Here are 100 books that Seven and a Half Lessons About the Brain fans have personally recommended if you like
Seven and a Half Lessons About the Brain.
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I am an author, science journalist, and storyteller. I worked for the PBS science series NOVA for many years, producing documentaries, podcasts, digital video series, and interactive games on everything from asteroids to human origins to art restoration. But I am particularly fascinated by strange brains, which is why I wrote my first book, The Memory Thief. I am currently at work on a second book about a different neurological disorder.
Neuroscientist György Buzsáki believes that focusing on human mental constructs (imagination, attention, instinct) gets in the way of seeing things from the brain’s perspective. Rather than being a blank slate waiting for experiences to etch new pictures onto it, the brain comes equipped with a huge reserve of built-in patterns, each one created by connected groups of neurons. In his view, memory formation is a game of matching those patterns with meaningful experiences so that your brain can better predict the future and the consequences of your actions. I walked away from this book with my brain very much changed.
Gyoergy Buzsaki's The Brain from Inside Out examines why the outside-in framework for understanding brain function have become stagnate and points to new directions for understanding neural function. Building upon the success of Rhythms of the Brain, Professor Buzsaki presents the brain as a foretelling device that interacts with its environment through action and the examination of action's consequence. Instead of a brain that represents the world, consider that it is initially filled with nonsense patterns, all of which are gibberish until grounded by action-based interactions. By matching these nonsense "words" to the outcomes of action, they acquire meaning.
Sleep. Memory. Pleasure. Fear. Language. We experience these things every day, but how do our brains create them? Your Brain, Explained is a personal tour around your gray matter. Neuroscientist Marc Dingman gives you a crash course in how your brain works and explains the latest research on the brain…
I am trained in physics but moved over to psychology and neuroscience partway through graduate school at Cornell University because I became fascinated with the stupefying complexity of brains. I found that a lot of the main ideas and approaches in these fields seemed flawed and limited—things like defining something to study such as “emotion” or “perception” without specifying what measurable quantities are necessary and sufficient to understand those things. Luckily, I was (and continue to be) mentored by independent thinkers like neuroanatomist Barbara Finlay and computational neuroscientist David Field, who instilled in me their spirit of free and deeply informed inquiry. Today, more and more brain researchers are rethinking established ideas.
Thanks to Freud, one of the most cherished ideas in psychology is that we have an unconscious. Yet because it is by definition inaccessible, our unconscious is almost impossible to study scientifically. Freud himself certainly didn’t provide much reliable evidence for its existence. Nick Chater, a respected researcher of language and perception, argues that little if any evidence for an unconscious drive exists even now, almost a century after Freud. With lively and pugnacious arguments drawn from fascinating and diverse discoveries about language and perception, Chater deconstructs the unconscious and argues instead for a human mind that is inherently dynamic and in-the-moment. When I have assigned this book to my undergraduate students studying perception it has provoked some of the most heated debates, which is how I know it is a great book!
A radical reinterpretation of how your mind works - and why it could change your life
'An astonishing achievement. Nick Chater has blown my mind' Tim Harford
'A total assault on all lingering psychiatric and psychoanalytic notions of mental depths ... Light the touchpaper and stand well back' New Scientist
We all like to think we have a hidden inner life. Most of us assume that our beliefs and desires arise from the murky depths of our minds, and, if only we could work out how to access this mysterious world, we could truly understand ourselves. For more than a…
I am trained in physics but moved over to psychology and neuroscience partway through graduate school at Cornell University because I became fascinated with the stupefying complexity of brains. I found that a lot of the main ideas and approaches in these fields seemed flawed and limited—things like defining something to study such as “emotion” or “perception” without specifying what measurable quantities are necessary and sufficient to understand those things. Luckily, I was (and continue to be) mentored by independent thinkers like neuroanatomist Barbara Finlay and computational neuroscientist David Field, who instilled in me their spirit of free and deeply informed inquiry. Today, more and more brain researchers are rethinking established ideas.
A popular myth that refuses to die is the idea that the left brain and right brain do quite different things. Chris McManus, a researcher of human perception, as well as a medical doctor, wrote the delightful book Right Hand, Left Hand in part to dispel these myths, but also to explore the wonderous world of laterality. From handedness, to how development builds a symmetrical organism, to asymmetries in subatomic particles, this exuberant book takes you on a grand tour of fascinating ideas and observations, told with the detail, color, and organization of a great symphony.
