Here are 100 books that The Paper Boat fans have personally recommended if you like
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The refugee story is deeply rooted in my family, as my (great-/) grandparents fled Europe for a safer life in America. I grew up listening to their stories of escape and trying to integrate in their new land. Human rights were also a focus of my graduate studies – and later in founding the Human Rights Watch Committee NL and joining the Save the Children Board of Trustees. I am a writer and poet, Board member, and former strategy consultant who always wanted to write refugee stories for children. Their stories are difficult. But children should understand that although the world is not always safe or fair, there is always hope.
A non-fiction picture book that reads like poetry, this gorgeous book describes the author’s own journey from Mexico to the U.S. with her young son. The illustrations are as poetic as the language, which infuses English with Spanish words, simple words with more challenging ones, and words of pain with those of pride, resilience, and creativity. The book explores not only the refugee’s journey, but also, and most especially, the challenges and small victories of integrating and trying to make a new life in a new land. I also love the central role that books, words, and libraries play in paving the way toward this new life. Language is power, but it is also magic.
4
authors picked
Dreamers
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
We are resilience. We are hope. We are dreamers.
Yuyi Morales brought her hopes, her passion, her strength, and her stories with her, when she came to the United States in 1994 with her infant son. She left behind nearly everything she owned, but she didn't come empty-handed.
Dreamers is a celebration of making your home with the things you always carry: your resilience, your dreams, your hopes and history. It's the story of finding your way in a new place, of navigating an unfamiliar world and finding the best parts of it. In dark times, it's a promise that…
Three friends become caught up in a monkey-worshipping cult when a stone circle suddenly appears overnight next to their home.
The cult is headed by famous racing driver Gordon Smash who disappeared in the Amazon rainforest in the 90s after a stunt went badly wrong. Alongside space tech billionaire Micky…
When I first set out to be a writer, I envisioned becoming a novelist. So, while working full-time as a lawyer, I wrote several novel manuscripts over the years, late at night and on the weekends. However, I would often get bogged down and/or frustrated with the process and would set those novels aside to pen a few children's stories for fun. And boy, did those stories delight me. I felt my imagination soar and my childhood passions flood my soul. My children's stories are what brought me my first publishing deals and what made me an author and public speaker.
I love this book so much, and I have huge respect for author-illustrators who write with spare, gorgeous prose and are able to enhance the story with dynamic, beautiful images. This book seems especially relevant nowadays when our country is undergoing seismic, scary shifts.
It’s a story about an exhausted stranger who arrives with a mysterious suitcase, and the presence of this odd-looking newcomer incites speculation and suspicion within the community. The tale focuses on a group of animals who debate what to do about the newcomer, but the subtext is a brilliant commentary on immigration, refugees, and how empathy can build communities, while a lack of kindness can tear us apart and even lead to violence.
Shortlisted for the 2020 CILIP Kate Greenaway Medal
"At a time when over 65 million people are forcibly displaced around the world, this beautifully illustrated and wise, gentle tale of tolerance and kindness for fellow humans resonates deeply. I hope all parents share The Suitcase with their children." - Khaled Hosseini, author of The Kite Runner
"A simple, powerful way to introduce the idea of kindness to strangers to young children" - Axel Scheffler, illustrator of The Gruffalo
"Welcome and understanding are at the heart of this children's book by Chris Naylor-Ballesteros. Beautifully illustrated,…
The refugee story is deeply rooted in my family, as my (great-/) grandparents fled Europe for a safer life in America. I grew up listening to their stories of escape and trying to integrate in their new land. Human rights were also a focus of my graduate studies – and later in founding the Human Rights Watch Committee NL and joining the Save the Children Board of Trustees. I am a writer and poet, Board member, and former strategy consultant who always wanted to write refugee stories for children. Their stories are difficult. But children should understand that although the world is not always safe or fair, there is always hope.
Although this picture book is a bit dark and bleak for very young readers, Stepping Stones is a uniquely beautiful depiction of the refugee’s journey. The illustrations were inspired by the stone artwork of Syrian artist Nizar Ali Badr. Stones, like trees, appear to have an ancient power to tell difficult stories like no other. I love that this book focuses not only on the hardships and horrors, but also on the beauties and rituals of the life and culture left behind. So many children will have known only conflict in their short lives, and it is important that they – and the rest of us, too – learn that there was so much more, before. The story is poetically told in both English and Arabic.
Rama and her family, are forced to flee their once-peaceful village to escape the ravages of the civil war raging ever closer to their home
With only what they can carry on their backs, Rama and her mother, father, grandfather and brother, Sami, set out to walk to freedom in Europe. This unique picture book was inspired by the stone artwork of Syrian artist Nizar Ali Badr, discovered by chance by Canadian children’s writer Margriet Ruurs. The author was immediately impressed by the strong narrative quality of Mr. Badr’s work, and, using many of Mr. Badr’s already-created pieces, she set…
In a time of alternative facts and the loss of a shared sense of reality, A Foot is Not a Fish playfully illustrates the difference between what is true and what is not through absurd fun comparisons that every child—and parent—will instantly understand.
