Here are 97 books that Voyage to Muscovy fans have personally recommended if you like
Voyage to Muscovy.
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I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.
One lingering effect of the Cold War is that many people in Europe and North America have little sense of the close ties that linked all parts of Europe in the sixteenth century. This well-written mystery set during the Polish Renaissance begins with the wedding of Bona Sforza to King Zygmunt of Poland and is told by Lady Caterina Sanseverino, a widow from Bari charged with keeping Bona’s ladies-in-waiting in line. A courtier is murdered at the royal family’s Christmas feast in 1519, and as the bodies pile up, Caterina becomes increasingly drawn into the hunt for the perpetrator. The mystery is well handled, but what sets this novel apart is the author’s gift for recreating a long-ago and little-known world.
It is Christmas 1519 and the royal court in Kraków is in the midst of celebrating the joyous season. Less than two years earlier, Italian noblewoman Bona Sforza arrived in Poland’s capital from Bari as King Zygmunt’s new bride. She came from Italy accompanied by a splendid entourage, including Contessa Caterina Sanseverino who oversees the ladies of the Queen’s Chamber.
Caterina is still adjusting to the life in this northern kingdom of cold winters, unfamiliar customs, and an incomprehensible language when a shocking murder rocks the court on Christmas night. It is followed by another a few days later. The…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.
This book was my introduction to Dunnett’s Lymond Chronicles. I picked it up at a library sale and was immediately caught up in its portrayal of Francis Crawford, a Scottish adventurer who ends up at the court of Ivan the Terrible. Based loosely on the diary of Sir Jerome Horsey, it represents an older understanding of how Muscovite Russia operated, but it’s a great adventure told with vivid details and remarkable characters, still my favorite among the six books in this series.
For the first time Dunnett's Lymond Chronicles are available in the United States in quality paperback editions.
Fifth in the legendary Lymond Chronicles, The Ringed Castle leaps from Mary Tudor's England to the barbaric Russia of Ivan the Terrible. Francis Crawford of Lymond moves to Muscovy, where he becomes advisor and general to the half-mad tsar. Yet even as Lymond tries to civilize a court that is still frozen in the attitudes of the Middle Ages, forces in England conspire to enlist this infinitely useful man in their own schemes.
I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.
If Eastern and Central Europe are often ignored in historical fiction in the sixteenth century, that’s even more true of lands east of the Ural Mountains. This gorgeous study of Mughal India in the reigns of Emperor Humayun and his son Akbar charts the story of Adhira, a temple dancer in Rajasthan. Born during one of her homeland’s rare rainstorms, Adhira bears the weight of her father’s expectation that she will carry on the kathaktradition to which he has devoted his life. Through the story of Adhira and her brother Mahendra, Duva—herself a practitioner of kathak—plunges us into the highs and lows of temple life and reveals a deep understanding of the religious dance she portrays.
Shortlisted for the 2016 William Saroyan International Prize for Writing
It is 1554 in the desert of Rajasthan. On a rare night of rain, a daughter is born to a family of Hindu temple dancers just as India’s new Mughal Emperor Akbar sets his sights on their home, the fortress city of Jaisalmer, and the other Princely States around it.
Fearing a bleak future, Adhira’s father, the temple’s dance master—against his wife and sons’ protests—puts his faith in tradition and in his last child for each to save the other: he insists that Adhira is destined to “marry” the temple’s…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.
This novel, set in sixteenth-century Venice, reminds us that the Italian Renaissance was a great time to be a devotee of the pictorial arts. And it does so without getting caught up in the scandals surrounding the Borgias, who are almost as overdone as the Tudors. Luca Vianello is the heir to Venice’s premier gondola maker, until tragedy sends him off on a journey through poverty and hard work that ends when he becomes the personal boatman of the painter Trevisan. Morelli, who trained as an art historian, is intimately acquainted with the former Italian city-states, and like the other novels on my list, hers immerses you in Renaissance everyday life at a very personal level.
Award-winning historical fiction set in 16th-century Venice
Benjamin Franklin Digital Award
IPPY Award for Best Adult Fiction E-book
National Indie Excellence Award Finalist
Eric Hoffer Award Finalist
Shortlisted for the da Vinci Eye Prize
From the author of Made in Italy comes a tale of artisanal tradition and family bonds set in one of the world's most magnificent settings: Renaissance Venice.
Venetian gondola-maker Luca Vianello considers his whole life arranged. His father charted a course for his eldest son from the day he was born, and Luca is positioned to inherit one of the city's most esteemed boatyards. But when…
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
Shakespeare’s plays can be very funny, (many of my friends disagree with this, but I swear by the goddess of Renaissance puns it’s true!), and this is a light, fluffy book that deserves a place on any bookshelf because it embraces silliness and turns it right up to eleven. Our Will’s key predicament is something everyone who has ever written can relate to, being certain you have a literary masterpiece locked up in your mind if only you can be left alone long enough to make it magically appear on the blank page.
While I taught Shakespeare’s plays all my teaching career, I stayed in my lanes: Hamlet, Othello, The Merchant of Venice, King Lear. As a poetry teacher, I used his sonnets as examples of metaphor and form, but never did I consider myself an expert. However, when the idea for my novel popped into my head, I realized I had some serious reading to do. Not only did I study the facts, I delved into the fiction. While some of these books came out during my writing and others after, I didn’t lose my interest, picking up whatever new Shakespeare book appeared. These are some of my favorites.
This is the screenplay of the movie that caught all our hearts. Until this film was made, most people imagined William Shakespeare as a balding, portly man who wrote plays that no one could understand then or now.
But in this film, Shakespeare is a (handsome) man, questing for love as well as a writer whose words speak to everyone’s heart. Plus there’s mistaken identities, subplots, intrigue, and Queen Elizabeth. What’s not to love?
The screenplay to the critically acclaimed film which New York Newsday called one of the funniest, most enchanting, most romantic, and best written tales ever spun from the vast legend of Shakespeare. Marc Norman and renowned dramatist, Tom Stoppard have created the best screenplay of the year according to the Golden Globes and the New York Film Critics Circle.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
The Romanov saga has intrigued me since I was an undergraduate student in history many moons ago. Three hundred years of Romanov rule were filled with exotic beauty, violence, and tragedy. I went on to teach Russian history at university and was able to share some of the stories of the tsars and tsarinas with my students. Having authored books and articles in my academic field, my teaching career has ended. Now it is historical fiction that has captured my imagination and spurred me to pen my own novels set in 19th-century Africa and Afghanistan, as well as Russia during the reign of Ivan the Terrible.
Rutherford's Russka was the first novel about Russia that I read nearly thirty years ago, and its descriptions and plotting still resonates. Through the lens of four families divided by ethnicity, the book sweeps the reader from Russia's Slavic origins to the Bolshevik Revolution. The chapter in which Tsar Ivan the Terrible plays a major role is especially riveting. What impressed me the most was how the author crafted a story of Russian rule and culture spanning 1,800 years and its impact on the characters.
In this vast and gorgeous tapestry of a novel, serf and master, Cossack and tsar, priest and Jew are brought together in a family saga which unrolls through centuries of history to reveal that most impenetrable and mysterious of lands - Russia. Through the life of a little town east of Moscow in the Russian heartland, Edward Rutherfurd creates a sweeping family saga from the baffling contradictions of Russia's culture and her peoples - bleak yet exotic, brutal but romantic, land of ritual yet riddled with superstitious fears. From Russia's dawn and the cruel Tatar invasions to Ivan the Terrible…
I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.
Staying in the early modern era, this is an imaginative retelling of the story of Aemilia Lanier (1569–1645), a gifted writer in her own right but is often best remembered as a candidate for Shakespeare’s ‘dark lady’. This means some believe her to be the inspiration for the bard’s passionatesonnets. Born Aemilia Bassano she was the daughter of a musician in the court of Elizabeth I. Lanier published Salve Deus Rex Judaeorum (Hail, God, King of the Jews) in 1611. This biofiction brings her to life in new ways.
A TALE OF SORCERY AND PASSION IN SEVENTEENTH-CENTURY LONDON―WHERE WITCHES HAUNT WILLIAM SHAKESPEARE AND HIS DARK LADY, THE PLAYWRIGHT'S MUSE AND ONE TRUE LOVE
The daughter of a Venetian musician, Aemilia Bassano came of age in Queen Elizabeth's royal court. The Queen's favorite, she develops a love of poetry and learning, maturing into a young woman known not only for her beauty but also her sharp mind and quick tongue. Aemilia becomes the mistress of Lord Hunsdon, but her position is precarious. Then she crosses paths with an impetuous playwright named William Shakespeare and begins an impassioned but ill-fated affair.
I’ve been fascinated by languages since my teenage years, when I learned English, French, Spanish, Latin, Hebrew, and Esperanto—in addition to my native Russian. But it was in college that I decided to pursue linguistics as a profession! After spending 25 years conducting scientific research and teaching linguistics at various universities, I shifted my focus toward sharing linguistic science with a broader audience of lifelong learners. Whether or not these books inspire you to pursue linguistics as a career, I hope you find these books as enjoyable and rewarding as I have.
While linguistics often seems highly theoretical or academic, David Crystal beautifully demonstrates one of its practical, real-world applications.
The book vividly transported me to London’s Globe Theatre, where a dedicated group of theatre and linguistics enthusiasts recreated the original pronunciation of the Bard's plays. I loved learning that the English spoken by Queen Elizabeth II sounds nothing like the language used during the reign of Queen Elizabeth I.
What I found most compelling is Crystal’s explanation of how reversing four centuries of language evolution can reveal hidden meanings—and comedic jokes—that Shakespeare originally intended for his audience.
How did Shakespeare's plays sound when they were originally performed? How can we know, and could the original pronunciation ever be recreated? For three days, Shakespeare's Globe presented a production of Romeo and Juliet in original, Shakespearian pronunciation. In an unusual blend of autobiography, narrative, and academic content, David Crystal recounts the unique nature of the experience. He begins by discussing the Globe Theatre's approach to 'original practices', which had dealt with all aspects of Elizabethan stagecraft - except pronunciation. A large section is devoted to the nature of the Early Modern English sound system. There are reports of how…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I'm a professor of history at the Graduate Center and Queens College at the City University of New York, where I'm also director of the Irish Studies program and the MA program in Biography and Memoir. My specialty, covered in five books that I’ve authored or co-edited, is English and Irish history in the sixteenth and seventeenth centuries; my new book represents the culmination of a decade’s research devoted to Ireland. In addition to teaching British and Irish history, I offer more unusual and wide-ranging classes including the history of the devil, the history of crime and punishment, and the history of the body. My life is divided between New York City and mid-coast Maine.
The extent of an evil leader’s influence can be measured in terms of whether he or she enters popular folklore. In the case of Ivan the Terrible, the Russian “grozny” in “Ivan Grozny” is actually translated as “awe-inspiring,” though the “terrible” tag has ensured that the czar would be remembered for his paranoia, brutality, and alleged insanity.
In folklore it was different: as Perrie’s book demonstrates, Ivan was a sympathetic figure through the twentieth century, in tales that recounted his triumphs in war or his repenting after an act of cruelty. Perrie attributes the favorable views of Ivan to “popular monarchism,” but he was also a figure whose image could be grafted onto existing folkloric archetypes to powerful effect.
Ivan the Terrible has long been a controversial figure. Some historians regard him as a crazed and evil tyrant; while others (especially Soviet scholars of the Stalin period) have viewed him as a progressive and far-sighted statesman. The folklore about Ivan has played an important part in these debates. Was Ivan's depiction in folklore favourable or hostile? And how far can it be regarded as evidence of contemporary popular attitudes towards the tsar? In this unusual and far-ranging study, Maureen Perrie discusses the nature of Ivan's image in Russian folklore; its historical basis; its development; and the controversies which have…