A labor of love and enthusiasm as well as deep scientific knowledge, Right Hand, Left Hand takes the reader on a trip through history, around the world, and into the cosmos, to explore the place of handedness in nature and culture. Chris McManus considers evidence from anthropology, particle physics, the history of medicine, and the notebooks of Leonardo to answer questions like: Why are most people right-handed? Are left-handed people cognitively different from right-handers? Why is the heart almost always on the left side of the body? Why does European writing go from left to right, while Arabic and Hebrew…
The brain: brilliant, powerful... and utterly bizarre. Why would someone be terrified they might slip down a shower drain? Or insist they've turned into a cat? What can rare brain disorders—and surprisingly common mental quirks—teach us about how we think, feel, and behave?
I am trained in physics but moved over to psychology and neuroscience partway through graduate school at Cornell University because I became fascinated with the stupefying complexity of brains. I found that a lot of the main ideas and approaches in these fields seemed flawed and limited—things like defining something to study such as “emotion” or “perception” without specifying what measurable quantities are necessary and sufficient to understand those things. Luckily, I was (and continue to be) mentored by independent thinkers like neuroanatomist Barbara Finlay and computational neuroscientist David Field, who instilled in me their spirit of free and deeply informed inquiry. Today, more and more brain researchers are rethinking established ideas.
No idea in psychology is more attractive than the notion that we have evolved to be super-amazing in terms of certain traits: our logic, mating strategies, food gathering techniques, emotional reactions, are all the best that they can be because evolution settles for nothing less. Daniel Milo, a philosopher of biology, shows instead that evolution almost always settles for “good enough” rather than what is optimal. From the size of our kidneys to our procreative abilities, what matters is what is workable, not what is best. This idea is widely supported, but still unorthodox in evolutionary psychology—and even in parts of evolutionary biology. Breaking out of rigid beliefs that the way things are is the best of all possible worlds is a liberating experience, and one well articulated by Milo.
In this spirited and irreverent critique of Darwin's long hold over our imagination, a distinguished philosopher of science makes the case that, in culture as well as nature, not only the fittest survive: the world is full of the "good enough" that persist too.
Why is the genome of a salamander forty times larger than that of a human? Why does the avocado tree produce a million flowers and only a hundred fruits? Why, in short, is there so much waste in nature? In this lively and wide-ranging meditation on the curious accidents and unexpected detours on the path of…
The question “Who are you?” has been central to my practice over the last 30 years. This inquiry led me to live in a silent monastery for eight years. If we aren’t who we have been conditioned to see ourselves to be, then who are we? Who are we truly? This inquiry has led to happiness in my own life, it’s led to happiness in the lives of thousands of teens who have been served through the nonprofit I founded―Peace in Schools, and it’s led to happiness with the adults who have come to my workshops and retreats.
I was captivated by this one because it merges neuroscience with contemplative practices in a way that’s both practical and transformative. I appreciate how Hanson provides research-backed exercises to help rewire the brain for greater resilience and happiness.
The book’s approach to harnessing neuroplasticity resonated deeply with me, offering actionable steps to cultivate a more fulfilling and meaningful life. This blend of science and spirituality has truly enriched my personal growth journey, making it an essential read for anyone looking to leverage the brain’s power for lasting change and well-being.
LOS ANGELES TIMES BESTSELLER • “An easy-to-follow road map for creating day-to-day inner peace in today’s increasingly complex world.”—Lori Gottlieb, MFT, New York Times bestselling author of Maybe You Should Talk to Someone
Throughout history, people have sought the heights of human potential—to become as wise and strong, happy and loving, as any person can ever be. And now recent science is revealing how these remarkable ways of being are based on equally remarkable changes in our own nervous system, making them more attainable than ever before.
In Neurodharma, the follow-up to his classic Buddha’s Brain, New York Times bestselling…
My love of history began at the age of 9 with a book given to my older brother: Our Island Story. My history teacher at school introduced me to serious historical biography and studying for a Law degree taught me the value of accuracy. The chance discovery of a notebook detailing one strand of my mother's family tree led to my current project of writing about the imagined lives of my female ancestors beginning in 1299 with my 19 times-great-grandmother Marguerite of France and ending in 1942 with my mother. Twenty-one books mean a lot of history and a mountain of research. A very pleasant way to spend my retirement.
An exciting, richly layered adventure story of the "long learning of love" set against the backdrop of the rule of the British Raj and the first rumblings of the 1857 Indian Mutiny. I lent the book to a friend and thought I'd lost it forever until I discovered it in her spare bedroom! Our narrator, Laura, has to watch as her cousin marries Charles, the man Laura loves, and is then forced to accompany the young couple on their honeymoon. Not something to be recommended! Their destination is the Kingdom of Oudh and the vast Zemindari estate of Charles's unknown brother, Oliver Erskine. I don't recommend Zemindar because it has won a host of prestigious prizes but because it is a great read.
An international bestseller and winner of the 1981 Georgette Heyer Historical Novel Prize, Zemindar is a magnificent, twisting love story, all unfolding against the tempestuous backdrop of the Indian Rebellion.
