Here are 82 books that Weathering Katrina fans have personally recommended if you like
Weathering Katrina.
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We moved to New Orleans in July 2005. We had six weeks in our first home, filling it with furniture, buying a new car, and taking advantage of my first job. When Hurricane Katrina collapsed the levees holding back the nearby lakes, our home – and those of 80% of the city – filled with water. As I waited for FEMA and insurance to help us, I saw instead it was our friends, friends of friends, and faith-based organizations that helped us get back on our feet. Using our own experiences as a start, I traveled to India and Japan to study how communities around the world survived and thrived during shocks.
We have all seen disaster movies and TV shows with people screaming and running around as the earthquake, tsunami, or Godzilla strikes. But Rebecca Solnit argues instead that normal people don’t panic during disasters – it is the elite, the wealthy, and the decision-makers who lose their minds. For normal people, altruism and mutual aid help all of us get through shocks, whether fire, car accident or COVID19. Her writing is excellent and she uses examples across time and space, ranging from the San Francisco earthquake at the start of the 20th century to the Mexico City earthquake at its end.
"The freshest, deepest, most optimistic account of human nature I've come across in years." -Bill McKibben
The most startling thing about disasters, according to award-winning author Rebecca Solnit, is not merely that so many people rise to the occasion, but that they do so with joy. That joy reveals an ordinarily unmet yearning for community, purposefulness, and meaningful work that disaster often provides. A Paradise Built in Hell is an investigation of the moments of altruism, resourcefulness, and generosity that arise amid disaster's grief and disruption and considers their implications for everyday life. It points to a new vision of…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
We moved to New Orleans in July 2005. We had six weeks in our first home, filling it with furniture, buying a new car, and taking advantage of my first job. When Hurricane Katrina collapsed the levees holding back the nearby lakes, our home – and those of 80% of the city – filled with water. As I waited for FEMA and insurance to help us, I saw instead it was our friends, friends of friends, and faith-based organizations that helped us get back on our feet. Using our own experiences as a start, I traveled to India and Japan to study how communities around the world survived and thrived during shocks.
Sheryl Sandberg movingly tells the story of losing her husband suddenly and having to continue with her family on her own. Grief seems a solitary process that we have to work through by ourselves. But she describes how her process of recovery required connections with friends, with family, and with institutions in her neighborhood. All of us have to deal with personal tragedies like the deaths of loved ones, and I appreciated how this book combined her sharing her personal experience with broader expertise from psychology and social science.
From Facebook's COO and Wharton's top-rated professor, the #1 New York Times best-selling authors of Lean In and Originals: a powerful, inspiring, and practical book about building resilience and moving forward after life's inevitable setbacks.
After the sudden death of her husband, Sheryl Sandberg felt certain that she and her children would never feel pure joy again. "I was in 'the void,'" she writes, "a vast emptiness that fills your heart and lungs and restricts your ability to think or even breathe." Her friend Adam Grant, a psychologist at Wharton, told her there are concrete steps people can take to…
I grew up in St. Paul, Minnesota, in a neighborhood that was stable, safe, and stimulating. After my freshman year in college, I signed up for an “urban experience” in Detroit. It turned out to be the summer of the Detroit riots. I woke up to U.S. Army vehicles rumbling into the park across from my apartment. Over the next month, I witnessed the looting and burning of whole neighborhoods. I remember thinking: what a waste! Why are we throwing away neighborhoods like Kleenex? I have been trying to answer that question ever since.
In an age of global warming, Klinenberg’s study of how Chicago did (and did not) cope with a horrible heat wave that hit the city in 1995, killing 739 residents, is more relevant than ever.
He shows how death rates varied hugely across neighborhoods, not so much based on socioeconomic status but on the cohesiveness of the community. In places where neighbors looked in on each other the death rate was lower.
Strong neighborhoods do not just enhance our lives, they can save lives.
On Thursday, July 13, 1995, Chicagoans awoke to a blistering day on which the temperature would eventually climb to 106 degrees. It was the start of an unprecedented heat wave that would last a full week - and leave more than seven hundred people dead. Rather than view these deaths as the inevitable consequence of natural disaster, sociologist Eric Klinenberg decided to figure out why so many people - and, specifically, so many elderly, poor, and isolated people - died, and to identify the social and political failures that together made the heat wave so deadly. Published to coincide with…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
We moved to New Orleans in July 2005. We had six weeks in our first home, filling it with furniture, buying a new car, and taking advantage of my first job. When Hurricane Katrina collapsed the levees holding back the nearby lakes, our home – and those of 80% of the city – filled with water. As I waited for FEMA and insurance to help us, I saw instead it was our friends, friends of friends, and faith-based organizations that helped us get back on our feet. Using our own experiences as a start, I traveled to India and Japan to study how communities around the world survived and thrived during shocks.
