Here are 100 books that Walking is a Way of Knowing fans have personally recommended if you like
Walking is a Way of Knowing.
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I have had an affinity for nature since my childhood, but I did not train as an ecologist. An increasing concern about the environment, and the people more adversely affected by ecological degradation, made me switch careers early. I have worked on issues around conservation, land and forest rights of indigenous communities, and on the importance of nature in cities. Today I am an educator with a responsibility to communicate not only about environmental issues, but why it is a priority for communities in India. I am proud to be a part of the community of women writers on the environment in India whose voices and experiences need to be heard.
We often grapple with the balance between the traditional and the modern in our lives. There are livelihoods we may perceive as primitive, and yet the products from these livelihoods find everyday use in our lives—palm jaggery to sweeten our desserts, flowers to adorn our hair, grass mats to rest on, wooden instruments that produce music and so many more. In our cocooned city lives, we forget about the millions in the villages engaged in these livelihoods doing “exceptional—yet perfectly ordinary—things to earn a living”.
Nine Rupees an Hour chronicles the struggles and aspirations of these extraordinary men and women. I remember being unable to put the book down. Everything in this book was at once familiar and at the same time unfamiliar. I have known, and used, many of the products described in the book, but how oblivious I had been about the grueling lives of those involved in…
In a rapidly urbanising nation, rural India is being erased from the popular imagination. Through her five years of travelling across the villages of Tamil Nadu, Aparna Karthikeyan gets to know men and women who do exceptional—yet perfectly ordinary—things to earn a living. She documents, through ten of these stories, the transformations, aspirations and disruptions of the last twenty-five years. The people she meets force these questions of her, and her reader: What is the culture we seek to preserve? What will become of food security without farmers? How can ‘development’ exclude 833 million people?
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I have had an affinity for nature since my childhood, but I did not train as an ecologist. An increasing concern about the environment, and the people more adversely affected by ecological degradation, made me switch careers early. I have worked on issues around conservation, land and forest rights of indigenous communities, and on the importance of nature in cities. Today I am an educator with a responsibility to communicate not only about environmental issues, but why it is a priority for communities in India. I am proud to be a part of the community of women writers on the environment in India whose voices and experiences need to be heard.
How would you deal with surviving a disastrous flood that swallows your childhood home? Krupa Ge does this by channeling her rage and anguish into a book. Writing about the devastating floods that hit her hometown Chennai, in southern India, in 2015, she deftly weaves her own experience of being stranded in the flood, worrying about her family, into the larger narrative of state apathy and culpability. At the core, this is a book about environmental injustice. The poorest in the city were the worst affected, losing family and all their possessions. And yet it was also the poor who showed extraordinary resilience and compassion: the fishermen who rescued stranded and recovered bodies or sanitation workers themselves affected but who turned up to clean the city.
Through meticulous research, the book unravels the causes of this man-made disaster, mincing no words in holding the state responsible for what it was…
I have had an affinity for nature since my childhood, but I did not train as an ecologist. An increasing concern about the environment, and the people more adversely affected by ecological degradation, made me switch careers early. I have worked on issues around conservation, land and forest rights of indigenous communities, and on the importance of nature in cities. Today I am an educator with a responsibility to communicate not only about environmental issues, but why it is a priority for communities in India. I am proud to be a part of the community of women writers on the environment in India whose voices and experiences need to be heard.
I have two pets cats, and my relationship with them is pretty straightforward—I care for them to the point of being obsessive about meeting their every need. Unlike me, the communities described in this book have a range of relationships with the non-human species they share space with. Care of course, and kinship, but also relationships of conflict and violence. Complex themes such as animal ethics, Hindu nationalism, the politics of exclusion, conservation, and even inter-species love are written about against the backdrop of the everyday lives of the villagers. The binary of domestic cow and the wild bear and the pigs that fall in between are all a part of this narrative of the tangled relationship between humans and animals. For those of us who balk at reading anthropological works, this book is a pleasure and easy read for the relatable style of writing.
What does -it mean to live and die in relation to other animals? Animal Intimacies posits this central question alongside the intimate--and intense--moments of care, kinship, violence, politics, indifference, and desire that occur between human and nonhuman animals. Built on extensive ethnographic fieldwork in the mountain villages of India's Central Himalayas, Radhika Govindrajan's book explores the number of ways that human and animal interact to cultivate relationships as interconnected, related beings. Whether it is through the study of the affect and ethics of ritual animal sacrifice, analysis of the right-wing political project of cow-protection, or examination of villagers' talk about…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I have had an affinity for nature since my childhood, but I did not train as an ecologist. An increasing concern about the environment, and the people more adversely affected by ecological degradation, made me switch careers early. I have worked on issues around conservation, land and forest rights of indigenous communities, and on the importance of nature in cities. Today I am an educator with a responsibility to communicate not only about environmental issues, but why it is a priority for communities in India. I am proud to be a part of the community of women writers on the environment in India whose voices and experiences need to be heard.
