100 Books Like Nine Rupees an Hour

How would you deal with surviving a disastrous flood that swallows your childhood home? Krupa Ge does this by channeling her rage and anguish into a book. Writing about the devastating floods that hit her hometown Chennai, in southern India, in 2015, she deftly weaves her own experience of being stranded in the flood, worrying about her family, into the larger narrative of state apathy and culpability. At the core, this is a book about environmental injustice. The poorest in the city were the worst affected, losing family and all their possessions. And yet it was also the poor who showed extraordinary resilience and compassion: the fishermen who rescued stranded and recovered bodies or sanitation workers themselves affected but who turned up to clean the city.

Through meticulous research, the book unravels the causes of this man-made disaster, mincing no words in holding the state responsible for what it was… show more.

This is a small book. But in its own way, it is rich and detailed when it comes to how profoundly it draws out the relationship between the forest and the Kadars, an indigenous community residing in South India. The authors visiting the forest are researchers from the city, but here in the forest their teachers are the Kadars whose very name means “people of the forest.” With a touch of humour the book, wonderfully illustrated, is an ode to the traditional ecological knowledge, powers of observation, and story-telling skills of the Kadars. The simple activity of walking on a forest path with the Kadars is a revelation of the wealth of knowledge they possess and their relationship with the plants, animals, and even spirits. This is knowledge no ecological textbook can provide, but this knowledge is immeasurable in its value.

I have two pets cats, and my relationship with them is pretty straightforward—I care for them to the point of being obsessive about meeting their every need. Unlike me, the communities described in this book have a range of relationships with the non-human species they share space with. Care of course, and kinship, but also relationships of conflict and violence. Complex themes such as animal ethics, Hindu nationalism, the politics of exclusion, conservation, and even inter-species love are written about against the backdrop of the everyday lives of the villagers. The binary of domestic cow and the wild bear and the pigs that fall in between are all a part of this narrative of the tangled relationship between humans and animals. For those of us who balk at reading anthropological works, this book is a pleasure and easy read for the relatable style of writing.

Who among us has not looked at our published academic paper and felt that tinge of sadness at so much left unsaid? This book is about all that is left unsaid—an entertaining account of the many stories behind the data collected for research that does not make it into our sanitised published papers. Traversing different parts of North India, two young women carrying out conservation research encounter not just nature but also opinionated men, corrupt officials, and a bureaucracy that worked at a frustrating snail’s pace. The accounts in the book are hilarious and relatable to anyone who has done field research, ecological or otherwise in India, where data collection is interspersed with memorable and amusing everyday conversations with a range of people. This is a book I would have loved to write myself. And I hope I still can someday, in my own way.

It seems we don’t have as many opportunities to read fables as we grow up and this is a loss. That is why The Story of a Goat is such a wonderful chance to remember the power of fables and allegories. This book taught me about our human capacities for cross-species compassion and love. The simple writing style and pacing of the story can sort of sneak up on you as you develop sincere feelings for the main character, a small black goat. Additionally, the back story of why Murugan wrote this particular book is fascinating and adds such depth to the reading experience. 

“Do you understand the sadness of geography?” is the epigraph by Michael Ondaatje to this short story collection, I would ask the same.

Memory and desire are central emotions in the lives of South Indian immigrants who move. The sense of dislocation belongs equally to the ones who go and the ones who stay and is woven beautifully in these stories.

In one, brochures about marvels in a retired home in Tamil Nadu are flaunted by a daughter who lives in Atlanta and cannot take care of her mother in India. The mother had encouraged the daughter to seek fortune in America but longs for the old life when the children did not move away.

The contradictions are powerfully rendered in all the stories and they speak to me.

It is often hard to get our minds around poverty and the scarcity of resources that affect people’s lives. This is especially true of rural life in the Global South. This is a highly accessible book written by an eminent journalist in India and is considered to be a classic text on rural poverty. It also illuminates the failures of governance including the programs and policies that seek to help poor and marginalized communities in countries like India.

I read this book on my way home from India about 9 years ago, after a women’s leadership conference in Bangalore at the Art of Living Foundation International Headquarters. 

It was the perfect supplement to the theme of the conference – supporting leaders. Management Mantras had a list of strategies and tips that I still use today, and greatly credit to my success. One of the best pieces of advice was the vacation schedule: 3-day weekend every month; 1 week every quarter; 2 weeks every 6 months. 

These breaks allow us to be rejuvenated and refreshed so we catch burnout before we burn up!  It is an easy read, very well written, and a great resource no matter where you are in your professional journey or industry.

I’m a sucker for all things Royal! Give me a prince and/or princess looking for love in today’s world, and I’m sold. This one has a princess and a prince!

Imagine you’re a princess bidden to enter a marriage of convenience with a neighbouring land’s prince. Then, on your wedding day, you get into an accident, your new husband dies, and when you wake from a coma, you find you’ve now been legally married off to the new Crown Prince, aka your late husband’s younger brother. And he’s hot as sin itself!

This one is more on the steamy side, but don’t let it deter you. Amidst all the heat is a treasure trove of feels and warring emotions and a seismic journey of falling for the "wrong" person who now happens to be exactly the right one!

"India will sing like a bird out of its cage when she is free," says one of the characters in this wonderfully engaging book. Times of transition interest me and this book is set during the early part of Indian Independence, when everyone was trying to find a new identity and way of living, especially Victoria, one of the three main characters who is Eurasian, or as we would now say, mixed race. She is torn between the two sides of her heritage. Some of the language is shocking in our times but it is a fascinating story of people caught up in a country’s re-birth. It is also a tender love story. It’s a great way to get a feel of that period of upheaval.