88 Books Like Vincent and Theo

After a trip to Florence to see Michelangelo’s earlier works and then David, I struggled to understand the genius, his intense pursuit of excellence, and how his surroundings influenced his art.

The author set me in one of the most fascinating eras of history and made me feel as if I were an apprentice in Michelangelo’s shop. I wept to comprehend the artist and realized that perfection was not a choice for Michelangelo, but a non-negotiable burden.

As I now observe genius in a musician, a scientist, or a mother caring for an autistic child, I give credence to what I learned from Oliver Stone’s portrayal of Michelangelo.

I love how historical fiction teaches me more about a time period and person. This book threw me right into the late 1890s and the world of Louis Comfort Tiffany and his “glass girls”. It was fascinating to hear these un-sung stories of the female workers in his glass factory and I especially loved the banter between Clara and Tiffany and how tough of a woman she was standing up to this powerful and talented man. 

Bonus points, there is a museum near me with the largest collection of Tiffany glass and I was able to visit after reading the book to see some of the pieces and photographs of the glass woman who helped create such beautiful and timeless pieces. 

This book is one of my most recent reads that inspired me.

The unsung creator of the Creature from the Lost Lagoon received almost no recognition in her time, but we learn of her artistic passion and unwavering strength as the details of her life unfold.

I wanted to shout the name Milicent Patrick from the rooftops.

The author frames the telling of the artist’s story though her twisting and turning research process. Like Mallory O’Meara I also had to crawl down many wild and crazy rabbit holes while writing my book.

I’m still singing the praises of my amazing female architects, engineers, and landscape designers. 

When I first saw the previews of this book, I had to read it the first day it was published.

Though friends had highly recommended Kostova’s more popular book, The Historian, this book spoke to me.

With the point of view shifting from current time to 19th century France, it checked all my boxes: painting, art museum, impressionists - all tied together into a fabulous mystery bow.

While reading, I wanted to peacefully wander an art museum and dabble with a paintbrush on canvas.

To me, the best books evoke a unique artistic mist or glow that I can still feel years later.

Picture book biographies need to narrow their focus on a subject, and I love the way the author achieves this. She could have written about Van Gogh’s life in general, but she used the refrain “Vincent can’t sleep” to describe his childhood, schooling, boring jobs, and finally becoming an artist. Insomnia led to his most well-known painting, “The Starry Night.”

I also admire how gently she portrayed his mental illness by emphasizing his quest to find the colors of the night. Lean prose contrasts neatly with Van Gogh’s free-wheeling brushstrokes, richly illuminated by Grandpré’s sweeping illustrations.

On Vincent van Gogh’s death, and the subsequent death of his brother, Theo, six months later, Johanna van Gogh-Bonger – at only twenty-eight years old – became keeper and advocate of Vincent’s immense collection of paintings, sketches, letters, and illustrations. 

Whilst grieving and caring for her infant son, Jo translated those letters. That we are able to read Vincent’s letters and to hear his words add both depth and insight to our appreciation of his art. This book is our chance to connect with a Vincent beyond the tortured artist that contemporary society portrays. These letters are one of Jo’s many gifts to us. 

Macneal is a go-to for me when it comes to grim reads set in the Victorian era. I found her writing so superb and her grasp of Victorian London and the Pre-Raphaelite Brotherhood so enthralling, it was hard for me to believe The Doll Factory was her debut.

The book is about art and collecting, but the obsession of the book’s villain is what makes this beating heart of a story thrum.

Local to me, I’ve been familiar with the gorgeous poster and mural art of Greg Newbold. More recently he has teamed up with his wife Amy to create a series of picture books showcasing the styles of renowned artists. This first book takes snowmen and imagines what they would look like if painted by artists such as Van Gogh, Dali, Picasso, O’Keefe, and others. An excellent introduction to the painting styles of famous artists, with informative text to reinforce the idea that “not all artists paint the same.” 

I’m fascinated by historical fiction that sticks to the “facts” of a person’s life but imagines and richly describes that person’s inner world—in this case Georgia O’Keefe’s. The novel focuses on the young painter’s love affair with Alfred Stieglitz, an established photographer and art dealer. Before the art world knows Georgia O’Keefe as a ground-breaking artist in her own right, she is introduced as the female nude in Stieglitz’s photographs. Does her art gain notice in part because of this scandalous introduction, or does it merely eroticize her and her work? And while she learns much from Stieglitz, what does this relationship cost her? This book is masterfully “painted” with O’Keefe-like brush strokes that assemble a tantalizing picture and still leave much to the imagination.

In trademark Vonnegut fashion, Bluebeard uses humor to juxtapose the horror and violence of World War II. In this way, it is similar to Slaughterhouse-Five. 

However, Vonnegut skewers the art movement born out of the war’s aftermath: abstract expressionism. Bluebeard is the story of Rabo Karabekian (who first appeared in Breakfast of Champions), a war veteran and failed illustrator who accidentally found success as a contemporary of Rothko and Pollock. At the end of his life, he’s ready to unveil one final secret locked away in a damp potato barn.