Books like The Doll Factory

I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic. 

I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic. 

I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic. 

I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic. 

Like many readers, I am fascinated by strong creative women in the past and how their lives can inspire women today. As an academic, before my Creative Writing Diploma and transformation into a creative writer, I taught historical novels of many kinds. I now enjoy devising fascinating women whose lives have significance for today’s issues. To talk about my favourite writer Virginia Woolf and favourite artist Gwen John, I have enjoyed invitations from book festivals, galleries, and universities from around the world, including several in the US and Europe as well as Brazil, Egypt, Israel, Mexico, and Norway. BBC Radio, France Culture, and Turkey TRT television also featured my writing.

I have been an avid reader from an early age and painting has been my life's work since attending art school from the age of sixteen. Having painted the largest mural in a private house in the 20th century, over a period of fourteen years since 1968, it has been a great privilege to live as part of the families in so many diverse and beautiful houses in Britain, Europe, The Middle East, and The Americas. Many of the interesting people that I have met along the way have greatly enriched my being and I am particularly intrigued by the way that chance encounter shapes one's life. Serendipity is all!

As a child, I adored mid-19th to early 20th-century fiction, stories like A Christmas Carol, Little Women, and The Railway Children. The period resonated with me, and my passion grew alongside my love of France and painting. Yet for some reason, after university, I applied for a postgraduate course in 18th-century decorative arts. Luckily, fate was having none of this. The course was cancelled, I switched to 19th-century French painting, and the rest is—quite literally—history. When my doctoral research uncovered the story of a forgotten 19th-century courtesan, I began my career in biography. With a special interest in women, the arts, and 19th-century France, my writing seeks to bring history to life for the 21st-century reader. 

I’m a creative director in Vermont with a few favorite things: laughter, standard poodles, and happy endings—in life and in fiction. Romance fiction abounds with young heroines and happy endings. But I prefer reading about mature women like myself, women who have experienced their share of disappointments yet face life’s challenges with courage and humor. I like the elements of both genres in one juicy book. After much-frustrated searching, I gave up and wrote the story I wanted to read. My wise, middle-aged heroine still has lots to learn about grief and joy, and learns many of those lessons with men—in bed.

I am the author of 180 books for children, including the classic (30 plus years in print) picture book The Big Green Pocketbook. As a kid, I checked out more nonfiction books than novels. I read about stars, dinosaurs, ice age mammals, rocks, animals, and birds. I wanted to combine all those interests into one job: astronomer-paleontologist-geologist-zoologist-ornithologist, but I couldn’t even afford community college. I became a writer of children’s books, where I could be involved in all of those occupations and more. I’ve written 50 nonfiction books for children and believe the very best books being published for kids today are in the area of children’s narrative nonfiction.

As a Gen X kid growing up in a very conservative place, I struggled with gender, not feeling like the girl I was supposed to be. I knew I wasn’t a boy, and that just led to uncertainty and perpetual emotional discomfort. When I first heard about the concept of nonbinary gender a few years ago, my mind was blown. I knew if I were young, I would have immediately come out as nonbinary. But as an older person, it felt weird and pointless. Writing and reading books about people struggling with gender gave me the courage to finally be true to myself, and acknowledge that I am agender.