Here are 100 books that The Complete Poems of A. R. Ammons fans have personally recommended if you like
The Complete Poems of A. R. Ammons.
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When students ask me: ‘Do you never get bored with a film after you have analyzed it thoroughly?’ my usual reply is: ‘Either the film is not as good as you have assumed, or your analysis is not succinctly enough’. The books I recommend have all, in their own ways, taught me how and why I love the movies as I do. (Film) theory ideally functions as a stepping-stone to cinephilia, and the best way to ensure that a love for cinema will grow is to develop an attention to details, idiosyncratic shot transitions, focus (or out-of-focus), striking performances, un-heard camera movements (or the choice of a static shot).
First remarkable fact: This was written by a philosopher. Second remarkable fact: the study was published at a time when film studies had a strong political orientation, and therefore Cavell’s book was an odd one out, for it had a ‘light-hearted’ subject: seven screwball comedies, made between 1934 and 1949. Its relevance has only been acknowledged in retrospect.
Cavell’s style is colloquial and his aim was to set up a ‘dialogue’ with the films. Even though I am less enamored with his philosophical interventions, this work helped me to truly appreciate all seven ‘comedies of remarriage’ he had selected, and The Awful Truth (Leo McCarey, 1937) in particular has remained one of my all-time favorites ever since. Any analysis that encourages us to love a movie under discussion is worth recommending.
During the '30s and '40s, Hollywood produced a genre of madcap comedies that emphasized reuniting the central couple after divorce or separation. Their female protagonists were strong, independent, and sophisticated. Here, Stanley Cavell names this new genre of American film-"the comedy of remarriage"-and examines seven classic movies for their cinematic techniques and for such varied themes as feminism, liberty, and interdependence.
Included are Adam's Rib, The Awful Truth, Bringing Up Baby, His Girl Friday, It Happened One Night, The Lady Eve, and The Philadelphia Story.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Poems irritated me as a child. They seemed parodies of counting, chants of rhythm, and repetition. I included them in my moratorium against reading fiction. On the other hand, I respected the alphabet, a kind of poem of pure form. It was orderly for no good reason and didn't mean anything. So I concluded that poems were meaningless forms that had their uses, but were not serious. I changed my mind, but it took a while—studying math and science, theology, and then philosophy and literature. I'm now a professor who studies and teaches modern literature and philosophy. I got my Ph.D. from Harvard, became a professor at Stanford, and teach at the University of Dallas.
A photograph gives me the form of the bird, but it remains up to me to see the bird as a bird. And that can be difficult. What do we see when we see a bird?
The Peregrine, J. A. Baker’s masterpiece of descriptive prose, provides an answer, an answer that is as much about how we see as it is about what we see when we see birds. Sometimes we pull ourselves into the sight of others and the world emerges as more than its light. We see by being seen.
Baker achieves this kind of seeing both in his efforts to see a pair of peregrines and in his description of this achievement.
David Attenborough reads J. A. Baker's extraordinary classic of British nature writing.
The nation's greatest voice, David Attenborough, reads J. A. Baker's extraordinary classic of British nature writing, The Peregrine.
J. A. Baker's classic of British nature writing was first published in 1967. Greeted with acclaim, it went on to win the Duff Cooper Prize, the pre-eminent literary prize of the time. Luminaries such as Ted Hughes, Barry Lopez and Andrew Motion have cited it as one of the most important books in twentieth-century nature writing.
Despite the association of peregrines with the wild, outer reaches of the British Isles,…
Poems irritated me as a child. They seemed parodies of counting, chants of rhythm, and repetition. I included them in my moratorium against reading fiction. On the other hand, I respected the alphabet, a kind of poem of pure form. It was orderly for no good reason and didn't mean anything. So I concluded that poems were meaningless forms that had their uses, but were not serious. I changed my mind, but it took a while—studying math and science, theology, and then philosophy and literature. I'm now a professor who studies and teaches modern literature and philosophy. I got my Ph.D. from Harvard, became a professor at Stanford, and teach at the University of Dallas.
T.J. Clark’s diary explorations of two Poussin paintings in The Sight of Death integrates an acuity of seeing with a searching intelligence that is simultaneously content, historical, personal, and linguistic.
