Books like Falling Sky — picked by fans

The end of the Roman Empire in the west is a fascinating but notoriously vague saga, which often seems to be composed entirely of footnotes. In this novel John Henry Clay takes a handful of those footnotes and rebuilds mid 5th century Gaul and Italy on a grand scale. The empire is on its knees, but the aristocratic elites of the southern provinces are still living the good life on their villa estates, until all is thrown into turmoil by the invasion of Attila and his Huns. Part family drama, part broad-canvas military and political epic, the first half of the novel reaches a climax in the defeat of the Hunnic hordes by General Aetius. But in its second half the story accelerates dramatically, as Avitus, the father of the central pair of characters, leads a Romano-Gothic army from Gaul to seize power in Rome. The ramifications of Avitus’s bid… show more.

I think this is the single best edition of Julius Caesar’s original compositions: the footnotes, maps, battle diagrams, and appendices offer a treasure trove of information for the Roman history buff without overwhelming the casual reader.

(I had a particular interest in Appendix C, on “Roman Calendars, Dates, and Time,” where I learned that the main reason winter operations rarely occurred in ancient warfare was the inability to feed their animals.)

The translations struck me as contemporary sounding yet never sacrifice accuracy for clarity. I recommend this book as a perfect gateway for the fan of ancient Rome to enter the realm of authentic ancient Roman literature.

This book is from the Asterix series and in general when you read Goscinny's books, you will not regret it, as it will inspire you with many ideas.

He was able to create humor from humans, animals, inanimate objects, and all elements of the story.

As for this book, I chose it because of the events taking place in Egypt, also because of the coherent plot, fast-flowing events, sense of humor, and new ideas. As usual in this type of book, there are some historical facts, but the general structure of the story is fictional.

The historical facts here are Queen Cleopatra VII, Julius Caesar, and the relationship between them, while the rest of the events are fictional and comic.

A self-contained description of a war fought in Africa against an ambitious monarch, in which the Roman superpower struggles with an elusive enemy. Roman efforts are badly hampered by corrupt generals and Sallust, writing a generation later makes no attempt to conceal his contempt for the aristocratic establishment which happily pocketed Jugurtha's bribes. A book that reads well and is relevant today. Get the Oxford University Press edition, and get the Catiline conspiracy thrown in for free.

Many histories of Rome end in the second century that period in which Edward Gibbon judged “the condition of the human race was most happy and prosperous”. But there is a great deal of Roman history after that. Rome survived a great military crisis in the third century. The next generation of emperors based themselves near the frontiers to ward off future attacks. Machado’s extraordinary book tells the story of the City of Rome after the emperors had gone, returned into the hands of an aristocracy fascinated by its past but also committed to Roma Aeterna (Eternal Rome). Using statues and inscriptions and archaeology and a mass of little read ancient literature, Machado paints a vivid picture. Far from the new centres of power, the Roman aristocracy rebuilt, repaired, and steered the city through religious transformations, barbarian sacks, and beyond the fall of the western empire.

There are a great many novels about Roman emperors, and even a few about the rulers of the later age – Gore Vidal’s Julian, for example – but this one stands out for its originality. The emperor of the title is Constantine, one of the towering figures of Roman history, and incidentally quite important in my own books too. The novel covers the two months leading up to the battle of Milvian Bridge in AD312, but rather than giving us a panoramic view of the military campaign in Italy, Thubron chooses to tell the story as a collection of letters and diary entries. So we get the internal thoughts and reflections, ambitions and fears of a range of protagonists: Constantine himself, his wife Fausta, a Christian bishop, and several competing imperial ministers and servants. The central dilemma is the emperor’s own crisis of faith, which will lead up to his… show more.

This is a great read on the way that Rome became an empire. It puts the whole story of the city of Rome and what it developed into (i.e. the biggest power of the ancient world and a paradigm for many empires that followed) into context and into the history of the Mediterranean world. The book is so useful to read because it is well written and contemporary, but it also helps us to understand Hannibal. This is because Rome's version of Carthage and Hannibal is the only version that we have to deal with, Hannibal in many ways becomes a reflection of Roman ideas of their own imperialism.

A historical novel has to do more than just re-tell a part of history. The author has the duty to make history come alive for the reader, even if fictionalized. That means details about daily life and customs, not just buildings and battles. This book was enormously helpful in describing everyday Roman life. What the Romans were eating and wearing in Rome, they probably also ate (as near as they could) and wore in their colonies. Here I found everything from going to the barber to going to the circus.

Very few histories of Rome manage to be both trenchant and laugh-out-loud funny. Emma Southon’s is one. I was laughing and wincing at the same time. I was especially impressed because many of the figures Southon discusses (Tanaquil, Lucretia, Tarpeia) are shrouded in Rome’s self-serving patriotic myths.

Southon tells their stories in a colorful, empathetic narrative that dares to imagine what the women’s point of view might have been like. She also makes clear how much Rome, that quintessentially patriarchal ancient empire, imagined itself as founded on the bodies of women.  

For writers of historical fiction, Eagle in the Snow has attained almost mythical status. First published fifty years ago, the book is still in print mainly through the enthusiastic recommendation of readers. Wallace Breem wrote only two other works and died in 1990, so there will be nothing more from his pen. It adds piquancy to the themes of the story: it’s a tale of the passing of things and the dying of an empire. It’s the tale of a man struggling against the fading of the light, even though he knows the struggle is hopeless. It’s a story of endings in a world that does not understand its mortality.