Here are 100 books that Georgia fans have personally recommended if you like
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I am passionate about little-told stories of women’s lives. Too often, women have been either minimized or silenced, and in so doing, we have ignored the experience of half of humanity. I grew up in the 1950s and ’60s in the South, where girls and women were not listened to. For this reason, among others, it was hard for me to speak up for myself, hard for me to write. I found the stories of strong, courageous women—bad-ass women—whether fictional or real, to be life-affirming and inspirational in my own journey as a writer. These stories have helped me to say, “It’s my turn. I’m talking now.”
I love this book’s two freedom fighters: the historical Sarah Grimké and the fictional enslaved woman Handful.
It’s the early 1800s in Charleston, SC. Privileged white girl Sarah bucks cultural expectations for women, while Handful fights the cruel slavery system. Sarah repudiates her upbringing in order to support abolition, and Handful stakes everything in pursuit of freedom, “to leave or die trying.”
I loved learning about the Grimké sisters, giants in the abolition movement, and the West African story-quilt tradition, whereby women tell their lives through the art of needlework. This book was transformative for me; Sarah’s and Handful’s transgressive courage has helped me through difficult times of my own. If they could face their obstacles, then by golly, I can face mine.
From the celebrated author of The Secret Life of Bees and the forthcoming novel The Book of Longings, a novel about two unforgettable American women.
Writing at the height of her narrative and imaginative gifts, Sue Monk Kidd presents a masterpiece of hope, daring, the quest for freedom, and the desire to have a voice in the world.
Hetty "Handful" Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke's daughter, Sarah, has known from an early age she is meant to do something…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Science is still assumed to be a ‘male’ subject in which women are a minority. I should know—I was one of those women when I worked as an astrophysicist. But there have always been women in science and their stories are fascinating, whether told in nonfiction or in fiction. Fiction is ideally placed to convey the emotions behind the scientific processes and the way in which human interactions and relationships influence what happens in the lab.
A novel that is partly based on the real-life anthropologist Margaret Mead and her work in New Guinea in the 1930s, this book had me gripped from the start as it evoked the complex dynamics between the three main characters and their very different approaches to studying Indigenous people.
I was in awe of the power of story-telling in this short book. It shows us how anthropologists might hope to be impartial observers of the people they study, but in reality, these encounters change everyone.
From the author of Writers & Lovers, Euphoria is Lily King's gripping novel inspired by the true story of a woman who changed the way we understand our world.
'Pretty much perfect' - Curtis Sittenfeld, author of Rodham
In 1933 three young, gifted anthropologists are thrown together in the jungle of New Guinea. They are Nell Stone, fascinating, magnetic and famous for her controversial work studying South Pacific tribes, her intelligent and aggressive husband Fen, and Andrew Bankson, who stumbles into the lives of this strange couple and becomes totally enthralled. Within months…
I was never much of a history student. Facts and figures rarely stick in my brain until I have a character—their feelings, hopes, fears, and dreams—to pair them with, so I rely a lot on historical fiction to understand different places and times. I’m also a believer that our culture too often serves up the impression that marginalized people have forever hopelessly struggled, held back by those in power. But there are so many true stories that reveal the opposite, in this case, women fighting for their dreams and winning! I aim to bring these stories to light in a way that keeps the pages turning.
Maria Mitchell, raised as a Nantucket Quaker, was the first woman to discover and name a new comet, no easy task in the 1840s when women were not meant to study astronomy, let alone when her only instrument was a small telescope on an island roof. Brill takes artistic license with Mitchell’s story, adding nuance and detail likely outside the scope of her research, and delivers a riveting tale of a woman determined to live her dreams, no matter how high the barriers to achieving them.
Amy Brill's The Movement of Stars tells a story of illicit love and extraordinary ambition.
It is 1845, and Hannah Gardner Price dreams of a world infinitely larger than the small Quaker community where she has lived all 25 years of her life - for, as an amateur astronomer, she secretly hopes to discover a comet and win the King of Denmark's prize for doing so.
But she can only indulge her passion for astronomy as long as the men in her life - her father, brother and family friends - are prepared to support it, and so she treads…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
First, I'm a woman and I'm inspired by women from the past who overcame the rules of the day in which they lived. It doesn’t matter where they lived, or what they tried to overcome, but to have bucked the patriarchal system and achieved some measure of success, is phenomenal. Second, I became inspired by silent film star Marion Davies, and I wrote a book about it. I never intended to write historical fiction. My first book was a memoir about sailing to Tahiti at fourteen with my father and two sisters. But life has a funny way of directing us where we need to go. Here I am: inspired by women from the past!
Wild Africa is romantic and daring and I loved the danger and inspiration of 1920s Africa, when British born real life woman Beryl Markham becomes one of the first female pilots. It’s a bit of Out of Africa and riveting.
