Here are 100 books that Seven and a Half Lessons About the Brain fans have personally recommended if you like
Seven and a Half Lessons About the Brain.
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I am an author, science journalist, and storyteller. I worked for the PBS science series NOVA for many years, producing documentaries, podcasts, digital video series, and interactive games on everything from asteroids to human origins to art restoration. But I am particularly fascinated by strange brains, which is why I wrote my first book, The Memory Thief. I am currently at work on a second book about a different neurological disorder.
Neuroscientist György Buzsáki believes that focusing on human mental constructs (imagination, attention, instinct) gets in the way of seeing things from the brain’s perspective. Rather than being a blank slate waiting for experiences to etch new pictures onto it, the brain comes equipped with a huge reserve of built-in patterns, each one created by connected groups of neurons. In his view, memory formation is a game of matching those patterns with meaningful experiences so that your brain can better predict the future and the consequences of your actions. I walked away from this book with my brain very much changed.
Gyoergy Buzsaki's The Brain from Inside Out examines why the outside-in framework for understanding brain function have become stagnate and points to new directions for understanding neural function. Building upon the success of Rhythms of the Brain, Professor Buzsaki presents the brain as a foretelling device that interacts with its environment through action and the examination of action's consequence. Instead of a brain that represents the world, consider that it is initially filled with nonsense patterns, all of which are gibberish until grounded by action-based interactions. By matching these nonsense "words" to the outcomes of action, they acquire meaning.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am trained in physics but moved over to psychology and neuroscience partway through graduate school at Cornell University because I became fascinated with the stupefying complexity of brains. I found that a lot of the main ideas and approaches in these fields seemed flawed and limited—things like defining something to study such as “emotion” or “perception” without specifying what measurable quantities are necessary and sufficient to understand those things. Luckily, I was (and continue to be) mentored by independent thinkers like neuroanatomist Barbara Finlay and computational neuroscientist David Field, who instilled in me their spirit of free and deeply informed inquiry. Today, more and more brain researchers are rethinking established ideas.
Thanks to Freud, one of the most cherished ideas in psychology is that we have an unconscious. Yet because it is by definition inaccessible, our unconscious is almost impossible to study scientifically. Freud himself certainly didn’t provide much reliable evidence for its existence. Nick Chater, a respected researcher of language and perception, argues that little if any evidence for an unconscious drive exists even now, almost a century after Freud. With lively and pugnacious arguments drawn from fascinating and diverse discoveries about language and perception, Chater deconstructs the unconscious and argues instead for a human mind that is inherently dynamic and in-the-moment. When I have assigned this book to my undergraduate students studying perception it has provoked some of the most heated debates, which is how I know it is a great book!
A radical reinterpretation of how your mind works - and why it could change your life
'An astonishing achievement. Nick Chater has blown my mind' Tim Harford
'A total assault on all lingering psychiatric and psychoanalytic notions of mental depths ... Light the touchpaper and stand well back' New Scientist
We all like to think we have a hidden inner life. Most of us assume that our beliefs and desires arise from the murky depths of our minds, and, if only we could work out how to access this mysterious world, we could truly understand ourselves. For more than a…
I am trained in physics but moved over to psychology and neuroscience partway through graduate school at Cornell University because I became fascinated with the stupefying complexity of brains. I found that a lot of the main ideas and approaches in these fields seemed flawed and limited—things like defining something to study such as “emotion” or “perception” without specifying what measurable quantities are necessary and sufficient to understand those things. Luckily, I was (and continue to be) mentored by independent thinkers like neuroanatomist Barbara Finlay and computational neuroscientist David Field, who instilled in me their spirit of free and deeply informed inquiry. Today, more and more brain researchers are rethinking established ideas.
A popular myth that refuses to die is the idea that the left brain and right brain do quite different things. Chris McManus, a researcher of human perception, as well as a medical doctor, wrote the delightful book Right Hand, Left Hand in part to dispel these myths, but also to explore the wonderous world of laterality. From handedness, to how development builds a symmetrical organism, to asymmetries in subatomic particles, this exuberant book takes you on a grand tour of fascinating ideas and observations, told with the detail, color, and organization of a great symphony.
A labor of love and enthusiasm as well as deep scientific knowledge, Right Hand, Left Hand takes the reader on a trip through history, around the world, and into the cosmos, to explore the place of handedness in nature and culture. Chris McManus considers evidence from anthropology, particle physics, the history of medicine, and the notebooks of Leonardo to answer questions like: Why are most people right-handed? Are left-handed people cognitively different from right-handers? Why is the heart almost always on the left side of the body? Why does European writing go from left to right, while Arabic and Hebrew…
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
I am trained in physics but moved over to psychology and neuroscience partway through graduate school at Cornell University because I became fascinated with the stupefying complexity of brains. I found that a lot of the main ideas and approaches in these fields seemed flawed and limited—things like defining something to study such as “emotion” or “perception” without specifying what measurable quantities are necessary and sufficient to understand those things. Luckily, I was (and continue to be) mentored by independent thinkers like neuroanatomist Barbara Finlay and computational neuroscientist David Field, who instilled in me their spirit of free and deeply informed inquiry. Today, more and more brain researchers are rethinking established ideas.
