Here are 100 books that Wet Dream fans have personally recommended if you like
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Leah Naomi Green is the author of The More Extravagant Feast, selected by Li-Young Lee for the Walt Whitman Award of The Academy of American Poets. She received the 2021 Lucille Clifton Legacy Award for compassion, courage, truth-telling, and commitment to justice, as well an Academy of American Poets 2021 Treehouse Climate Action Poetry Prize. The More Extravagant Feast was named “one of the best books of 2020” by The Boston Globe, is a silver winner of the 2020 Nautilus Book Awards, and was featured on NPR’s “All Things Considered”. She lives in Rockbridge County, Virginia where she and her family homestead and grow or find much of their food for the year.
In this book-length poem, Ross Gay manages to “talk” to the reader intimately without once “mansplaning” the way that so much of the tradition of “nature writing” has, for centuries, done. With the refrains of “what am I seeing?” and “what am I practicing?” Gay creates what feels like a genuine conversation with the reader, allowing me to ask myself the same questions as I read, to form my own thoughts and feelings, rather than passively receiving his.
In what I find to be his best work yet, Gay offers a genuine invitation to the reader to join into the seeing and feeling and meaning-making, thus making the meaning-making infinitely more meaningful. Be Holding is like a personal letter taken from its envelope, but somehow intended for all of us. It is as intricate as it is accessible and clear.
Through a kind of lyric research, or lyric meditation, Be Holding connects Dr. J's famously impossible move from the 1980 NBA Finals against the Los Angeles Lakers to pick-up basketball and the flying Igbo and the Middle Passage, to photography and surveillance and state violence, to music and personal histories of flight and familial love.
Be Holding wonders how the imagination, or how our looking, might make us, or bring us, closer to each other. How our looking might make us reach for each other. And might make us be reaching for each…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have published 18 books of poetry, most recently the one I have listed here, as well as a collection of literary essays, Fables of Representation. My emphasis has always been on the more progressive and risk-taking kinds of expression, as seen with the Beat poets, Ginsberg and Corso, and the New York School poets, Ashbery and O'Hara. Seeing a lack of that perspective on bookshelves, I edited two editions of a major anthology, Postmodern American Poetry: A Norton Anthology, and 42 issues of the literary magazine, New American Writing. I have been reading, more recently, a lot of great writing by women, especially those writing at length, with the volume up.
The book contains 70 sonnets, all with the same title as the book. Quick-witted, ironic, and politically dedicated to good cause, Hayes speaks from his own experience as an African-American: “Probably twilight makes blackness dangerous/Darkness. Probably all my encounters/Are existential Jambalaya.”
Winner of the National Book Award for his earlier work, Lighthead, he is a poet to watch for his moral sense and mastery of poetic form. The book was written in the first two hundred days of the first Trump presidency.
Finalist for the National Book Award and the National Book Critics Circle Award in Poetry
One of the New York Times Critics' Top Books of 2018
A powerful, timely, dazzling collection of sonnets from one of America's most acclaimed poets, Terrance Hayes, the National Book Award-winning author of Lighthead
"Sonnets that reckon with Donald Trump's America." -The New York Times
In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the…
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
Hirshfield’s craft of language in this book knocks me off my feet. My head rings in the resonance of her poignant and pointed images.
The way she fuses intimate, personal experience with the immensity of nature and the fearless way she takes on the loss and peril of climate change makes me want to be a better writer and a better human. When I read the poems in this masterful collection, I am at once moved to sadness and awe and inspired to take action.
Jane Hirshfield's urgent new collection is a book of personal, ecological and political reckoning. Her poems inscribe a ledger personal and communal, a registry of our time's and lives' dilemmas as well as a call to action on climate change, social justice and the plight of refugees. The poems of Ledger record riches, both abiding and squandered, and mourn our failures. They confirm, too, the continually renewing gift of the present moment, summoning our responsibility as moral beings to sustain one another and the earth's continuance. Finally, it is the human spirit and the language of poetry - loyal instruments…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Poems irritated me as a child. They seemed parodies of counting, chants of rhythm, and repetition. I included them in my moratorium against reading fiction. On the other hand, I respected the alphabet, a kind of poem of pure form. It was orderly for no good reason and didn't mean anything. So I concluded that poems were meaningless forms that had their uses, but were not serious. I changed my mind, but it took a while—studying math and science, theology, and then philosophy and literature. I'm now a professor who studies and teaches modern literature and philosophy. I got my Ph.D. from Harvard, became a professor at Stanford, and teach at the University of Dallas.