Markham encounters many obstacles and has several disastrous relationships but eventually she overcomes and succeeds. She becomes the first person (not woman) to fly solo from Britain to North America.
As a young girl, Beryl Markham was brought to Kenya from Britain by parents dreaming of a new life. For her mother, the dream quickly turned sour, and she returned home; Beryl was brought up by her father, who switched between indulgence and heavy-handed authority, allowing her first to run wild on their farm, then incarcerating her in the classroom. The scourge of governesses and serial absconder from boarding school, by the age of sixteen Beryl had been catapulted into a disastrous marriage - but it was in facing up to this reality that she…
The bottom has fallen out of my world several times now, but it’s much worse watching disaster strike someone you love. When my husband suffered a near-fatal stroke, it was inevitable I’d end up writing about his road to rehab. Grit and humour were what they said he’d need, and Scousers like me laugh at anything. We also cry and argue a lot. I’m on a mission to cheer people on and hand them arms as they battle through hard times. A life, or a state of mind, can change in a moment, and that’s what I read and write about.
I was hungry for a great piece of comic writing when a friend handed me this book, and it delivered so much more than laughter.
Once I’d tuned in to the language, I ended up shambling through 30s London alongside impecunious painter Gulley Jimson. A humble man, driven by a holy need to make the sort of art which, it turns out, nobody wants, he encounters a world of squalor and beauty, both physical and moral.
I grew to love him and his daily observations on the play of weather and light on the Thames, which form a sort of sketchbook. As Jimson’s physical health declines, he grips beauty wherever he finds it. Theroux, Lessing, and Updike all rated this author.
The Horse's Mouth, famously filmed with Alec Guinness in the central role, is a searing portrait of the artistic temperament.
Gulley Jimson is the charming, impoverished painter who cares little about the conventional values of his day. His unfailing belief that he must live and paint according to his intuition without regard for the cost to himself or to others, makes him a man of great, if sometimes flawed, vision.
But with an admirable drive for creation comes an astonishing hunger for destruction. Is he a great artist? A has-been? Or an exhausted, drunken ne'er-do-well?
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
The brand of possession is fairly standard: a Drakhaoul possesses a man, enabling him to transform into a dragon—but the man must replenish his strength vampirically.
I like the interplay of personal responsibility and victimization, the use of supernatural powers to protect one’s friends at the cost of innocent suffering.
The Drakhaoul has a name and personality; it’s definitely a discrete being, but it’s also a part of the hero. But then the hero successfully exorcises his demon. But the demon’s memories are left behind, and the hero starts to wonder if he’s going mad.
The demon’s absence, not its presence, drives the hero to madness and despair (even though he hates the demon). The hero simultaneously hates and longs for a dark power, which is and is not uniquely his.
A weaver of tales, a caster of spells, and a writer of rare imagination, Sarah Ash lends her unique vision to epic fantasy. In this captivating continuation to her story, the author of Lord of Snow and Shadows revisits a realm filled with spirits and singers, daemons and kings.
Gavril Nagarian has finally cast out the dragon-daemon from deep within himself. The Drakhaoul is gone—and with it all of Gavril’s fearsome powers. Though no longer besieged by the Drakhaoul’s unnatural lusts and desires, Gavril has betrayed his birthright and his people. He has put the ice-bound princedom of Azhkendir at…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
As a Gen X kid growing up in a very conservative place, I struggled with gender, not feeling like the girl I was supposed to be. I knew I wasn’t a boy, and that just led to uncertainty and perpetual emotional discomfort. When I first heard about the concept of nonbinary gender a few years ago, my mind was blown. I knew if I were young, I would have immediately come out as nonbinary. But as an older person, it felt weird and pointless. Writing and reading books about people struggling with gender gave me the courage to finally be true to myself, and acknowledge that I am agender.
I love stories about artists, and I loved the creativity of the whole idea behind this adult fantasy set against an Asian-inspired backdrop, where art is magic and can be used to make things happen in the physical world.
But even better is the fact that the main character—a skilled artist roped into working for a corrupt entity—is nonbinary, and this is nothing more than a mundane fact. It’s a clear reminder that gender is just one part of a person’s existence—and probably not the most important one.
Gyen Jebi isn't a fighter, or a subversive. They just want to paint.
One day they're jobless and desperate; the next, Jebi finds themself recruited by the Ministry of Armor to paint the mystical sigils that animate the occupying government's automaton soldiers.
But when Jebi discovers the depths of the Razanei government's horrifying crimes-and the awful source of the magical pigments they use-they find they can no longer stay out of politics.
What they can do is steal Arazi, the ministry's mighty dragon automaton, and find a way to fight...
My work has appeared in theAtlantic, Harper’s, andBest American Essays, among other places. My most recent book is Seventeen and Oh: Miami, 1972, and the NFL's Only Perfect Season. I grew up in Miami and as a writer had always intended to explore that wondrous year in Miami—when I was a nine-year-old fan—and I finally did so for its fiftieth anniversary. I wanted to write about much more than football; I hoped to bring alive the feel of old Miami, and to do so I reread many of my favorite books about South Florida. Here are a few of the best.