No idea in psychology is more attractive than the notion that we have evolved to be super-amazing in terms of certain traits: our logic, mating strategies, food gathering techniques, emotional reactions, are all the best that they can be because evolution settles for nothing less. Daniel Milo, a philosopher of biology, shows instead that evolution almost always settles for “good enough” rather than what is optimal. From the size of our kidneys to our procreative abilities, what matters is what is workable, not what is best. This idea is widely supported, but still unorthodox in evolutionary psychology—and even in parts of evolutionary biology. Breaking out of rigid beliefs that the way things are is the best of all possible worlds is a liberating experience, and one well articulated by Milo.
In this spirited and irreverent critique of Darwin's long hold over our imagination, a distinguished philosopher of science makes the case that, in culture as well as nature, not only the fittest survive: the world is full of the "good enough" that persist too.
Why is the genome of a salamander forty times larger than that of a human? Why does the avocado tree produce a million flowers and only a hundred fruits? Why, in short, is there so much waste in nature? In this lively and wide-ranging meditation on the curious accidents and unexpected detours on the path of…
The question “Who are you?” has been central to my practice over the last 30 years. This inquiry led me to live in a silent monastery for eight years. If we aren’t who we have been conditioned to see ourselves to be, then who are we? Who are we truly? This inquiry has led to happiness in my own life, it’s led to happiness in the lives of thousands of teens who have been served through the nonprofit I founded―Peace in Schools, and it’s led to happiness with the adults who have come to my workshops and retreats.
I was captivated by this one because it merges neuroscience with contemplative practices in a way that’s both practical and transformative. I appreciate how Hanson provides research-backed exercises to help rewire the brain for greater resilience and happiness.
The book’s approach to harnessing neuroplasticity resonated deeply with me, offering actionable steps to cultivate a more fulfilling and meaningful life. This blend of science and spirituality has truly enriched my personal growth journey, making it an essential read for anyone looking to leverage the brain’s power for lasting change and well-being.
LOS ANGELES TIMES BESTSELLER • “An easy-to-follow road map for creating day-to-day inner peace in today’s increasingly complex world.”—Lori Gottlieb, MFT, New York Times bestselling author of Maybe You Should Talk to Someone
Throughout history, people have sought the heights of human potential—to become as wise and strong, happy and loving, as any person can ever be. And now recent science is revealing how these remarkable ways of being are based on equally remarkable changes in our own nervous system, making them more attainable than ever before.
In Neurodharma, the follow-up to his classic Buddha’s Brain, New York Times bestselling…
I’ve been traveling since age seventeen when I boarded a plane and headed to Europe on my own. Over the next three years I lived in London, took weekend jaunts across the continent, and became completely bitten by the travel bug. Since then, I’ve traveled to more than 95 countries. I’ve lost and gained friends and lovers and made a radical career change so that I could afford my travel addiction. Like my readers, I am an ordinary person. Through travel I’ve learned courage and risk-taking and succeeded at things I didn’t know I could do. My goal in writing is to inspire others to take off and explore the world.
I think of myself as an adventurous traveler, but Dervla Murphy travels in a way that I would never even consider.
So, it’s a pleasure to sit in a comfortable chair and read about places I’ll never visit and people who I’d love to meet, but never will. Murphy writes so vividly I feel as though I am right beside her as she fends off wolves, struggles to drag a bicycle uphill through mountain snow, and shares tea with nomads.
This was her first book and every book that follows is equally compelling.
Braving hunger, heat exhaustion, unbearable terrain and cultures largely untouched by civilization, Dervla Murphy chronicles her determined trip through nine countries, through snow and ice in the mountains and miles of barren land in the scorching desert. Full Tilt is a highly individual account by a celebrated travel writer based on the daily diary Murphy kept while riding through Yugoslavia, Persia, Afghanistan, over the Himalayas to Pakistan and into India. Murphy's charm and gracious sensitivity as a writer and a traveler reveals not only civilizations of exotic people and places but the wonder of a woman alone on an extraordinary…
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
I lived the first 24 years of my life in Mumbai and traveled to many parts of India. I’ve had close friends of every community and religion and been fascinated by the incredible diversity. By studying historical crimes and how they were reported and investigated, I learned a great deal about the norms of Indian culture. Reading (and writing) historical mysteries allowed me to dive into past eras and immerse myself in the tumultuous events that have shaped our world today. While I’m obsessed with the turn of the 20th century, mysteries in later years also delight me. Enjoy this selection of mysteries set in India that reveal the inner workings of its diverse culture.