I could suggest any number of poems and poets of our everyday fate of being lost and found. But for me the modern poet who best integrates the eye seeing with the mind questioning is the great A.R. Ammons.
I have listed just Volume 1 of his collected poems, but I also recommend Volume 2. He writes out of a consciousness that poems are found and shaped out of a life of observation, effort, and passion.
A.R. Ammons produced some of the twentieth century's most innovative and enduring poetry, collected here for the first time in its entirety. Volume I follows Ammons's development through his National Book Award-winning Collected Poems 1951-1971 and his daring work of the 1970s. The second volume rounds out Ammons's rich middle phase and startling later work, including the posthumously published Bosh and Flapdoodle.
The Complete Poems of A.R. Ammons offers authoritative texts of every published poem and includes over one hundred previously uncollected poems by "unquestionably among the best-loved poets of our time" (David Lehman).
After building a career as a women’s magazine editor, I left my job in the midst of a complicated and life-altering experience with infertility. Throughout those years I longed for connection—to other women who knew this specific pain, but also back to the person I'd always known myself to be. Infertility had stolen me from myself. The books on this list are not about infertility; rather, they speak to what it means to be a human who is enduring. For anyone feeling lost or despairing on an agonizing road to parenthood, I believe these are the books to light the way back home.
When you're living in the sterile, gleaming world of a fertility clinic, I’m not sure there’s a more inviting landscape to disappear into than the poetry of Mary Oliver.
I find something so moving and hopeful—almost meditative—in the lyricism of her language and the beauty with which she renders the natural world. What a lovely place to live, even for a few hours or a few pages.
I actually considered borrowing a line from one of these poems for the title of my book.
A New York Times Bestseller, chosen as Oprah's "Books That Help Me Through" for Oprah's Book Club
"No matter where one starts reading, Devotions offers much to love, from Oliver's exuberant dog poems to selections from the Pulitzer Prize-winning American Primitive, and Dream Work, one of her exceptional collections. Perhaps more important, the luminous writing provides respite from our crazy world and demonstrates how mindfulness can define and transform a life, moment by moment, poem by poem." -The Washington Post
"It's as if the poet herself has sidled beside the reader and pointed us to the poems she considers most…
I spent long days at the beach as a kid, and sharp bits of horseshoe crab shells in my sandcastles were a frequent annoyance. As an adult, I discovered a horseshoe crab lurching its way back to the water and wondered: What's the deal with this weird animal? To find out, I read books, talked with scientists, and assisted with horseshoe crab and shorebird research. What I discovered—about horseshoe crabs, other animals, and the water they live in—was too amazing to keep to myself. I hope my book encourages kids to go out and explore wild places, too!
To me, this book feels like a walk along the beach. I pick up each poem, sink into the swirls and splashes of color, and let my mind wander. Books that encourage such meandering strolls near the ocean have a special place in my heart: the idea for my horseshoe crab book started on just such a walk. Water Sings Blue is a great reminder that you never know what wonders you will discover when you go outside and let your curiosity guide you.
Come down to the shore with this rich and vivid celebration of the ocean! With gorgeous watercolors by award-winning artist Meilo So and lyrical, playful poems by Kate Coombs, The Water Sings Blue evokes the beauty and power, the depth and mystery, and the endless resonance of the sea.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am Monique “Nikki” Murphy, an awarded poet, author, and Diversity, Equity, and Inclusion professional. I grew up in a Black low-income neighborhood with the love of a single mother and the absence of a father, which all impacted the way I experienced the failed promise of justice and equality for all. My mother, an avid reader of Black novels, fostered a love of reading in me and a deep sensitivity to caring about the issues that affected Black people. This sensitivity manifested in a career in Diversity, Equity, & Inclusion and a love of creative writing & books that explore issues of inequality, trauma, and personal development. As a poet, I love the artistic exploration of our lived experiences and art that inspires activism.
