100 Books Like In Defense of History

A Passion for History is a conversation between Natalie Zemon Davis, a prominent historian and an extraordinary woman, with Denis Crouzet, also a historian and a sharp observer. Above all, they discuss how to do research, write, and teach history. In addition, Natalie Zemon Davis shares her memories of being an ambitious Jewish girl in America of the 40s and her way to combine academic aspirations with family life, and her views on other subjects, such as politics, feminism, cinema, and freedom. This lively dialogue of two remarkable intellectuals is a thrilling read.

In a biography of a person whose occupation was to think, the most exciting part is how their thought evolved. Robin G. Collingwood is a prominent philosopher and a historian of Roman Britain. His autobiography is precious because it is an earnest reflection on how his perception of history and the approaches to its study developed over his lifetime - a door open into the mind of a philosopher of history.

I read this book as a college student while on a spur-of-the-moment trip to Athens, Greece. As I sat reading while intermittently gazing at the view of the Acropolis from my hotel balcony, a frappe at my side, the book captivated me.

Written by a world-renowned historian in response to his son’s question, “What is history?”, this book opened vistas of reflection about our connections with past cultures and why we do history.

In a present where we are often being pushed to look forward, to innovate, and move on, The Historian’s Craft helped me to better articulate the value of understanding history. Surrounded by the rich cultural heritage of ancient Greece, this book just made perfect sense.

This book is a classic, and I wish I had read it even earlier than I did. 

One of the most prominent historians of the 20th century, E.H. Carr, delves into the intricacies of exploring the past. He articulates the significance of interpreting personal memories, discusses how historical ideas are constructed, and examines the impact of a historian's personality on the history they write. These complicated ideas are given in a calm tone and a simple way.

A total must-read for people interested in history!

It’s a tough nut to crack, but totally worth it when you finally read it.

Although I write historical texts myself, I hadn’t considered how these texts are structured and mediated by historians. H. White showed me and many others that writing a historical text does not differ in form from writing a literary one.

Through a thoroughly structured argument, the book is a trip in the history of historiography and a careful analysis of the most important people who formed the way we look at our past today. Definitely one of the most influential theoretical texts of the last century.

I’m not a fan of theory, which Amos Morris-Reich is, but I loved how he embedded his theory in five fascinating cases that would not normally be considered together.

One case involved a Nazi photographer, one concerned a Jewish promoter and collector of photographs, one looked at Jewish photographers in Eastern Europe, and two considered very different Jewish photographers: Helmar Lerski and Robert Frank. The combination is thought-provoking.

Fascism always holds out a promise of belonging to the tribe, the race, and, most importantly, the nation. Lepore’s very short and beautifully readable history of the US explicitly rejects the right-wing and fascist assumption that the nation and nationalism are theirs.

This America retells US history from the perspective that the country has not lived up to its promises of equality, but the first step to making that happen is acknowledging its painful history. The book contextualizes the invocations of some of its greatest critics, such as DuBois, Douglass, and Baldwin, in their clear-eyed pronouncements of the United States’ failures of justice and democracy.

Lepore’s hope rests on the belief that a pluralistic, truly democratic United States is possible if Americans own the nation’s failures to live up to its stated standards and commit to the painful work of holding ourselves and the structures of civic life accountable to… show more.

In his book, Wolfgang Leidhold examines the entire journey of humanity and discovers something truly amazing: even though the human brain has not changed in structure during the 300,000 years of the existence of Homo sapiens, a series of mental powers have been evoked through our conscious participation. He shows us how humans became involved in building human mentality, going through eight such transitions, including the evocation of self-reflexive consciousness, inner transcendence, and the reproductive imagination.

The great gift of this book is the conviction it awakens that the development of human consciousness is not over and that those of us alive today can become involved in what he calls "the next turn in human experience." 

This book is an amazing combination of the philosophy of art, the philosophy of art history, and art criticism. The late Arthur Danto was not only a distinguished philosopher but also an award-winning art critic. In this book, Danto tracks the decline and fall of Modernism (which he describes as “the end of art”) and the advent of our present artistic moment which can be critically characterized as an era of post-historical pluralism. Danto, following GFW Hegel, proposes a partial definition of the artwork as an embodied meaning – thereby addressing the challenge to say what art is -- as it was posed by Clive Bell.

If the name Deborah Lipstadt seems familiar to you, it probably is, as she is almost certainly the most famous scholar of antisemitism.

This book will tell the story of why she became famous, which was dramatized in the Hollywood film Denial starring Rachel Weisz as Lipstadt.