This book is misnamed Riot - A Love Story. But don’t be deceived. In fact it is the tale of an affair gone wrong: Page one starts with a news article about the death of an American student. Solving the puzzle sheds light on the Hindu-Muslim riots in India as well as the underpinning of Indian families and how they view foreign-born individuals.
The book is a murder mystery without a detective, or even a clear denouement. That put me, as the reader before a set of puzzle pieces, each from a different point of view, laid out unflinchingly to draw a picture of enormous betrayal. Murder Mystery readers expect a neat wrap-up at the end and a clean ending. Tharoor has none for us. Instead, murderers pray piously, wearing their religion with a self-righteous smirk. But no, I do not believe criminals go unpunished by the eternal eye,…
Who killed twenty-four-year-old Priscilla Hart? This highly motivated, idealistic American student had come to India to volunteer in women's health programs, but had her work made a killer out of an enraged husband? Or was her death the result of a xenophobic attack? Had an indiscriminate love affair spun out of control? Had a disgruntled, deeply jealous colleague been pushed to the edge? Or was she simply the innocent victim of a riot that had exploded in that fateful year of 1989 between Hindus and Muslims? Experimenting masterfully with narrative form in this brilliant tour de force, internationally acclaimed novelist…
I have had an affinity for nature since my childhood, but I did not train as an ecologist. An increasing concern about the environment, and the people more adversely affected by ecological degradation, made me switch careers early. I have worked on issues around conservation, land and forest rights of indigenous communities, and on the importance of nature in cities. Today I am an educator with a responsibility to communicate not only about environmental issues, but why it is a priority for communities in India. I am proud to be a part of the community of women writers on the environment in India whose voices and experiences need to be heard.
This is a small book. But in its own way, it is rich and detailed when it comes to how profoundly it draws out the relationship between the forest and the Kadars, an indigenous community residing in South India. The authors visiting the forest are researchers from the city, but here in the forest their teachers are the Kadars whose very name means “people of the forest.” With a touch of humour the book, wonderfully illustrated, is an ode to the traditional ecological knowledge, powers of observation, and story-telling skills of the Kadars. The simple activity of walking on a forest path with the Kadars is a revelation of the wealth of knowledge they possess and their relationship with the plants, animals, and even spirits. This is knowledge no ecological textbook can provide, but this knowledge is immeasurable in its value.
This is the story of a Kadar elder who takes a young urban visitor through the tangled woods that make up his ancient home. The book captures an urban nature lover's experience of learning from a forestdweller - and is beautifully illustrated to bring alive the dark richness of an lndian tropical forest.
Suspense thrillers were staple “reading food” in my college and young adult days, and my love for them continues. I always craved thrillers that are based on WWII, the Cold War, and secret scientific advances and that offered fresh historical perspectives and dared to challenge popular narratives while delighting the readers with dexterously woven fictional tales. And then, most importantly, it is the feeling the author has conducted genuine, painstaking research bringing out captivating, reasoned nuggets of history that I find most satisfying.
Can a memoir be a thriller? I say this one is. It is truly an amazing and inspiring account of an immigrant’s tenacious, fearless journey to success, from humble beginnings in a small town in India to earning a PhD in the US and becoming a multimillionaire entrepreneur.
While not exactly a historical thriller, The Blue Suitcase took me on a roller coaster ride full of fascinating cultural insights and nuances and the serendipities that shaped Thanedar’s journey.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
Ever since I followed a girlfriend on the hippie trail through Asia (see: Around the World In A Bad Mood) at 25, I had my life changed from fledgling novelist to travel writer—when, despite my professed difficulties, major magazines started calling me to see the world on their dime. I also was able to center three more book accounts of my wanderings on major life passions (Latin baseball, Brazilian music and Chinese food), so that I had enriching experiences even when the royalties weren't. I have taught courses on "travel lit" everywhere from Berkeley to Kuala Lumpur and honed a philosophy of travel writing as the ultimate in wide-eyed amateurism.
This is ostensibly a travel book, a journey of discovery for VS Naipaul, a product of the Indian diaspora deeply imbued with Western Anglo values. It's also reportage, essay, and passionate horror-filled screed. It's not a fair or objective portrait of his homeland, but it is brilliantly observed and profoundly argued.
In this book, V.S.Naipaul returns to the country which continues to intrigue and inspire him and about which he wrote "An Area of Darkness" in 1964, a semi-autobiographical account of a year spent in India. Now, twenty-five years later, he goes back to that country, returning to the places he visited years ago and talking to people of all types and at all levels of society. Naipaul started writing in 1954 he has won the John Llewelyn Rhys Memorial Prize, the Somerset Maugham Award, the Hawthornden Prize, the W.H.Smith Award and the Booker Prize, the latter with the novel "In…