This noir pastiche is one long joke, a satire on art, art criticism, and art collecting.
James Figueras, a cad bachelor freelance art critic in 1960s Palm Beach, is tasked with stealing a painting by the (fictional) French artist Jacques Deberiue.
Deberiue was the founder of the Nihilistic Surrealism movement who retired after the creation of one work, No. One: an empty frame mounted around a crack in a wall. The trail leads to the dusty outskirts of Miami and a bloody murder in the Everglades, but the real mystery surrounds the artist and his art.
And the fun is in the comedy: "The fact that he used the EnglishNo. One instead of Nombre unemay or may not've influenced Samuel Beckett to write in French instead of English, as the literary critic Leon Mindlin has claimed."
The classic neo-noir novel acclaimed as Willeford s best, soon to be a major film
Fast-talking, backstabbing, womanizing, and fiercely ambitious art critic James Figueras will do anything blackmail, burglary, and beyond to make a name for himself. When an unscrupulous collector offers Figueras a career-making chance to interview Jacques Debierue, the greatest living and most reclusive artist, the critic must decide how far he will go to become the art-world celebrity he hungers to be. Will Figueras stop at the opportunity to skim some cream for himself or push beyond morality s limits to a bigger payoff?
I’m a Scottish writer, based in the USA after living in eight countries. I spent thirty years following work, family, and love, and my experiences seep into everything I write—so there are often elements of travel in my books. Thirteen years ago, I was diagnosed with a brain tumor, and underwent life-saving surgery. That experience gave me a new perspective on the power of the human spirit, and our ability to forge new and unexpected paths, in the face of adversity. I love to read about and create characters that take on life’s challenges and find inner strength they didn’t know they had. That’s why feisty female protagonists appeal to me.
Artemisia Gentileschi was a 17th-century Italian Baroque painter. One of the most fascinating and progressive artists of her time, she was also the first woman ever accepted into the prestigious Accademia di Arte del Disegno in Florence. Her personal life was riddled with turmoil—from rape to torture and public humiliation, but she endured it all to pursue her passion for painting. Many artists sacrifice for their art, but this woman took on an entire city and the Inquisition, and still went on to paint what are considered some of the most brilliant paintings of all time. For me, she is the quintessential feisty female protagonist, beating the odds and the establishment and standing tall.
"Susan Vreeland set a high standard with Girl in Hyacinth Blue.... The Passion of Artemisia is even better.... Vreeland's unsentimental prose turns the factual Artemisia into a fictional heroine you won't soon forget." —People
A true-to-life novel of one of the few female post-Renaissance painters to achieve fame during her own era against great struggle. Artemisia Gentileschi led a remarkably "modern" life. Vreeland tells Artemisia's captivating story, beginning with her public humiliation in a rape trial at the age of eighteen, and continuing through her father's betrayal, her marriage of convenience, motherhood, and growing fame as an artist. Set against…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I have been an avid reader from an early age and painting has been my life's work since attending art school from the age of sixteen. Having painted the largest mural in a private house in the 20th century, over a period of fourteen years since 1968, it has been a great privilege to live as part of the families in so many diverse and beautiful houses in Britain, Europe, The Middle East, and The Americas. Many of the interesting people that I have met along the way have greatly enriched my being and I am particularly intrigued by the way that chance encounter shapes one's life. Serendipity is all!
For me this is undoubtably the best biography of Francis Bacon.
It illuminates in detail the life of my mysterious and exotic neighbour, who lived only a stone's throw away over the wall from my flat in Manson Place, South Kensington, in the early 1960s.
Bacon's early struggles, to eventually becoming the lauded and celebrated genius in later life, encompass in this fascinating account, a plethora of characters from both high and low life, a cavalcade of lovers, an addiction to gambling and drinking spanning Soho to Tangier, with sojourns in Paris and the South of France on the way. He religiously painted in the mornings.
Many of the episodes and vignettes are unforgettable and a valuable insight into the machinations of the 'art world' in the 20th century.
This compelling and exhausting portrait of the artist, born in Dublin to Anglo-Irish gentry in 1909 and living to the age…
The Times Art Book of the Year 2021 FINALIST FOR THE PLUTARCH AWARD 2022
'Must surely be the definitive life of Francis Bacon ... A biography that no Bacon fan - or indeed foe - can afford to overlook ... Mesmerising' THE TIMES
'A magnificent triumph ... I was captivated by every line' OBSERVER
A decade in the making, based upon hundreds of interviews and extensive new material, Pulitzer Prize winners Mark Stevens and Annalyn Swan have written a startlingly original portrait - rich, complex, and subtle - of a commanding modern figure.
