Books like We Begin at the End — picked by fans

Kaya Clark is the wild child I longed to be growing up. Although her family story is tragic and well-explored, how she inhabits her world of nature and allows it to inhabit her is stunning. Once again, she is a young woman who is an outcast who manages to rise above her limitations and those placed on her by society. 

Beyond the incredible storytelling and intriguing plot lines, I was mesmerized by the natural world of the North Carolina marshes, being as much a main character as Kaya herself. The intricate details of the lushness and cruelty of the natural world were incredible. In looking back at my favorite novels, one of the commonalities is the writing’s ability to come alive in my head and to take up a permanent space as much as my own lived memories. This novel is one of those.

This is a memoir that took me straight back to those beige culinary days of my Geordie upbringing, when the best thing about Autumn was rice pudding and the comfort food of the eighties. Grace writes with charm and wit, interspersing her career highs and lows with some wonderfully warm moments of nostalgia. Very moving and will make you reach for a can of Heinz tomato soup.

Harbinder Kaur, the lead detective in Elly Griffiths's charming series, describes herself as “the best gay sikh detective in West Sussex,” and together with a few amateur sleuths, she forms a delightful cast in a sort of modern-day Miss Marple-romp.

It begins with an old lady using her binoculars to take careful note of what’s happening in her sleepy seaside village, and as all fans of British cozy crime know, where there are nosy neighbors, dead bodies will soon turn up. I loved Elly Griffiths's series about archeologist Ruth Galloway, and this new series does not disappoint. In fact, Elly Griffiths herself makes a small and entirely involuntary cameo in my book. 

I am a Southern woman, and I have been a part of many a book club full of Southern women. So Hendrix’s book and his spot-on but not stereotypical descriptions of the archetypes of women in these groups is what drew me in, but then, when he brings in vampires – I adore a great vampire book – I was hooked and determined to read through and find out exactly what was going on. Who is to blame? And how do we support – or not support – one another through things we don’t understand? Powerful themes in a captivating read. 

Some animal attack stories are terrifying, some are social critiques, and some are just plain gross-out ridiculous fun. Slugs by Shaun Hutson is the latter—a trashy pulp novel filled with a roller-coaster of shock entertainment. As an animal to fear, slugs aren’t really that scary, but boy are they gross. Hutson delivers on this premise through shocking scenes of descriptive gore. If popped eyeballs and ripped flesh are your thing, Slugs delivers in troves. Do not take anything in this book seriously—the plot is absurd, the characters shallow, and the sex stuff sounds like it was written by a middle-school virgin, however, it’s impossible to put down. There’s no social commentary or character growth, only pulpy escapist fantasy. And sometimes that’s exactly what you need.

If you wish to travel far afield, have a taste for erotic in your romance (done tastefully), and unconventional heroes and heroines, this is a great story. Sinjin is wounded and wary, and Chelsea is an unconventional young woman with a great deal of determination and resilience. Their reckless passion for each other is ill-advised and they both know it, yet neither one can resist. The exotic settings and careful attention to historical detail make this a very memorable read. Don’t forget also some really hot sex scenes.

This is somewhat of an underground, little-known novel that I came across deep in the midst of a rural second-hand bookshop a few years back.

Set in 1958, the novel follows its deputy sheriff protagonist on a journey from the mid-west to Los Angeles via the famous Route 66. It has elements of noir, suspense, romance, adventure, and a good-guy vs mafia dynamic, all while tipping its hat to the American Road genre.

As a reader, you feel like you’re just another guy along for the ride, passing through state lines, watching the story unfold.  

I don’t like blood. That may surprise readers. My novels don’t dwell on gore, but I’ve written my share of grisly murders. (Maybe it’s just my blood that disturbs me?)

Anyway, a few years ago I found myself hospitalized overnight and in desperate need of a distraction. Barelli’s book caught my attention. (A writer who’s just killed her mentor/friend? Perfect!) The story transported me from that miserable ward to a murderous character’s fictional world. Who said crime doesn’t pay?

The book taught me the allure of a criminal protagonist and the healing power of thriller escapism. And it sparked an idea for another book. (Hm. Can you see a pattern developing here?)

I’ve been a reader of Jennifer Crusie for a while, so I was delighted to find that she’d moved into murder mysteries. Then, when I read this, I thought: Liz Danger and my Poppy would really get on well—so naturally I loved it! I like the creation of a small town that isn’t the normal sweet-as-pie cozy place, and the slow-burn romance is handled deftly. Just quirky enough but not too quirky.

I like Liz and her ambivalence about the town and her erratic family. Because it’s a collaboration, the two points of view (Liz and cop Vince Cooper) are distinctly different, which I really enjoyed. I immediately went on to read the rest of the series, which is the highest praise I can give!

I’m a sucker for stories about two outcasts who find belonging together, and this book does that beautifully.

It’s about a ballerina who haunts her beloved home after being murdered in the 1920s. She’s bored and desperately lonely until a crazed vampire becomes imprisoned in her mansion.

Because he’s not human, the vampire can see the beautiful ghost, and sparks fly.

This book is a master class in writing sexual tension since the characters can’t touch initially. Once they could touch, I loved how the heroine was fully comfortable in her sexuality and assertive with her less experienced vampire partner.

The author also does a great job of showing how the two progress and change through their own character arcs, with love being the catalyst for their growth.