Englishwoman Laura Hewitt accompanies her newly engaged cousin to India, first to Calcutta and then to the fabled fiefdom of Oliver Erskine, Zemindar - or hereditary ruler - of a private kingdom with its own army. But India is on the verge of the Mutiny, which will sweep them all up in its chaos...
Praise for Zemindar:
'If you loved The Far Pavilions - and who didn't - this will…
I graduated early from the University of Michigan - Ann Arbor to come back to my home country and work in Indian politics. Since then I’ve worked with a Member of Parliament, handled campaign design in states across India, and headed data analytics for India’s largest political party. This experience gave me an inside view of how politics operates and how elections are actually won. The fact that this was at a time when Indian politics was going through massive changes with micro-targeting, digital technologies and disinformation gaining ground made the experience even more unique. Based on this experience, my books detail how power is gained, (mis)used, and lost.
Although elections are dependent on how people choose to cast their ballot in the voting booth, politics is much larger than just elections. Political power isn’t just retained by convincing citizens to vote for you, it is sometimes also retained by crushing opposition voices and concocting fake narratives. This book shows how political parties in India have used organs of the state, including the police, investigative bodies, and intelligence agencies to consolidate power. It was a heartbreaking read, but it offered key insights into understanding how political power is actually wielded in the world’s largest democracy.
Ever since I was a child, I’ve been dismayed by the humdrum monotony of everyday life. Of course, that is why one is drawn to books. The books on this list are historical fiction with otherworldly wonder. The world of the imagination is not an escape; it’s a portal to a new view of life. I’ve written four books set in the Italian Renaissance and two set in ancient Britain. Because of the depth of research, each one has taken about eight years. I’m constantly astonished at how imagination can fill the gaps history leaves. Striving always for plausibility, it is encouraging to count historians and archaeologists amongst my readers, cheering me on.
When I came across this book, I was on the point of giving up reading modern novels. Everything I had read recently was such a let-down at the end that sometimes I threw the book across the room in reader rage.
At last, in Rushdie, I found someone who did not disappoint. As I approached the end, I became breathless, worrying that the story was going to sink like a soufflé, but it didn’t. It just kept on rising.
Once upon a time in Fairgrounds, there was a contraption called the Hammer and Bell. It was a test of strength to see if you could make the bell ring. Most couldn’t. Most got the marker some way up the calibrated column only to see it hesitate, then begin its descent. Midnight’s Children made it to the top.
What makes a good ending? For me, it is some transcendent statement of…
*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE*
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
'A wonderful, rich and humane novel... a classic' Guardian
Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most…
Suspense thrillers were staple “reading food” in my college and young adult days, and my love for them continues. I always craved thrillers that are based on WWII, the Cold War, and secret scientific advances and that offered fresh historical perspectives and dared to challenge popular narratives while delighting the readers with dexterously woven fictional tales. And then, most importantly, it is the feeling the author has conducted genuine, painstaking research bringing out captivating, reasoned nuggets of history that I find most satisfying.
Can a memoir be a thriller? I say this one is. It is truly an amazing and inspiring account of an immigrant’s tenacious, fearless journey to success, from humble beginnings in a small town in India to earning a PhD in the US and becoming a multimillionaire entrepreneur.
While not exactly a historical thriller, The Blue Suitcase took me on a roller coaster ride full of fascinating cultural insights and nuances and the serendipities that shaped Thanedar’s journey.
Ever since I followed a girlfriend on the hippie trail through Asia (see: Around the World In A Bad Mood) at 25, I had my life changed from fledgling novelist to travel writer—when, despite my professed difficulties, major magazines started calling me to see the world on their dime. I also was able to center three more book accounts of my wanderings on major life passions (Latin baseball, Brazilian music and Chinese food), so that I had enriching experiences even when the royalties weren't. I have taught courses on "travel lit" everywhere from Berkeley to Kuala Lumpur and honed a philosophy of travel writing as the ultimate in wide-eyed amateurism.
This is ostensibly a travel book, a journey of discovery for VS Naipaul, a product of the Indian diaspora deeply imbued with Western Anglo values. It's also reportage, essay, and passionate horror-filled screed. It's not a fair or objective portrait of his homeland, but it is brilliantly observed and profoundly argued.
In this book, V.S.Naipaul returns to the country which continues to intrigue and inspire him and about which he wrote "An Area of Darkness" in 1964, a semi-autobiographical account of a year spent in India. Now, twenty-five years later, he goes back to that country, returning to the places he visited years ago and talking to people of all types and at all levels of society. Naipaul started writing in 1954 he has won the John Llewelyn Rhys Memorial Prize, the Somerset Maugham Award, the Hawthornden Prize, the W.H.Smith Award and the Booker Prize, the latter with the novel "In…
