Books like At the Ruin of the World — picked by fans

For writers of historical fiction, Eagle in the Snow has attained almost mythical status. First published fifty years ago, the book is still in print mainly through the enthusiastic recommendation of readers. Wallace Breem wrote only two other works and died in 1990, so there will be nothing more from his pen. It adds piquancy to the themes of the story: it’s a tale of the passing of things and the dying of an empire. It’s the tale of a man struggling against the fading of the light, even though he knows the struggle is hopeless. It’s a story of endings in a world that does not understand its mortality.

There are a great many novels about Roman emperors, and even a few about the rulers of the later age – Gore Vidal’s Julian, for example – but this one stands out for its originality. The emperor of the title is Constantine, one of the towering figures of Roman history, and incidentally quite important in my own books too. The novel covers the two months leading up to the battle of Milvian Bridge in AD312, but rather than giving us a panoramic view of the military campaign in Italy, Thubron chooses to tell the story as a collection of letters and diary entries. So we get the internal thoughts and reflections, ambitions and fears of a range of protagonists: Constantine himself, his wife Fausta, a Christian bishop, and several competing imperial ministers and servants. The central dilemma is the emperor’s own crisis of faith, which will lead up to his… show more.

The Empress Theodora is one of the most colourful and notorious figures in eastern Roman (or ‘Byzantine’) history, and in this book, and the sequel The Purple Shroud, Stella Duffy brings her brilliantly to life. After spending her early years in the coarse and brutally competitive demimonde of performers, dancers and prostitutes surrounding the Hippodrome of Constantinople, Theodora scales to the heights of imperial power with tenacity and determination. But she always appears as a figure of her age, immersed in the complex and often bewildering culture and society of the 6th century AD. Duffy uses the travails of Theodora’s life to take us on a tour of the eastern Mediterranean, from the slums and palaces of Constantinople to the desert monasteries of Egypt. It’s an engaging tale of rags to riches, to rags again to riches again, and remains scrupulously close to the few historical sources that survive, while… show more.

The setting for this book is only marginally late Roman, but the picture it evokes, of the shadows lengthening over the classical world, is entirely appropriate. Our hero Lucius is the duumvir, or leading magistrate, of a provincial city in Lusitania at the end of the 2nd century AD. Cultured and urbane, devoted to the classical traditions and philosophies of Rome, Lucius is disturbed both by the appearance of a fervent sect of Christians in his city, and by rumours of an approaching horde of Moorish barbarians. With conflict both within the city and without, and the daughter of the richest citizen turning to the new religion, Lucius soon finds his nerves stretched and his ideals questioned. As the barbarians surround the city walls, and Lucius tries to repel their assault with his ragged band of militia, the duumvir’s faith in his own civilisation is tested to destruction. A God… show more.

The later period of Greek history, after the conquests of Alexander the Great, is considerably less well known that the history of Classical Greece, but it was a fascinating period that radically changed the society and culture of the eastern Mediterranean and the Middle East. This book covers the period of Alexander's conquests, the fragmentation of his empire into multiple kingdoms after his death, and the Roman conquest and domination of the Greek world.

It outlines the rise and fall of dynasties and kingdoms, the Roman conquest, and the transformation of the region, firstly by the Greek culture promoted by Alexander and his successors, and then by Roman rule. It provides an accessible and informative narrative of a period in which the Middle East and Greek world underwent transformational changes.

A historical novel has to do more than just re-tell a part of history. The author has the duty to make history come alive for the reader, even if fictionalized. That means details about daily life and customs, not just buildings and battles. This book was enormously helpful in describing everyday Roman life. What the Romans were eating and wearing in Rome, they probably also ate (as near as they could) and wore in their colonies. Here I found everything from going to the barber to going to the circus.

Very few histories of Rome manage to be both trenchant and laugh-out-loud funny. Emma Southon’s is one. I was laughing and wincing at the same time. I was especially impressed because many of the figures Southon discusses (Tanaquil, Lucretia, Tarpeia) are shrouded in Rome’s self-serving patriotic myths.

Southon tells their stories in a colorful, empathetic narrative that dares to imagine what the women’s point of view might have been like. She also makes clear how much Rome, that quintessentially patriarchal ancient empire, imagined itself as founded on the bodies of women.  

Many histories of Rome end in the second century that period in which Edward Gibbon judged “the condition of the human race was most happy and prosperous”. But there is a great deal of Roman history after that. Rome survived a great military crisis in the third century. The next generation of emperors based themselves near the frontiers to ward off future attacks. Machado’s extraordinary book tells the story of the City of Rome after the emperors had gone, returned into the hands of an aristocracy fascinated by its past but also committed to Roma Aeterna (Eternal Rome). Using statues and inscriptions and archaeology and a mass of little read ancient literature, Machado paints a vivid picture. Far from the new centres of power, the Roman aristocracy rebuilt, repaired, and steered the city through religious transformations, barbarian sacks, and beyond the fall of the western empire.

I enjoyed reading Roman military history. I especially liked this book because the main character is a Capsarius, a combat medic, making this an exciting and exhilarating read. The Romans were the first to organize their army with something similar to a modern medical corps, comprising capsarii (medics) in each century and a medicus (physician) in overall charge.

I came to appreciate and admire how the capsarii, using basic rudimentary methods and medicines, were able to successfully treat their sick and injured. It was like having a mini-course in the practice of medicine in 25 BCE. I found the plot compelling. It artfully combines action and mystery as the Capsarius and his fellow legionaries encounter hot, sweltering heat, forbidden temples, and the warrior Queen of Kush.

This is a great read on the way that Rome became an empire. It puts the whole story of the city of Rome and what it developed into (i.e. the biggest power of the ancient world and a paradigm for many empires that followed) into context and into the history of the Mediterranean world. The book is so useful to read because it is well written and contemporary, but it also helps us to understand Hannibal. This is because Rome's version of Carthage and Hannibal is the only version that we have to deal with, Hannibal in many ways becomes a reflection of Roman ideas of their own imperialism.