Who among us has not looked at our published academic paper and felt that tinge of sadness at so much left unsaid? This book is about all that is left unsaid—an entertaining account of the many stories behind the data collected for research that does not make it into our sanitised published papers. Traversing different parts of North India, two young women carrying out conservation research encounter not just nature but also opinionated men, corrupt officials, and a bureaucracy that worked at a frustrating snail’s pace. The accounts in the book are hilarious and relatable to anyone who has done field research, ecological or otherwise in India, where data collection is interspersed with memorable and amusing everyday conversations with a range of people. This is a book I would have loved to write myself. And I hope I still can someday, in my own way.
Thirty-two years ago, I got my start as a chef by cooking in a shoebox cafe in Boston that played with curious Asian ingredients. Ten years later, after using lots of Asian cookbooks, I was incorporating Thai and Vietnamese cooking into my menus at the restaurant I was running. A few years after that, I opened and ran a Vietnamese restaurant in Cambridge (unfortunately, after major success, it burned down after a year). After this, the tourism board of Malaysia sent me on a four-week trip to write about the street food for FoodArts magazine. It is these experiences that greatly influenced my interest in Southeast Asian cooking.
This is a glossy cookbook published first in India and then in 1994 by an Australian division of Harper Collins. I’ve made many, many recipes in this book and it’s opened my eyes to the meat-free, texturally complex cuisine of South India. The careful but dynamic mix of ingredients such as mustard seeds, curry leaves, dried coconut, dal, and cumin seeds used in tempering dishes brings the food to life. I recommend this book to the curious and adventuresome home cook who enjoys shopping at Indian markets. The recipes are solid and for the most part easy once you become familiar with its cuisine and techniques.
"Dakshin" in an ancient Sanskrit word meaning "south." It symbolizes what this Indian cookbook is all about - the best and most delicious of South Indian vegetarian cuisine.
Filled with tempting recipes and beautiful photographs, Dakshin: Vegetarian Cooking from South India presents the finest cooking from the region. Drawn from the states of Kerala, Karnataka, Tamil Nadu, and Andhra Pradesh, and the union territory of Pondicherry, the recipes in this vegetarian cookbook bring traditional South Indian cooking within reach of any cook in any kitchen.
From sambars and rasams, to cooling desserts and sweet treats, Dakshin takes you through the…
I graduated early from the University of Michigan - Ann Arbor to come back to my home country and work in Indian politics. Since then I’ve worked with a Member of Parliament, handled campaign design in states across India, and headed data analytics for India’s largest political party. This experience gave me an inside view of how politics operates and how elections are actually won. The fact that this was at a time when Indian politics was going through massive changes with micro-targeting, digital technologies and disinformation gaining ground made the experience even more unique. Based on this experience, my books detail how power is gained, (mis)used, and lost.
Although elections are dependent on how people choose to cast their ballot in the voting booth, politics is much larger than just elections. Political power isn’t just retained by convincing citizens to vote for you, it is sometimes also retained by crushing opposition voices and concocting fake narratives. This book shows how political parties in India have used organs of the state, including the police, investigative bodies, and intelligence agencies to consolidate power. It was a heartbreaking read, but it offered key insights into understanding how political power is actually wielded in the world’s largest democracy.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I am trained in physics but moved over to psychology and neuroscience partway through graduate school at Cornell University because I became fascinated with the stupefying complexity of brains. I found that a lot of the main ideas and approaches in these fields seemed flawed and limited—things like defining something to study such as “emotion” or “perception” without specifying what measurable quantities are necessary and sufficient to understand those things. Luckily, I was (and continue to be) mentored by independent thinkers like neuroanatomist Barbara Finlay and computational neuroscientist David Field, who instilled in me their spirit of free and deeply informed inquiry. Today, more and more brain researchers are rethinking established ideas.
Lisa Barrett is one of the most respected researchers in psychology today in part because she is unafraid to debunk the comforting misconceptions we have about our minds, and especially about our emotions. Seven and a Half Lessons About the Brain dispels myths about emotion, and about our reptilian brain, among others. One of the most important lessons in the book is that your brain is not for thinking—it is primarily for myriad other processes of maintaining internal organs, blood oxygenation, energy consumption level, balance, and for performing a host of other tasks. But for Barrett, it’s not just about debunking. She has a compelling vision of how the brain actually does work. Not only does she have deep expertise in human behavior, brain anatomy, evolution, and neurochemistry, her vision of how our minds work is also described in energetic prose.
