page, I struggle to read past chapter three. I need the narrator’s voice to make my brain happy and interested. While reading, I need to feel something deeply—to laugh, cry, or have my thoughts dance so rhythmically I find myself fast-blinking.
I love the first-person narration in this book. It is believable and beautifully expressed. I also love the main character, Zoe’s, wonderful view of the world. I saw my younger self mirrored in her.
Like Zoe, I used my imagination to experience adventure. While alone, I found peace and security beneath the thick branches of trees. As a preteen, I felt ugly and weird and misunderstood more times than not. And like her, when someone came along who did understand and who also saw the world through a similar lens, how I rejoiced, but oh, how I grieved when that person moved on.
I rooted for Zoe throughout this fast-paced story, hoping that all in her wonderful world would remain intact.
Zoe Reindeer has a very big imagination, but in real life she considers herself 'just Zoe1 - not measuring up to her too perfect older sister and her smarty pants little brother. Truthfully, though, she'd rather just blend in with the plants at the family business, Doc Reindeer's Exotic Plant Wonderland. That is until a tall astronomer from Madagascar comes into the nursery looking for a Baobab tree, and starts a ball rolling that makes Zoe long for real adventures, not just imaginary ones. When her family is suddenly forced to relocate, they find themselves heading to a place reindeer…
I often turned to my imagination when I was a child. Nobody Can Take My Happy Awaywas inspired by the times I was bullied. My peers teased me about my clothes, my teeth, my home, and how I talked. I wanted to hide from everyone, so I had fewer opportunities to make friends. Because I lived in my own head, I found acceptance in the world of make-believe. I read books about strange worlds with characters that thrived in their surroundings. Eventually, it didn’t matter if someone teased me at school. Reading these books helped me be myself. I found strength in being the odd one out.
This interactive book inspired me to look at ordinary things in a new way. The pictures are great, they take you to new places using everyday things and people as a stepping stone. My favorite part of the book is the dial that allows you to switch faces. Common objects take on a whole new life in this book. I remember having a lot of fun looking at it.
This book felt more like playtime than reading, and that’s what I loved about it when I was a child. It made me decide to be an author and illustrator creating imaginative books. The style and theme of this book are my ideal inspiration for future projects. I want to write stories that exist for the sake of making happy memories.
Inspiring, intriguing, endlessly entertaining -- Norman Messenger's interactive book allows us to step out of our everyday lives, shed our preconceptions, and experience a little magic.
IMAGINE . . . a ladder without steps, a clock without hands, a racket without strings, a kiss without a mouth. Imagine a world where the hills have faces and wherever you went, you'd have someone to talk to. Imagine flipping a series of flaps to form fantastical creatures or turning a wheel to fit the top of one face on the bottom of another. Imagine that Norman Messenger's quirky, humorous suggestions, ingenious visual…