He puzzles through a visceral sense of revelatory permanence in Poussin, a discovery of form in the details of painting: “Aren’t there plenty of moments in life that, whether they last or not, have enough of permanence about them to stand for things as they are, things as the mind conceives them –and not just to stand for them notionally, but have them be visible on their face?” He reveals this face.
A renowned art historian confronts the specific powers of painting, and the hold of the visual image on the viewer's imagination
Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions-and many more-in ways that steer art writing into new territory.
In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, Landscape with a Man Killed by a Snake (National Gallery, London) and the…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Poems irritated me as a child. They seemed parodies of counting, chants of rhythm, and repetition. I included them in my moratorium against reading fiction. On the other hand, I respected the alphabet, a kind of poem of pure form. It was orderly for no good reason and didn't mean anything. So I concluded that poems were meaningless forms that had their uses, but were not serious. I changed my mind, but it took a while—studying math and science, theology, and then philosophy and literature. I'm now a professor who studies and teaches modern literature and philosophy. I got my Ph.D. from Harvard, became a professor at Stanford, and teach at the University of Dallas.
Events that happen to us can damn us or liberate us. We will not always know which.
Stories can help show these events and their consequences, even if they might not give them any real or acceptable meaning. But our descriptions of these events can help us see our life amidst the powers of the events. Heda Margolius Kovaly offers an admirable and brilliant example in her memoir Under a Cruel Star.
The memoir is a remarkable achievement of clarity, focus, and wisdom. Her life is more than that.
Heda Margolius Kovaly's memoir of the crisis of modern Czech history recounts the tragedies and terrors in the life of a young Jewish woman, beginning with the Nazi invasion and her deportation to Auschwitz. She eventually returned to Prague, where she took part in the May 1945 uprising.
The postwar years brought hardship and fears of a new kind under Stalinism. She poignantly recounts the arrest of her husband, his conviction in the infamous 1952 Slansky trial, and his execution. Kovaly proceeds to fill in the colorless years that marked Czechoslovakia until 1968, ending on the bittersweet note that was…
For as long as I can remember, it has been of the utmost importance to find meaning in life—both for myself and for everyone else. I have spent much of my time in the past few years pushing for continued discourse in the fields of philosophy and psychology. I have studied at various educational institutions in these fields, and have thus used that knowledge to discuss topics relating to such on my podcast, Think More, which can be found on Spotify. I founded an online journal titled Modern Rebellion in the hopes of assisting contemporary artists and intellectuals with getting their work out there into the public eye.
Bukowski had a unique perspective on the world, and anyone who has read his work would most definitely agree. This book, which is a collection of some of Bukowski’s greatest pieces in my opinion, has a way of resonating with you on a personal level. Whether it be gaining a newfound perspective on the animals that scurry around our yards, or of a gambler wasting away in a casino on a Monday afternoon, Bukowski has a knack for bringing up the world’s problems in a way that is both depressing and humorous at the same time, while also giving peeks at his wit and charm as well.
Charles Bukowski examines cats and his childhood in You Get So Alone at Times, a book of poetry that reveals his tender side. He delves into his youth to analyze its repercussions.
Sometimes, you just want to feel like you’re reading in an old library during a storm, you know? Because I’ve read so widely and studied so many Classics, I’ve had the opportunity to immerse myself in old books in a way that many others haven’t. Take that obsessive bookishness and add a love for magical, literary, character-driven stories, and voilà! I’m lucky I got to write my own dark academia novel for people looking to have that experience. Hopefully these books make you just as cozy and melancholy as they make me.
John Keats is one of my all-time favorite poets. It breaks my heart to think of how many poems were left unwritten when he died young. The ones he left behind are melancholy and absolutely gorgeous. The language tastes like chocolate. He’s a master of using sound to evoke nostalgia (for people who care about the mechanics of these things. It’s okay if you don’t.) His poetry speaks for itself. Read one of his poems slowly, and you’ll feel like you’re lying in a moonlit meadow with a glass of wine, pondering eternity.
Covering the entire output of an archetypal - and tragically short-lived - romantic genius, the Penguin Classics edition of The Complete Poems of John Keats is edited with an introduction and notes by John Barnard.