We can all think of cities that have been hit by some horrible events – envision Hiroshima and Nagasaki, Japan, hit by atomic weapons. Or the Oklahoma City bombing that leveled a whole block. Yet these cities not only survived, but thrived. In chapters written by different experts from around the world this book shows how resilient cities are to shocks and disasters. I especially liked the way that the authors focus on the way that we memorialize and remember the past, trying to learn lessons from shocks and bringing those emotions and learning into the present.
For as long as they have existed, cities have been destroyed-sacked, shaken, burnt, bombed, flooded, starved, irradiated, and pillaged-in almost every case they have risen again. Rarely in modern times has a city not been rebuilt following destruction, be it natural or man-made. The Resilient City explores urban disasters from around the globe and the ongoing restoration of urban life. It examines why cities are rebuilt, how a vision for the future gets incorporated into a new urban landscape, and how disasters have been interpreted and commemorated in built form. An international cast of historians, architects, and urban studies experts…
I am an Australian writer living in Europe. Returning to my hometown on the East Coast of Australia post-COVID, I confronted relentless rain and king tides threatening the beach promenade cafes. Witnessing the potential demise of these familiar spots sparked the idea for my novel. Opening with a dystopian scene of future tourists exploring submerged coastal cafes with snorkels, my work delves into the realm of "cli-fi" (climate fiction). Against the backdrop of imminent climate danger, my characters, a lovable yet obstinate Australian ensemble, navigate a world profoundly altered by the impacts of climate change. I hope what I have written is an exaggeration. I fear it may not be.
Humans can be brave, and humans can be stubborn. Abdulrahman Zeitoun is both.
Refusing to leave New Orleans as Hurricane Katrina built strength out at sea in 2005, he stays and finds himself stranded in an eerily flooded city, seemingly alone and without help. He paddles the watery “streets” in an old kayak and finds others who could not or did not leave, offering help, and for his efforts, is arrested as a suspected terrorist and looter.
This book is not a simple tale of an everyday hero. We meet a character that downplays the dangers of a brewing storm but, despite his stubbornness, is also capable of great selflessness and bravery. The negligence of the institutions we expect to protect us is an insidious theme that runs throughout.
WINNER OF THE AMERICAN BOOK AWARD AND THE LA TIMES BOOK AWARD
'Masterly. Brilliantly crafted, powerfully written and deftly reported' Guardian
The urgent and unforgettable true story of post-Katrina New Orleans . . .
In August 2005, as Hurricane Katrina blew in, the city of New Orleans has been abandoned by most citizens. But resident Abdulrahman Zeitoun, though his wife and family had gone, refused to leave. For days he traversed an apocalyptic landscape of flooded streets by canoe. But eventually he came to the attention of those 'guarding' this drowned city. Only then did Zeitoun's nightmare really begin.
I’ve always enjoyed the intrigue of the mystery and the constant back and forth of the twists and turns offer in a well-written novel. The tremor of my nerves at the base of my neck as I try to figure out the culprit and their intentions, has always enticed my imagination. To, me, those sensations are mind stimulating, and are only born through reading.
The Tin Roof Blowdown shows us New Orleans, and the surrounding areas the days after Katrina raged havoc. Taking into account the lives that have been traumatized as crime and murders increased nine-fold. Detective David Robicheaux of Iberia Parish finds himself in the midst of a murder in an old-time neighborhood, as he tries to figure out if the murder of a local black boy during a robbery was racially motivated or not. The details and stories of this horrific tragedy show the bleakness of the aftermath and that not only did many reach their deaths, but how many who survived died also. No order exists as Robicheaux tries to unravel his latest mystery.
Hurricane Katrina has transformed New Orleans into a violent wasteland. Criminals capitalise on the devastation as survivors wait for help that never comes.
David Robicheaux - his city in ruins -- is tasked with investigating the murder of a pair of looters: is it a simple case of 'stand-your-ground', or something altogether darker? The dead men's accomplice holds the key but he has disappeared to escape the people hunting him.
As Robicheaux uncovers a brutal catalogue of greed, torture and murder, his own family is threatened, and the ravaged city provides the perfect…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I’ve lived in the same place for a long time—a complicated yet beautiful place that I love and love to observe. I’ve seen a lot of change, and a lot of folks come and go in my neighborhood and within the walls of my own house. Looking at a building down the street, I can see it two paint jobs ago, the moods of former owners and friends still imprinted there. I’m becoming a relative old-timer here—while the neighborhood sees repeated turnover, I dig in harder. My long track of settledness has nurtured a tendency to chronicle this humble place, to write one version of its story.
I often wonder about the generations of people who lived in my house before me, but for better or worse, that context is lost to history. Conversely, Sarah M. Broom is privy to 60 years of intimate history of her childhood home in New Orleans East.
Making a home is an act of love; sustaining one hinges on determination, work, and community. It also helps to be treated like you matter by those in power. Broom’s tribute to her tenacious mother and family, who kept their home through times of security and lack thereof, only to lose it to Hurricane Katrina, is stunning. The house still exerts a tumultuous pull on Broom and her family. The crossing threads of love and heartbreak are sewn through this vivid, haunting memoir.
