Here are 100 books that War and the Soul fans have personally recommended if you like
War and the Soul.
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Writing is about the metaphysical as well as the rational if it’s any good. As an author, I am always more interested in the wreckage of a crisis than the crisis itself—in the aftermath. Survivors search for purpose above all else. They undertake long sojourns, seek spiritual counsel, or find solace in art or politics. As a writer who has dealt with illness for most of my adult life, I think one path that is shared by all these novels is the discovery of agency—over one’s body, one’s choices, and one’s own life and death. There lies meaning.
Vietnam was a war complicated by political lies, class antagonism, and generational trauma.
The author seamlessly blends non-fiction with fiction, creating verisimilitude which references memoir without always being bound by the weight of facts, freeing the narrative. The horrors and hollowness of war are recounted through intimate encounters, unrequited loves, and imagined lives. In doing so, he keeps alive the friends and lovers who have died.
I found a catharsis in the clarity and coolness of his internal voice, which needs no embellishment to deliver its emotional blow. In writing about the everyday violence both during and after the conflict, he reminds us of the importance of love and morality.
The million-copy bestseller, which is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling.
'The Things They Carried' is, on its surface, a sequence of award-winning stories about the madness of the Vietnam War; at the same time it has the cumulative power and unity of a novel, with recurring characters and interwoven strands of plot and theme.
But while Vietnam is central to 'The Things They Carried', it is not simply a book about war. It is also a book about the human heart - about the terrible weight of those things we carry through…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
As an equipment operator for the Army Corps of Engineers, I didn’t serve in a “combat” role, per se, but the engineers go wherever the military needs things built, so we were often repairing IED damage, hauling supplies outside the wire, or fortifying bases so the infantry, cavalry, etc. could do their job effectively. Coming home, I owe a lot of my successful reintegration to my writing and the many people who encouraged me to share it with the world. Now with my Master of Arts in English, I’ve taught college courses on military culture, and I present for veteran art groups, writing workshops, and high schools and colleges around the country.
Grossman is a former Army Ranger who digs deep into the psychological impact of taking human life through countless interviews with fellow soldiers of all kinds. Combining these accounts with thorough psychological research, Grossman comments on society's collective aversion to killing while helping us understand its complicated acceptance—and even encouragement—of wartime killing. What was most surprising to me was that historically, only about 4% of soldiers even fire their weapon during war, and how obviously that skews from the “norm” of combat portrayed in popular media. It’s an honest, eye-opening, and important piece of work that should be required reading for every service member, police officer, or anyone tasked with carrying society’s heaviest burden.
The good news is that the vast majority of soldiers are loath to kill in battle. Unfortunately, modern armies, using Pavlovian and operant conditioning have developed sophisticated ways of overcoming this instinctive aversion. The psychological cost for soldiers, as witnessed by the increase in post-traumatic stress, is devastating. The psychological cost for the rest of us is even more so: contemporary civilian society, particularly the media, replicates the army's conditioning techniques and, according to Lt. Col. Dave Grossman's thesis, is responsible for our rising rate of murder among the young. Upon its first publication, ON KILLING was hailed as a…
I am a retired Army officer who served for 43 years. I was also in the Pentagon on 9/11 and knew that life as we knew it would change dramatically. The book I wrote, called The Impossible Mission, is about the drawdown of U.S. forces from Iraq and the birth of a small contingent called OSC-I, which I had the privilege to command, with the mission to build the Iraqi security systems. This command allowed me to bring closure to the many years I had to deal with “the war on terrorism” both from a policy perspective and by leading America’s soldiers who were at the front lines fighting the war.
This book tells the story of war from a Soldier’s perspective. He tells the story of what war “actually feels like.”
You get to feel the fear, the bonds of brotherhood, the joys of living, the pain of loss, and to face mortal danger from the eyes of those who face it every day. You will experience war in ways no other American can experience it, and it will move you in a powerful way.
From the author of The Perfect Storm, a gripping book about Sebastian Junger's almost fatal year with the 2nd battalion of the American Army.
For 15 months, Sebastian Junger accompanied a single platoon of thirty men from the celebrated 2nd battalion of the U.S. Army, as they fought their way through a remote valley in Eastern Afghanistan. Over the course of five trips, Junger was in more firefights than he could count, men he knew were killed or wounded, and he himself was almost killed. His relationship with these soldiers grew so close that they considered him part of the…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I’m a Bronze Star and Purple Heart recipient who fought in both Afghanistan and Iraq. As I explored the ramifications of combat and struggled to reintegrate when I returned home, I often felt veterans’ memoirs teetered on the brink of “war porn” as opposed to the crushing devastation and fear men and women face on the battlefield. Seeking to rectify the misconceptions about the longest-running wars in U.S. history, I began writing about my experiences on medium.com and amassed over 40,000 followers (which turned into a book deal). This list of books below directly influenced my work and—I believe—are the gold standards for true war stories.
