Books like Hello, Mum

I am a father of grown children, and I once believed there would always be more time. The ordinary days felt endless, until they weren't. My children grew, and the days I wished away became the ones I missed. The loss of my son made time feel different. Since then, I see people differently. We spend much of life shaping, correcting, and comparing, while each person is already becoming who they are. I am drawn to stories that honor people as they are, imperfect, different, and unrepeatable, because simply being here is enough.

We’re picture book lovers and best friends that met in college at Washington University in St. Louis. Our friendship started out with long telephone conversations during the pandemic, and have now blossomed into a picture book partnership where we hope to write books that make people feel warm and fuzzy through the universality of the human experience. Vivienne is still currently a student at WashU, but will move to New York post-graduation. Eugenia has since graduated and is currently a designer in the children’s department at Chronicle Books in the Bay Area.

As we grow up, the special relationships with family, friends, and caregivers are what give us our sense of place in the world, make us feel loved, teach us the important things in life, and give us the courage to face each step from childhood to adulthood and beyond. Therefore I love books that celebrate these very special people in our lives.

As we grow up, the special relationships with family, friends, and caregivers are what give us our sense of place in the world, make us feel loved, teach us the important things in life, and give us the courage to face each step from childhood to adulthood and beyond. Therefore I love books that celebrate these very special people in our lives.

I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.

The me of me is a “late in life rider” and freelance writer—with an edge. I learned to ride horses in my ‘40s when we left the wonders of California for sweet tea, okra, and equine “yard art” of Tennessee. Horses and writing mixed to create Horse Sluts. My political bent led me to craft an exposé on the brutal “training” of Big Lick TN Walking Horses. I still ride and explore the more humorous sides of aging and riding. A stickler for "writing worth reading,” I eschew self-conscious, wandering-lost writing. The books I recommended are well crafted.

I’m a comic fan first, then a comic creator. I grew up on the classics—Calvin and Hobbes and The Far Side and excitedly watched as new comics popped up online. I love comic strips and have rows of collections lining my bookshelves. The coolest part of starting my own series has been becoming a member of a cartoonist community that I have always been a huge fan of.  

My journey as a writer began in correlation with my career as a family doctor. After reading Dr. Jacques Ferron’s, books, I knew I wanted to be an author as well as a doctor. While pursuing my medical career, I wrote medical articles and books. My husband and I have also been featured in Chicken Soup for the Soul of Quebecers with the story Witness of the Last Breath. This is the story of the last night of my daughter-in-law dying of lung cancer. Before she died, I promised Marie-Noëlle that I would pursue my writing career to change the world one young reader at a time. And I did.

I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.

I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.