I have always been drawn to stories about identity and belonging, not just because of my own journey, but because of how powerful stories can be in helping us understand each other. Growing up between cultures, I often found myself searching for where I fit. Books played a big role in that. They gave me perspective, comfort, and sometimes just the reassurance that I was not alone in feeling that way. That is why these stories matter to me. They help people feel seen, and in doing so, help them understand others in a deeper and more human way.
I admire how this book makes difficult themes accessible without losing their depth. It is told through a child’s perspective, but the message carries far beyond that.
What stood out to me was the simplicity of kindness. Sometimes we overthink what it means to support or understand someone, but this book brings it back to something more human and instinctive. That simplicity is what makes it powerful.
WINNER OF THE BLUE PETER BOOK AWARD 2019 WINNER OF THE WATERSTONES CHILDREN'S BOOK PRIZE 2019 SHORTLISTED FOR THE JHALAK PRIZE 2019
Told with heart and humour, The Boy at the Back of the Class is a child's perspective on the refugee crisis, highlighting the importance of friendship and kindness in a world that doesn't always make sense.
There used to be an empty chair at the back of my class, but now a new boy called Ahmet is sitting in it.
He's nine years old (just like me), but he's very strange. He…
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
Another book that I highly recommend is Vanni. It has a brilliant mix of deft cartoon imagery and meticulously researched verbatim materials.
Dix and Pollock recount the story of one Tamil family’s journey from war-torn Sri Lanka to a place of troubled refuge in the UK.
Vanni’s depiction of Tamil communities, caught in the crossfire of the brutal conflict between the Sri Lankan state and the Tamil Tigers, the devastating tsunami that hits the region, and then the refugee crisis that follows is an important and necessary reportage on one of the world’s most under-reported conflicts.
In the tradition of Maus, Persepolis, Palestine, and The Breadwinner, Vanni is a graphic novel documenting the human side of the conflict between the Sri Lankan government and the "Tamil Tigers." Told from the perspective of a single family, it takes readers through the otherwise unimaginable struggles, horrors, and life-changing decisions families and individuals are forced to make when caught up in someone else's war.
Set in Vanni, the northern region of Sri Lanka that was devastated by the civil war, this graphic novel follows the Ramachandran family as they flee their home after the 2004 tsunami and move from…
I was born in a refugee camp in Thailand. I lived there until I was six. I was a child from America’s Secret War in Laos, a child who knew very little of the outside world before my family sought refuge in America. Much of my life’s work has been devoted to a search for peace, to understand the forces that put families in situations like mine. I have published widely on the topic, written of it in books for both adults and children.
Hosseini's book is timely and important. It is a story inspired by the image of a child washed up on the beach of a foreign shore. It tells the story of another child, whose parent send them off on a vessel across a wide ocean in search of a less turbulent future. The art is sweeping. The words travel far into the heart.
An illustrated book on the refugee crisis that will break your heart in under 48 pages, from the #1 New York Times-bestselling author of The Kite Runner, A Thousand Splendid Suns, and And the Mountains Echoed.
"Intensely moving. . .Powerfully evocative of the plight in which displaced populations find themselves."– Kirkus, STARRED Review
"Hosseini's story, aimed at readers of all ages, does not dwell on nightmarish fates; instead, its emotional power flows from the love of a father for his son."– Publishers Weekly, STARRED BOX Review
A short, powerful, illustrated book written by beloved novelist Khaled Hosseini in response to…
For those who enjoy fantasy adventure, the Faerie Tales from the White Forest series offers a new twist on the traditional faerie tales so loved by young readers.
From devastating curses to death-defying quests, Brigitta and her growing collective of misfit friends face greater and greater challenges when destiny calls…
I come from a family of born storytellers but grew up to become an archaeologist, sensible and serious. Then, my parents’ deaths brought me to my knees. I knew I would not survive their loss in any form recognizable to me. My grief set me on a journey to understand and rekindle the special magic that they and my ancestors had brought to my life. Eventually, through reading books like these and learning to tell my own stories, I, the archaeologist and life-long rationalist, made my greatest discovery to date: the healing power of enchantment.
Billed as YA lit, don’t let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.
I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.
At the front of a middle school classroom in Oklahoma, a boy named Khosrou (whom everyone calls "Daniel") stands, trying to tell a story. His story. But no one believes a word he says. To them he is a dark-skinned, hairy-armed boy with a big butt whose lunch smells funny; who makes things up and talks about poop too much.