Keats's first volume of poems, published in 1817, demonstrated both his belief in the consummate power of poetry and his liberal views. While he was criticized by many for his politics, his immediate circle of friends and family immediately recognized his genius. In his short life he proved to be one of the greatest and most original thinkers of the second generation of Romantic poets,…
A fake date, romance, and a conniving co-worker you'd love to shut down. Fun summer reading!
Liza loves helping people and creating designer shoes that feel as good as they look. Financially overextended and recovering from a divorce, her last-ditch opportunity to pitch her firm for investment falls flat. Then…
I’ve written five poetry books and I am presently working on my sixth. My poems are also confessional and narrative styles. I have also written two novels and enjoy writing fiction and poetry. I hope you enjoy the books on this list as much as I have. They have saved my life on many occasions.
I love this book because it’s an epic poetry book. The first of its kind. Three-hundred and ninety-six-page poetry book. Ariana Reines is one of my favorite top three modern poets as well. Poetry lovers should have this book in their collection. If not, what are you waiting for? It’s a masterpiece. I can see her soul in this book, I can see her heart. I can see her mind. It’s as if sand is literally under your feet as you read these poems divided into sections. This book is meant to be read slowly, like a fine glass of wine. It took me months to read it. It taught me that a poet is an artist and is a traveler of time and space. It taught me to break rules and to do whatever you want as a poet. It taught me to not limit myself as a writer…
Deadpan, epic, and searingly charismatic, A Sand Book is at once relatable and out-of-this-world. In poems tracking climate change, bystanderism, state murder, sexual trauma, shopping, ghosting, love, and the transcendent shock of prophecy, A Sand Book chronicles new dimensions of consciousness for our strange and desperate times.
What does the destruction of our soil have to do with the weather in the human soul? From sand in the gizzards of birds to the iridescence on the surface of spilt oil, from sand storms on Mars to our internet-addicted present, from the desertifying mountains of Haiti to natural disasters and state…
How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
I love this book. Dionne Brand conveys what it means to write through a crystalline web of ideas, poetry, and philosophy. Her profound, evocative, and real tale of imagined conversations between a poet and the clerk charged with dealing with their output is simultaneously familiar and fantastical. I got lost in the beauty of language only to be jolted into the realities of the world as it exists in all its beauty and awfulness.
On a lonely wharf a clerk in an ink-blue coat inspects bales and bales of paper that hold a poet’s accumulated left-hand pages—the unwritten, the withheld, the unexpressed, the withdrawn, the restrained, the word-shard. In The Blue Clerk renowned poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet’s pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Kiepja, and Walter Benjamin to John Coltrane, Josephine Turalba,…
As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
As well as being the best Gothic style verses in the English language with the possible exception of some by Edgar Allan Poe-there are some way ahead of their time. "If Earth & Moon were gone" prefigures Mach's Principle, which was only formulated 4 decades after EJB thought of it. Anyone lucky enough to find an edition with EJB's Essays she wrote in Brussels will have a copy of her formulation of Evolutionary theory 2 decades before Mr. Darwin claimed it as his own.
In 1846 a small book entitled Poems by Currer, Ellis and Acton Bellappeared on the British Literary scene. The three psuedonymous poets, the Bronte sisters went on to unprecedented success with such novels as Wuthering Heights, Agnes Grey, and Jane Eyre, all published in the following year. As children, these English sisters had begun writing poems and stories abotu an imaginary country named Gondal, yet they never sought to publish any of their work until Charlotte's discovery of Emily's more mature poems in the autumn of 1845. Charlotte later recalled: "I accidentally lighted on a MS. volume of verse in…
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
Ever since I can remember, during difficult periods, or just when I needed inspiration, I have turned to poetry. Eventually, I became so in love with poetry that I became a poet. I believe these five books of poetry will offer even a reader who is generally not drawn to poetry solace and strength and inspiration. I would go so far as to say each of these poetry collections has changed me for the better.
I love how Jericho Brown takes traditional poetic forms, alters them, and blends them into his completely modern voice.
These poems sing of degradation and exaltation, hate and love. They bring the music of a Black, queer man to all of us in unforgettable lines and stanzas.
The Tradition by Jericho Brown, is a cutting and necessary collection, relentless in its quest for survival while revelling in a celebration of contradiction.
A Poetry Book Society Choice
'To read Jericho Brown's poems is to encounter devastating genius.' Claudia Rankine
Jericho Brown's daring poetry collection The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does…