A NEW YORK TIMES BESTSELLER WINNER OF THE NATIONAL BOOK AWARD FOR NONFICTION
'A major book that I suspect will come to be considered among the essential memoirs of this vexing decade' New York Times Book Review
In 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would…
From an early age, I have made a life out of listening to, telling, teaching, and writing about war stories. I am intrigued by their widespread personal and public importance. My changing associations with these stories and their tellers have paralleled evolving stages in my life—son, soldier, father, and college professor. Each stage has spawned different questions and insights about the tales and their narrators. At various moments in my own life, these war stories have also given rise to fantasized adventure, catharsis, emotional highs and lows, insights about human nature tested within the crucible of war, and intriguing relationships with the storytellers—their lives and minds.
Awarded the Pulitzer Prize for Fiction, this collection of short stories draws upon Butler’s fluency in the Vietnamese language, his experiences as an Army intelligence specialist living in Saigon during the war, and later his extensive contacts with Vietnamese communities in and near New Orleans, Louisiana. These stories are Vietnamese aftermath tales of émigrés adjusting to post-war life in America and yearning to retain their individual and cultural identities—a quest Butler described “as a pursuit of self” in our 2005 interview. For me, this book illuminates the culture, history, and communities that I, and most American soldiers, never attempted to know when we were in Vietnam and tended to ignore once Vietnamese resettled in the U.S. This book reaffirms for me that despite our many differences, we are all linked by the joys, sorrows, and hopes of our universal human condition.
Robert Olen Butler's lyrical and poignant collection of stories about the aftermath of the Vietnam War and its impact on the Vietnamese was acclaimed by critics across the nation and won the Pulitzer Prize in 1993. A contemporary classic by one of America's most important living writers, this edition of A Good Scent from a Strange Mountain includes two subsequently published stories that brilliantly complete the collection's narrative journey, returning to the jungles of Vietnam.
I'm a recently retired Professor of French literature and cinema studies at Dartmouth College. Because I love both books and movies, I developed a course on adaptation, which I taught with pleasure for many years. I wanted to give students the opportunity to learn how to analyze literary texts and films, separately and in juxtaposition, and they especially enjoyed discovering how the “same” story works quite differently in different media. In addition to the two volumes on Tavernier, my published books include New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar France; Parables of Theory: Jean Ricardou’s Metafiction; and Rape and Representation (co-edited with Brenda Silver).
The book is a collection of short stories by my favorite mystery novel writer. Burke’s series detective, Dave Robicheaux, who is both a Louisiana cop and a moral philosopher, repeatedly strives to overcome his own flaws and set right the cruel catastrophes wrought by human ignorance, stupidity, and cruelty. Jesus Out to Sea is infused with the same narrative and poetic ferocity, but without Robicheaux this time. The collection is set in the aftermath of Hurricane Katrina and probes the human costs of the devastation wrought by nature and exacerbated by administrative corruption and bad faith.
A surprising and powerful adaptation of one of the stories—“Winter Light”—will be released theatrically in the fall of 2022 with the title God’s Country. It’s the first feature by Julian Higgins, a promising young director (who happens to be my son). The film premiered at the Sundance Film Festival to enthusiastic reviews and…
This powerful new collection of James Lee Burke's short fiction ranges across landscapes that he has made his own, from rural Louisiana and Mississippi to war-torn Vietnam and a New Orleans ravaged by Hurricane Katrina. Told with his trademark blend of lyrical prose and hard-eyed realism, they bring a host of extraordinary characters to vivid life: soldiers and prostitutes, nuns and children, musicians and gangsters, all the while movingly exploring 'the near certainty of tragedy to come and the smoldering embers of possibility in the ashes of blighted lives' (BOOKLIST). Whether bittersweet evocations of childhood and a New Orleans that…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have been writing and illustrating books for fifteen years, and I am passionate about the art of making picture books. I love music and dance too. While making this list, I was amazed by how different visual artists that I admire—and who have very different styles—were able to capture movement, rhythm, and energy. I was also fascinated by how the different authors crafted their stories and yet all of them managed to celebrate Black culture and resilience.
I love Gregory Christie’s artwork. His naïf style illustrations may seem crude and simple at first glance, but I think they are incredibly rhythmic and powerful.
His images pair seamlessly with the book's lyrical text, which depicts the awful hardships that enslaved people in New Orleans endured and the joy they felt on Sundays when they were free to play music, dance, and spend time together in Congo Square.
Winner of a Caldecott Honor and a Coretta Scott King Illustrator Honor A Kirkus Reviews Best Book of 2016 A School Library Journal Best Book of 2016: Nonfiction Starred reviews from School Library Journal, Booklist, Kirkus Reviews, and The Horn Book Magazine A Junior Library Guild Selection
This poetic, nonfiction story about a little-known piece of African American history captures a human's capacity to find hope and joy in difficult circumstances and demonstrates how New Orleans' Congo Square was truly freedom's heart.