But Khosrou's stories, stretching back years, and decades, and centuries, are beautiful, and terrifying, from the moment his family fled Iran in the middle of the night with the secret police moments behind them, back to the sad, cement refugee…
I’m a journalist in Edmonton, Canada, who covered former premier Jason Kenney’s rise through Alberta politics, in which he tapped into the populist zeitgeist of Donald Trump and Brexit, and his eventual implosion. I have a newsletter on Substack, "The Orchard," where I cover the intersection of politics, the media, and corporate power. Through my journalism, I’ve developed a keen interest in this age of mass discontent we find ourselves in, with right-wing political and economic elites promising to blow up the entire system they embody while feckless liberal politicians seek to tinker around the edges to make the established order more palatable.
Borders are far more than mere demarcations of territory, argues Canadian academic and activist Harsha Walia in a book I greatly appreciated for connecting seemingly disparate phenomena into a cohesive takedown of the modern state and its service of corporate power.
The conventional wisdom that corporate globalization eliminates national boundaries is only true, Walia explains, for an increasingly mobile global ruling class. For a global underclass of migrant labourers and asylum seekers, borders are increasingly entrenched, segregating newcomers as a source of cheap labour from the working class and fuelling the exploitation of both.
Walia describes how this segmentation undermines labour standards for all and fuels a xenophobic backlash against the depredations of global capitalism.
In Border and Rule, one of North America's foremost thinkers and immigrant rights organizers delivers an unflinching examination of migration as a pillar of global governance and gendered racial class formation.
Harsha Walia disrupts easy explanations for the migrant and refugee crises, instead showing them to be the inevitable outcomes of conquest, capitalist globalization, and climate change generating mass dispossession worldwide. Border and Rule explores a number of seemingly disparate global geographies with shared logics of border rule that displace, immobilize, criminalize, exploit, and expel migrants and refugees. With her keen ability to connect the dots, Walia demonstrates how borders…
I am interested in the history of people on the move, and in particular how migrants and refugees negotiated the upheavals of war and revolution in the 20th century. Originally, I turned to these topics as a specialist in Russian history, but I have since broadened my perspective to consider the causes and consequences of mass population displacement in other parts of the world. I have just retired from the History faculty at the University of Manchester, where I taught since 1976. In 2019 I was elected a Fellow of the British Academy, the UK’s national academy for the humanities and social sciences.
My final choice is a scintillating work of scholarship by Lyndsey Stonebridge, Professor of Humanities and Human Rights at the University of Birmingham. Entitled Placeless People: Writing, Rights, and Refugees, it draws upon a range of reportage, political theory, poetry, and other texts to ask challenging questions about the stance that modern states and citizens in Western societies adopt towards refugees who are sometimes described as distant strangers. By engaging with authors who are relatively well known, such as George Orwell, W.H. Auden, Simone Weil, Samuel Beckett, and the political philosopher Hannah Arendt, and with those who may be less familiar, such as the American journalist Dorothy Thompson (1893-1961) and the contemporary Palestinian Lebanese-born poet Yousif M. Qasmiyeh, Stonebridge insists that it is essential to portray refugees as deserving and demanding something other than charity or humanitarian concern no matter how well-intentioned. Instead, the appropriate response is to demand…
In 1944 the political philosopher and refugee, Hannah Arendt wrote: 'Everywhere the word 'exile' which once had an undertone of almost sacred awe, now provokes the idea of something simultaneously suspicious and unfortunate.' Today's refugee 'crisis' has its origins in the political-and imaginative-history of the last century. Exiles from other places have often caused trouble for ideas about sovereignty, law and nationhood. But the meanings of exile changed dramatically in the twentieth century. This book shows just how profoundly the calamity of statelessness shaped modern literature and thought. For writers such as Hannah Arendt, Franz Kafka, W.H. Auden, George Orwell,…
Teachers and children’s writers are some of each other’s biggest fans, and I have been both, so I couldn’t resist putting a teacher in my book. Besides that, teachers are very useful characters because they can make kids in books do things like write reports or keep a journal. Initially, my main character, Patsy, doesn’t especially like her teacher, Miss Ashman. Patsy thinks she’s too strict. But by the end of the book, she realizes that challenging students and having high expectations are some of the things that make a great teacher. If you’ve ever had a teacher you loved, you’ll want to check out the books on this list.
I loved the language in this novel-in-verse and the valuable insights from an “outsider” experiencing American culture.
As a refugee fleeing war-torn Syria, Jude, the main character, finds one of the only places she feels safe and accepted is in her class for English learners. The example of her teacher, Mrs. Ravenswood, shows how sometimes one person can’t change the world, but they might change the world for one person. It made me think about how small things I do and say impact people around me.
A gorgeously written, hopeful middle grade novel in verse about a young girl who must leave Syria to move to the United States, perfect for fans of Jason Reynolds and Aisha Saeed.
Jude never thought she'd be leaving her beloved older brother and father behind, all the way across the ocean in Syria. But when things in her hometown start becoming volatile, Jude and her mother are sent to live in Cincinnati with relatives.
At first, everything in America seems too fast and too loud. The American movies that Jude has always…