'Highly accessible, content-rich and eminently readable . . . Fascinating and informative . . . popular science at its best.' - The Observer
'Subtly radical . . . It presents a revelatory model of consciousness that will be completely new to most readers' - The Guardian 'Best Reads For Summer'
Have you ever wondered why you have a brain? Let renowned neuroscientist Lisa Feldman Barrett, bestselling author of How Emotions Are Made, demystify that big grey blob between your ears . . .
In seven short chapters (plus a brief history of how brains evolved), this slim, entertaining, and accessible…
There’s a surging Western school of thought which claims that there’s no Asia. Really? Just look at my personal cultural connections with all corners of Asia. As a Hindu Sindhi Singaporean, I can relate directly to India and Southeast Asia, which has an Indic base. My name, “Mahbubani”, has Arabic/Persian roots. “Mahbub” means “beloved”. My mother took me to Buddhist temples when I was a boy, too, giving me an intimate connection with China, Japan, and Korea. In short, Asia is intimately connected. The goal of my ten books has been to give voice to the larger Asian story in a world imprisoned by Western perspectives.
As the great Asian renaissance gathers momentum in the 21st century, many young Asians will begin to rediscover their own cultures and civilizations, just as the West did in its first cultural renaissance in the 15th century. Few understand classical Indian civilization as well as Amartya Sen does.
Since Asian cultures are associated with despotism and Western cultures with individual liberties, Sen says, “The claim that the basic ideas underlying freedom and tolerance have been central to Western culture over the millennia and are somehow alien to Asia is, I believe, entirely rejectable.” Living up to the spirit of the title of his book, Sen demonstrates in this book that he’s an argumentative Indian and Asian. Argumentative Asians will eventually win the argument with the West.
From Nobel prize-winning economist Amartya Sen, The Argumentative Indian: Writings on Indian Culture, History and Identity brings together an illuminating selection of writings on contemporary India.
India is an immensely diverse country with many distinct pursuits, vastly different convictions, widely divergent customs and a veritable feast of viewpoints.
Out of these conflicting views spring a rich tradition of skeptical argument and cultural achievement which is critically important, argues Amartya Sen, for the success of India's democracy, the defence of its secular politics, the removal of inequalities related to class, caste, gender and community, and the pursuit of sub-continental peace.
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Set in South India in the 1950s, this is a story of Meera, Manuel, and Shankar—three conflicted souls, each with secrets that can destroy the other. It is a beautiful novel showing how one can become a prisoner of one's secrets and live compromised lives. The descriptions are so hauntingly vivid that they will remain etched in my mind forever. I loved the narration and the poetic language, and the bittersweet ending was like icing on the cake.
A most unusual story of love.Do relationships built upon the one foundation that relationships must never be built on – secrets – really crumble?Set in South India in the 1950s, this is the story of Meera, Manuel, and Shankar – three conflicted souls each with secrets that can destroy the other.A story told in a way where you, the reader, are privy to the secrets, and made part of the conflict as you watch the story unfurl into consequences that arise when one becomes a prisoner of their secret.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
Thanks to access to a good community library, I developed an interest in history from the age of seven. My interest in India grew when I married Indian-born Atam Vetta. After teaching, I set up a business and was director of Oxford Antiques Centre. In 1998, while chair of the Thames Valley Art and Antique Dealers Association, I was invited to become the art and antiques writer for The Oxford Times. That was how my freelance writing career began but since 2016 I have concentrated on writing fiction and poetry but make occasional contributions to The Madras Courier.
If you already know a lot about India and are interested in an unusual insight into the role of temples in the history, culture, architecture, and myths of the subcontinent, then this is for you. It will also introduce you to thirteen writers who include journalists, academics, and authors. Each one was asked to write about one temple, recounting its origins and the mythology and history surrounding it. It’s beautifully illustrated by Mistunee Choudhury. You can enhance the experience by googling the locations. It has introduced me to some must-see places to go on my want to visit list. I visited the unforgettable temples of Khajuraho and they appear in my own book.
The great temples of the Indian subcontinent are uniquely fascinating spaces. Steeped in mythology and history, they are windows into a complex, often contrary culture. Where the Gods Dwell delves into the ‘(hi)stories’—history and mythology—of thirteen architectural marvels that have inspired awe, and not only in the hearts of the faithful.
Every essay in this book is an intriguing mix of historical detail, mythological narrative and architectural commentary, supplementing and complementing each other to tell a story that is more than the sum of its parts. From Pashupatinath in Nepal to the Nallur Kandaswamy in Sri Lanka, the Kamakhya in…