I read this book shortly after returning home from Iraq and remained haunted for months. Despite the novel being a work of fiction, it details the modern veteran's struggle to find his place in society and his unadulterated embrace of violence and camaraderie that permeates each corner of his life. Powers’ explanation of combat is similar to the suspended moment before a car crash is told in prose that sings, and probably why he won the PEN/Hemingway Award for this work of art.
An unforgettable depiction of the psychological impact of war, by a young Iraq veteran and poet, THE YELLOW BIRDS is already being hailed as a modern classic. It is also a story of love, of great courage, and of extraordinary human survival.
WINNER OF THE GUARDIAN FIRST BOOK AWARD
NATIONAL BOOK AWARD FINALIST
NEW YORK TIMES BESTSELLER and BOOK OF THE YEAR
A TLS, GUARDIAN, EVENING STANDARD and SUNDAY HERALD BOOK OF THE YEAR
Everywhere John looks, he sees Murph.
He flinches when cars drive past. His fingers clasp around the rifle he hasn't held for months. Wide-eyed strangers praise…
As a writer and best-selling poet who addresses themes of mental health, addiction, grief, and hope, I have a deep understanding of the struggles that many face and what they are looking for when they are trying to heal, feel less alone, or come to terms with something. They are looking for honest, authentic writing from people who have made it out alive, free of platitudes and chronic optimism. For over 10 years, I have used my own writing to create connections and open conversations around sensitive topics, so of course, I would recommend other writers who do the same.
When I read this, I felt like I was being trusted with something delicate and personal. At times, it felt like I overhear something I shouldn't—but not in a bad way! Let me explain. Cofer’s poetry is what I prefer to read as it focuses on trauma, suicide, depression, and the often-unseen roads of relapse and recovery.
I appreciated how she also examined topics like racism, body dysmorphia, and self-harm. I walked away from this poetry book, having learned more about the human experience. Cofer's writing reminded me of the strength it takes just to survive another day, something too many of us take for granted.
"I have never been anything but a paper girl. Something to tear into pieces. Something to burn."
We've all been paper before. We've all been fragile. Leaflike and gently blowing, enough to create stories or build fires. We go through life like that. We come across things that tear us into pieces, and we keep going. We keep fighting, because we must. We look for ways to be whole. To be the person we dream ourselves to be.
Fragile by nature but tough by circumstance, paper girls are shaped by their love and loss. This collection of poetry and prose…
I've been a researcher, educator, and practitioner of domestic violence services for over 15 years, and am extremely passionate about this topic. After having worked in the domestic violence field, I then pursued my PhD to study this problem, which I now continue to research and teach about as an Assistant Professor of Anthropology at Moravian University. In our ever-globalizing world, I believe it's especially important for us to consider domestic violence from a cross-cultural perspective, and having studied this issue in Latin America and among Latina women in the U.S., I hope to spread that knowledge even further. More than ever, it is important for everyone to gain knowledge on this worldwide problem.
Hearing about domestic violence from a survivor’s first-hand perspective is one of the most important ways to learn about this widespread issue.
This book was one of the first that I ever read about this topic many years ago, and even though the book is nearly three decades old, it still remains one of the most powerful first-hand accounts of a survivor’s experience.
When I teach with this book, my students are blown away by Beth’s strength and what she overcomes. Through this book, they come to understand how someone can end up in such a dangerous situation, and the many barriers they often face to finding justice and safety.
I Am Not Your Victim vividly details the evolution of domestic violence during the 16-year marriage of author Beth Sipe. Encouraged to publish her story by her therapist and co-author, Evelyn J. Hall, Beth relates the background and events leading up to and immediately following the tragic act of desperation that ended the life of her sadistic perpetrator. Beth's subsequent mishandling by the police, the military, a mental health professional, and the welfare system illustrates how women like Beth face further revictimization and neglect by the very systems that should provide support and assistance. Insightful commentaries written by experts in…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I write and teach about nineteenth-century US history, and I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House. The key themes in my work—migration, diaspora, and empire—have been as central to my life journey as to my research and teaching.
Why did anti-Chinese violence continue to rise even after the Chinese Exclusion Act of 1882, reaching a terrible peak in 1885 and 1886?
In a powerful reinterpretation of Chinese exclusion, Beth Lew-Williams reveals how the 1882 act was deliberately limited in scope, poorly funded, and loosely enforced—because immigration policy at this time was still governed by diplomacy. Only in the late 1880s, with China perceived as weak, did the US unilaterally abrogate its treaty obligations and move toward outright exclusion.
The chronology really matters here: for Chinese immigrants it was a question not just of entry or exclusion, but of life and death. Deftly situating anti-Chinese violence in overlapping regional, national, and international contexts, Lew Williams shows how the idea of the immigrant “alien” emerged in tandem with national citizenship during the era of the Civil War and Reconstruction.
Winner of the Ray Allen Billington Prize Winner of the Ellis W. Hawley Prize Winner of the Sally and Ken Owens Award Winner of the Vincent P. DeSantis Book Prize Winner of the Caroline Bancroft History Prize
"A powerful argument about racial violence that could not be more timely." -Richard White
"A riveting, beautifully written account...that foregrounds Chinese voices and experiences. A timely and important contribution to our understanding of immigration and the border." -Karl Jacoby, author of Shadows at Dawn
In 1885, following the massacre of Chinese miners in Wyoming Territory, communities throughout California and the Pacific Northwest harassed,…
I have always been a history lover, but often find myself thinking about the untold stories. The people who were not writing the history books or commanding armies or ruling countries. I’ve always been more inspired by everyday people, especially women, who fought daily battles we know very little about. I find myself seeking out their stories. I love to imagine these women’s lives. What motivated them, what frightened them, what angered them. That’s what I’m most passionate about. Finding and telling their stories.
Valentine handles some very heavy topics beautifully.
Many of the characters are connected by only one thread: they are women trying to survive in West Texas in the early 1970s. It centers around a brutal incident and the quest to find justice for a Mexican teenage girl who was violently assaulted.
Throughout the story we get such an intimate look at these women’s lives. I felt like I knew them. I felt like I was sitting right next to them in their kitchen or on their front porch.
These women were all hardened by the trials life had thrown at them, and were battling the urge to protect themselves with the urge to protect one another. I loved this book because it was just so honest.
A top ten New York Times bestseller. With the haunting emotional power of American Dirt and the atmospheric suspense of Where the Crawdads Sing: a compulsive debut novel that explores the aftershock of a brutal crime on the women of a small Texas oil town.
'The very definition of a stunning debut' Ann Patchett
'Brilliant, sharp, tightly wound, and devastating' Elizabeth Gilbert
'Quite simply one of the best books I've ever read' Jeanine Cummins,
author of American Dirt
Mercy is hard in a place like this. I wished him dead before I ever saw his face...
I was always interested in history but didn’t pay much attention to the American Revolution because I thought I knew the story. When I began to read more on the topic, I found it was far more complex and more interesting than I’d realized. Eventually I wanted to go beyond the standard storyline of Lexington-Concord-Bunker Hill-Washington’s road to victory at Yorktown. I started researching the Revolution, looking at original documents, including British materials that historians did not often consult. I found a treasure trove of fascinating stories and perspectives that I hadn’t been aware of. I’ve been researching and writing on the topic ever since.
I found this book to be a much-needed challenge to the myth that the American Revolution was not tarnished by unnecessary violence. I’ve done a lot of research on the Revolution and found that Alexander Hamilton’s claim that it was an orderly process free from the violence that characterized the French Revolution was flat wrong. That’s why I was happy to find this book.
Although I was familiar with some of the events Hoock describes, I still found some of these accounts of cruelty and viciousness painful to read. Nevertheless, I’m happy that the author has made readers aware of this overlooked dimension of the Revolution.
A magisterial new work that rewrites the story of America's founding
The American Revolution is often portrayed as an orderly, restrained rebellion, with brave patriots defending their noble ideals against an oppressive empire. It's a stirring narrative, and one the founders did their best to encourage after the war. But as historian Holger Hoock shows in this deeply researched and elegantly written account of America's founding, the Revolution was not only a high-minded battle over principles, but also a profoundly violent civil war—one that shaped the nation, and the British Empire, in…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
Like everyone else, I have life-long experience of caring and not caring for things; being sometimes careful and other times careless. Communication has been my central interest as a historical sociologist, and I’ve been considering its relationship to care (attachment, affection, worry, and burden) and security. I have always liked the word care, employing it often in the sense of warm attachment, but I have been looking at how care can at times enact control, violence, or abandonment.
Starting with the public claim that Canadian society exhibits social indifference to the racialized and gendered violence connected to murdered and missing Indigenous women and girls, Granzow interrogates the presumed absence suggested the word indifference, showing that it hides something present and active: a social investment and authorization of this violence as part of the maintenance of the settler-colonial state.
Looking at the city of Edmonton historically, ways that this investment – or commitment – has materialized are elaborated, including a policing initiative (Project Kare) that collects demographic information on individuals expected to be subject to (colonial) violence and the former Charles Camsell Hospital that incarcerated Indigenous peoples from where many disappeared. This impacted my thinking on the contradictions inherent to the notion of care and the place I call home.
In 2004, Amnesty International characterized Canadian society as "indifferent" to high rates of violence against Indigenous women and girls. When the Canadian government took another twelve years to launch a national inquiry, that indictment seemed true. Invested Indifference makes a startling counter-argument: that what we see as societal unresponsiveness doesn't come from an absence of feeling but from an affective investment in framing specific lives as disposable. Kara Granzow demonstrates that mechanisms such as the law, medicine, and control of land and space have been used to entrench violence against Indigenous people in the social construction of Canadian nationhood.
