Books like Walking the Clouds — picked by fans

Among the more insidious and tragic consequences of colonialism and its assimilationist policies is the eradication of indigenous conventions around gender and sexuality. In many indigenous communities, gender and sexuality do not operate in as binary as a fashion as they do in European societies.

Highlighting these historical and contemporary possibilities for what we might call queer identities (or “two-spirit” in some communities), is Joshua Whithead’s breathtaking “Indigiqueer” anthology, Love After the End. Contributors amend the provocation, the future is indigenous, to consider how the future is also queer or indigiqueer. 

Weaving between the traditional and the contemporary, the past and the future, the ancestral and the posthuman, these tales of queer joy, love, and thriving remind us of what was lost and what is still possible as we strive toward mass decolonization.

I can think of no other book that so exquisitely inhabits the tension between indigenous knowledge traditions and science than Rae Mariz’s (Indigenous Pacific) marvelous clifi novella, Weird Fishes.

Inspired by marine science and the storytelling traditions of Hawai'i, Mariz’s world is a feast of bubbling colors and more-than-human senses that inspire an extraordinary empathy for all the wondrous beings with whom we share this planet. Weird Fishes reads like a parable and an aquatic mystery, a magnificently crafted voyage that leads the novella’s cephalopod scientist protagonist (Ceph) to the startling discovery that humanity is behind the growing disruptions to marine ecology.

How do we thrive together? Or does the survival one society hinge on the extermination of the other? Is co-existence possible for beings with such radically different natures and senses? These are the questions that will linger in your gills well after the last pages are turned.

In Latin America, the long shadow of Iberian imperialism and the racist caste system it left behind continue to dampen or mute expressions of indigeneity in our communities.

Speculative Fiction for Dreamers is a welcome countermeasure against this suppression of indigenous languages, myths, and traditions in Latin American storytelling. The contributors weave a tapestry of more-than-indigenous futurity, that is chimeric and cyborgian, a meshwork of continents and cosmovisions that blueprint futures and alternate presents in communion with ancestral pasts.

From Samy Figaredo’s Taíno-inspired play, to Ernest Hogan’s short story set in new Aztlán, the stories, comics, and poems in this anthology provide a Latin American perspective on indigenous speculative fiction.

Not all indigenous languages have a corresponding alphabet or writing system. For example, many North American indigenous languages are now represented in a Romanized alphabet, but traditionally these languages were spoken and the stories they contained were transmitted by oral tradition.

In the case of my Taino ancestors, stories were also told with pictographs or petroglyphs. I conclude my list of indigenous futurist books with stories that are told graphically, in the form of Moonshot, a collection of comics edited, written, and illustrated by indigenous storytellers and artists.

Edited by Elizabeth LaPensée (Anishinaabe & Métis) and Michael Sheyahshe (Oklahoma Caddo Nation), the imagery is striking, conjuring colorful mythoscapes and slipstream futures with indigenous people at the forefront, redefining science and technology along the way. One story features a protagonist in a wheelchair, raising questions about ableism in SF and the possibility for “Crip” Futures and Indigenous Futurism to be… show more.

Historians have written moving accounts of the discovery and settlement of the American West, but Alvin Josephy in The Patriot Chiefs tells the same story from the “other side,” meaning from the point of view of the many Indian chiefs who tried to stop the advance of first, the American colonies, and then, the American nation. One by one, their lives and their struggles light up before the reader. Although I read the book years ago, Josephy’s vivid portraits of Hiawatha, King Philip, Popé, Pontiac, Tecumseh, Osceola, Black Hawk, Crazy Horse, and Chief Joseph stay alive in my imagination to this very day. Their stories, like those of every daring explorer and hardy pioneer who made their way west, must be remembered as part of the great story of America.

As much as the current attacks on DEI may feel new or recent, the use of education and schooling to colonize and assimilate goes all the way back to the founding myths of this country and the aims of stealing land from Indigenous peoples and labor from enslaved Black communities.

This book highlights those histories across time as motivated not by personal malice or differences in cultural beliefs but by settler-colonial economic gain. Those moves were rationalized by the notion of European “civilization” as superior and enforced through violence to erase Native people, cultures, and sovereignty.

The final chapter reminds us that “the past is present” in the fights over who gets to tell the histories and what narratives get valorized or erased; the grab for land, resources, and economic power that underlies the current attacks; and in the ongoing resistance and creativity of Indigenous nations and other minoritized communities… show more.

Creation’s Journey ties actual native stories and beliefs with genuine artifacts from the vast collections of the National Museum of the American Indian. It provides a refreshing approach to our understanding of indigenous people’s utilitarian objects and how important they are in their daily lives. The photos in this book show the care for detail and craftsmanship that was pervasive in everyday Native American objects and clothing. It inspired me to commission native Americans to hand make the various costumes shown in my book.

Barry Lopez is also an author that defies choosing among his many great books about nature, including the renown Of Wolves and Men. Less known is his collection of sixty-eight tales of Old Man Coyote, the Trickster, carefully gathered from forty-two Native American tribes. One might understandably take issue with reading a white man’s version of Native American stories, but give Barry a chance to explain himself in the introduction to the book. Of course, nothing can replace the great oral tradition of Native American storytelling, but short of the real thing, this collection will help you understand the wit and wisdom of the Trickster character.

This book's evocative verse drew me in immediately, whisking me into a cozy childhood memory of my own. I love the repeated refrains of Fry Bread…which allows young ones to anticipate and ‘read along,’ increasing engagement with the child.

The beautiful illustrations, which show children of many different skin tones in the kitchen assisting and then awaiting the delicious result, amplify the story, showing how grandparents can be sources of love and support for their grandchild's network of friends.

I especially love this book because it reminds me of cooking Cuban bread pudding with my abuela for Thanksgiving, her contribution to the American holiday that reminded her of her home. 

When I was a little boy, all I wanted to be was an Indian. I have always had an open heart for the underdog, but these dark-skinned people seemed like masters of all woods lore. I wanted those skills for my own.

Now I see the friction between modern Native Americans and modern whites as inevitable, challenging, and wrought with a rotten history of broken promises. When a friendship between a native and a non-native can transcend that history to form a bond strong enough to die for, I am inspired.