100 Books Like Goths and Romans, 332-489

Guy Halsall has a comprehensive knowledge of the history and archaeology of the early Middle Ages as well as a firm control of all of the centuries of debates and controversies about this period.

He cuts through a lot of the misunderstandings and misinterpretations of this crucial period of history. Often opinionated but never dull, he provides the best general narrative guide to date in English on the transformation of Western Europe.

Theoderic the Ostrogoth, arguably the greatest Gothic king, ruled over Italy for more than thirty years (493-526). Moorhead offers an insightful and detailed examination of how Theoderic succeeded in maintaining peace between Goths and Romans and extended his power and prestige, only for the Ostrogothic kingdom to collapse shortly after his death due to political and religious divisions and the Reconquest by the eastern emperor Justinian. Scholars still debate the extent of Theoderic’s own responsibility for the Ostrogothic decline, and as Moorhead observes the very policies which underlay Theoderic’s success also contributed to his kingdom’s vulnerability. I just wish that Moorhead had expanded his very brief comments on Theoderic’s remarkable legacy, which included appearing in the Nibelungenlied and as a symbol of German unification.

The Visigothic kingdom of Spain was long dismissed in older books as a barbaric backwater, the darkest point of the so-called Dark Ages. Yet it was, in truth, a vibrant cultural centre for more than two centuries, until falling to the forces of Islam in 711. Hillgarth’s fascinating book gives an excellent short survey of Visigothic history, and then explores how the legends surrounding the Goths were developed and exploited by later Spanish generations, from the Christian Reconquista and the sixteenth-century Golden Age to modern times. This creation of an idealized Gothic past provided inspiration and a sense of identity in Spain, in sharp contrast to Italy where the Goths were depicted during the Renaissance as the savage destroyers of classical civilization.

The Gothic is a vast subject, ranging from medieval architecture and debates over the origins of English democracy to literature and cinema, music, and fashion. Groom does superbly to introduce all these highly diverse elements in an accessible and engaging manner, opening up a variety of avenues for those who wish to explore further. The relationship between what is now called ‘Gothic’ and the original Goths ranges from tenuous to almost non-existent, which explains the limited attention paid here to the Goths of history—indeed, I wrote my own book on the Goths in part to provide that historical framework, while drawing gratefully on Groom’s work for many of the themes which have shaped how Goths and the Gothic are understood today. 

Herwig Wolfram is the Grand Master of Germanic history. His mighty History of the Goths is a work cited perhaps more than any other by any author writing about this period, and its influence of study of Early Middle Ages is unparalleled. But History of the Goths is a heavy, dense, scholarly work, and not easy to find these days. The Roman Empire is a more popular synthesis, focusing not just on Goths, but on all Late Antiquity Germanic tribes – Franks, Burgundians, Saxons, and others – providing a rich view of the barbarians from the perspective of their Roman neighbours. 

Nobilissima swept me into a time of historical upheaval--the disintegration of the Western Roman Empire. And I watched events unfold through the eyes of a real historical figure, Placidia, sister to the outrageously incompetent Roman emperor, and an influential leader in her own right. This fast-paced, well-researched novel begins with the city of Rome encircled by Germanic invaders. Soon, Placidia is abducted by the Goths, with astonishing consequences. Bedford portrays Placidia as a warm person, loyal to her friends and followers, but also as a leader capable of making hard decisions, and I cheered for her as she steered a survival course for her beloved Roman Empire. By the end, I couldn’t help wishing that history might have turned out differently.

This book provides an exemplary hour-by-hour guide to what life was like for a citizen of Rome at the height of its power. I love that Angela not only gives us the high-society angle, bringing us into the lush gardens and sumptuous homes of Rome’s wealthy and powerful, but also the crowded apartments and streets that were home to the vast majority of the ancient city’s citizens. You walk alongside them, getting a ground-level view of the patterns of a normal day in all its mundane details, from clothing to food to labor to entertainment, rendered in fascinating prose.

Dr. Crawford, a specialist in ancient history and religion, offers a detailed and readable account of the life and reign of Constantine's longest surviving son and successor in the mid-4th century (A.D. 324-361). Often criticized by ancient sources and modern scholars alike for not being as great a soldier as his father and for favoring Arian-leaning bishops, the author tries to rehabilitate the reputation of Constantius as a capable ruler in difficult times.

Many histories of Rome end in the second century that period in which Edward Gibbon judged “the condition of the human race was most happy and prosperous”. But there is a great deal of Roman history after that. Rome survived a great military crisis in the third century. The next generation of emperors based themselves near the frontiers to ward off future attacks. Machado’s extraordinary book tells the story of the City of Rome after the emperors had gone, returned into the hands of an aristocracy fascinated by its past but also committed to Roma Aeterna (Eternal Rome). Using statues and inscriptions and archaeology and a mass of little read ancient literature, Machado paints a vivid picture. Far from the new centres of power, the Roman aristocracy rebuilt, repaired, and steered the city through religious transformations, barbarian sacks, and beyond the fall of the western empire.

There are a great many novels about Roman emperors, and even a few about the rulers of the later age – Gore Vidal’s Julian, for example – but this one stands out for its originality. The emperor of the title is Constantine, one of the towering figures of Roman history, and incidentally quite important in my own books too. The novel covers the two months leading up to the battle of Milvian Bridge in AD312, but rather than giving us a panoramic view of the military campaign in Italy, Thubron chooses to tell the story as a collection of letters and diary entries. So we get the internal thoughts and reflections, ambitions and fears of a range of protagonists: Constantine himself, his wife Fausta, a Christian bishop, and several competing imperial ministers and servants. The central dilemma is the emperor’s own crisis of faith, which will lead up to his… show more.