Yrsa-Daley Ward is a complete sentence. Her work is everything and even Beyonce took note, bringing her on to write for Black Is King. Her debut poetry collection,Bone, introduced me to a perspective that I had not explored: that of a first-generation black British queer woman. Yet and still, her experience and words resonated so deeply, highlighting the interconnectivity of the African diaspora, and particularly, Black women. It shined a light on issues of sexual assault, religion, and society’s expectations of women, which are some of the same issues that I write about. And despite the trauma captured in the poems, it has an overarching inspirational message for all of us:
“yrsa daley-ward’s bone is a symphony of breaking and mending. . . . she lays her hands on the pulse of the thing. . . . an expert storyteller. of the rarest. and purest kind.” —nayyirah waheed, author of salt.
From the celebrated poet Yrsa Daley-Ward, a poignant collection of poems about the heart, life, and the inner self.
Foreword by Kiese Laymon, author of Heavy: An American Memoir
Bone. Visceral. Close to. Stark.
The poems in Yrsa Daley-Ward’s collection bone are exactly that: reflections on a particular life honed to their essence—so clear and pared-down, they become universal.
As a kid, I loved how words on a page transported me. Later, I was astounded by how the words I wrote myself could help me solve problems, deepen my understanding, and expand my thinking. Over time, that writing offered clarity and built my confidence. And in my most challenging times, writing has saved me over and over again. Learning to observe like a writer or an artist continues to help me be more present in my life. Sharing expressive writing experiences with others, during a 35-year career as a writer and workshop facilitator, allowed me to witness how this creative engagement offers a respite while building resilience and joy in others too.
Susan Wooldridge’s Poemcrazy is a vibrant collage in which she shares her poetry-writing journey in rich detail. From evocative chapter titles, quotes by poets, and poems from a variety of lesser-known voices, each element plays a part in setting up and illustrating an approach or addressing the topic at hand. My favorite part of this book is the “Practice” opportunities Wooldridge crafts for us. Get out your pencil! This book, informed by Wooldridge’s expressive arts practice, is one in which we, the readers, are invited to play. You’ll be surprised and delighted by what Poemcrazywill inspire you to write.
Following the success of several recent inspirational and practical books for would-be writers, Poemcrazy is a perfect guide for everyone who ever wanted to write a poem but was afraid to try. Writing workshop leader Susan Wooldridge shows how to think, use one's senses, and practice exercises that will make poems more likely to happen.
I have specialised in writing about radicals and non-conformists who seem to me to be the most interesting people in the world. I like books about people doing challenging things and making a difference. I love travelling to obscure archives in other countries and finding the riches of personal papers in dusty old rooms curated by eccentric archivists who greet me like an old friend.
As the years pass it seems to me that Sylvia Plath is not just one of the notable poets of the second half of the twentieth century but the stand-out voice after whom everyone had to refer back to her. Her death by suicide still stirs the imagination; her poems are a kind of controlled scream showing her wrestling with an intolerable mental condition.
This comprehensive volume contains all Sylvia Plath's mature poetry written from 1956 up to her death in 1963. The poems are drawn from the only collection Plath published while alive, The Colossus, as well as from posthumous collections Ariel, Crossing the Water and Winter Trees.
The text is preceded by an introduction by Ted Hughes and followed by notes and comments on individual poems. There is also an appendix containing fifty poems from Sylvia Plath's juvenilia.
This collection was awarded the 1981 Pulitzer Prize for poetry.
'For me, the most important literary event of 1981 has been the publication, eighteen…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Before I started writing, my understanding of war largely came about through its manifestation over subsequent decades in individuals. My grandfather selectively shared stories from his time as a bomber, then as a POW in Germany. Maybe it was this conjunction, a personal sense of rebuilding and of storytelling, that has driven my interest in the subject over these years, as a journalist and critic and then as an author of a book on the subject.
Wars take a long time to end. Work is done to bury the loss, grief, and guilt described above as quickly as possible. Oftentimes the forces that stand to profit from this forgetting succeed, except among those groups which are either ignored or for whom the loss is too deep. What Layli Long Soldier’s brilliant Whereas discloses is how the acts of government, the papers generated like planks over a well, seek to hide that grief and loss, and how those groups might reclaim the stories those papers hope to disappear.
WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations.