Books like The Image of Ivan the Terrible in Russian Folklore — picked by fans

I was always interested in how the emperor Nero was associated from antiquity onwards with the Antichrist: the world-destroying and tyrannical son of Satan who would prevail until the final victory of God. Only Judas matched him as a villain in the Christian imagination. Malik traces the Nero-Antichrist “paradigm” across centuries, exploring the ways in which Christians viewed Nero as an arch-fiend, the beast in the Book of Revelation, and a figure of evil who tested their mettle and faith. While recent scholars have softened the traditional picture of Nero, his afterlife continues to wield its menacing power, based in no small part on these Christian traditions.

Like Nero, King John’s awful reputation has been subject to revision in recent years, though others insist that his “lechery and treachery,” not to mention his cruelty, still places him as England’s worst king. John’s image was rehabilitated in the sixteenth century, however, when the king, in Djordevic’s words, became a “virtual obsession” among writers, dramatists, and contemporary historians.  Shakespeare created a tragic John seeking to defend his crown from rival claimants, foreign invasion, and an intrusive pope, while Protestant writers displayed an even more favorable stance towards John, who had opposed an intrusive papacy. John-as-tyrant was a crowd-pleaser, however, which accounted for the production of plays and poems that continued the traditional portraits of the mad, bad king.   

The 1840 burial of Napoleon’s remains in the Invalides coincided with the psychiatric admission of fourteen men who claimed they were the real Napoleon, and he lived on yet. A number of Napoleons—or those claiming to be Napoleon’s son—had also emerged during the emperor’s own lifetime, suffering from the recently identified “delusions of grandeur” diagnosis.

Murat offers a larger study of madness and asylums in nineteenth-century France, and the impact of political events, including the French Revolution and the Terror, on psychiatric patients and doctors. Her chapter on “madhouse Napoleons” is particularly intriguing, as it reveals how the ghosts of powerful historical leaders can infiltrate the minds of the disturbed. For me, the book also raises questions about memory and psychology more generally, about why the mad latched onto Napoleon specifically, and how history or historical figures can live on in surprising places.

The American Civil War would produce a number of legendary figures, but William Tecumseh Sherman has long interested me for the extreme reactions he continues to provoke. Northerners would view him as a heroic if ruthless conqueror, while Southerners attributed the Confederacy’s destruction and humiliation to this uncavalier “Yankee.”

Sherman’s March in Myth and History traces the mythmaking of Sherman by historians, poets, novelists, and filmmakers, but it also goes deeper in its exploration of how myths and memories about Sherman served to bolster present-day interests. The vilification of Sherman helped to boost the Old South aristocracy and the idea of the "Lost Cause," while northerners viewed Sherman’s march as positive evidence of a superior industrialism. Sherman himself attempted to shape his legacy through lectures and a memoir. Even so, his legacy remains deeply divisive even now, with the authors writing that “there is no conciliation in sight for the… show more.

Koshchei the Undying, Vassilia the Beautiful, the Firebird, and Father Frost whispering through the forest: "Are you cold, my children? Are you cold?" The fairy tales of Russia, like their folk art, are beautiful and jewel-coloured.

My own fairy tale book was partly inspired by the Russian tale of Sister Alenushka and Brother Ivanushka, where the little boy is told he must not drink water from the hoof-print of a goat—but he does, and turns into a goat!

There are Russian tales of ambitious cats, grumpy bears, and snakes who marry princesses. These vivid tales have inspired artists, playwrights, and composers. Every child should read them.

In January 2023, my partner dropped this book into my hands and said, “I’m pretty sure this book was written exactly for you.” And you know what? They were RIGHT.

This book isn’t just the Baba Yaga retelling of my dreams—it also features one of the most captivating sibling relationships I’ve ever read. Bellatine and Isaac Yaga are beautifully complicated characters, each unable to stop hurting the other as they manage their trauma in very different ways. (Hint: both of them involve very cool magic.)

I spent the book desperately wanting each of them to reach one another, and was gifted with a good, cathartic cry about intergenerational wounds. This story goes places that have challenged and transformed my own writing. Plus, a sentient house with a spicy attitude? Yes. More of that.

Rutherford's Russka was the first novel about Russia that I read nearly thirty years ago, and its descriptions and plotting still resonates. Through the lens of four families divided by ethnicity, the book sweeps the reader from Russia's Slavic origins to the Bolshevik Revolution. The chapter in which Tsar Ivan the Terrible plays a major role is especially riveting. What impressed me the most was how the author crafted a story of Russian rule and culture spanning 1,800 years and its impact on the characters. 

This book was my introduction to Dunnett’s Lymond Chronicles. I picked it up at a library sale and was immediately caught up in its portrayal of Francis Crawford, a Scottish adventurer who ends up at the court of Ivan the Terrible. Based loosely on the diary of Sir Jerome Horsey, it represents an older understanding of how Muscovite Russia operated, but it’s a great adventure told with vivid details and remarkable characters, still my favorite among the six books in this series.

From the Kiev of ancient Rus’ to today, Mark Galeotti has stuffed the history of Russia into one jaw-dropping book of just over 200 pages. I loved the book because it was concise, informative, and cleared up misconceptions we may have about Russia.

Mr. Galeotti’s book provides a thoughtful perspective in an overview that brings context to today’s Russia. He claims he’s debunking myths. Were the Mongol invasions truly devastating? He offers stories we may not have heard. How did Catherine the Great really come to power? He challenges us to examine why the Russian people tolerate a man like Putin, but will we ever know for certain?

Does it even matter whether you’re right or wrong? Is it important to be honest with yourself? Is fairness something anyone should value? Is it important to have good manners?

Questions like these spring into the mind of the reader continuously while working through the pages of Notes from the Underground. Though Dostoevsky doesn’t necessarily provide clear answers to any of these questions, his Underground Man is certainly ready and willing to brood on them. It’s always a little terrifying remembering how relatable he can be.