Books like The Ragged Trousered Philanthropists (Graphic Novel)

Joe Saccos’ work has had such an impression on me.

In 1991-1992, Sacco spent two months in the occupied territories, collecting stories for this masterpiece of journalism and comics. He was breaking new ground; Comics Journalism as a form did not really exist before this book.

On the ground, Sacco found that as a cartoonist, he could delve deeper into the experiences of the Palestinians he interviewed; all knew their identities were safe as the book would be drawn, with no identifying photos, no names. Their stories and pain pour forth. 

Looking back on this publication thirty years later, the situation has become far, far worse for Palestinians. This book is an excellent primer to understand the atrocities of the present and the context of their past.

In researching my graphic novel, I read many comics on slavery.

This atmospheric account of enslaved Virginians in 1831 is a hard read, but it made a great impression on me.

Powerfully, Baker uses the verbatim testimony from the confession of Nat Turner as he awaited execution in jail. The narrative does not pull its punches; in one scene, Turner recounts the murder of a plantation owner's baby. It is shocking, but Baker skillfully puts this in the context of the brutality of the lived experience of the enslaved, their own children being routinely abducted and sold by their masters.

The comic is a powerful slave narrative in this sparse and mostly wordless retelling of America’s most famous slave revolt.

Another book that I highly recommend is Vanni. It has a brilliant mix of deft cartoon imagery and meticulously researched verbatim materials. 

Dix and Pollock recount the story of one Tamil family’s journey from war-torn Sri Lanka to a place of troubled refuge in the UK. 

Vanni’s depiction of Tamil communities, caught in the crossfire of the brutal conflict between the Sri Lankan state and the Tamil Tigers, the devastating tsunami that hits the region, and then the refugee crisis that follows is an important and necessary reportage on one of the world’s most under-reported conflicts.

I grew up in a politically active family but had never read The Communist Manifesto. Martin Rowson's adaption blew me away. 

The book opens with an amazing series of spreads; in bold black and white and blood-splatted red, he charts the development of human history from the serfdom of early civilisations through the Middle Ages, up to the slave trade, the age of revolutions and the Industrial Revolution that ripped workers away from life in the fields and into factory labour and then on. 

From this, Marx and Engels begin their walk through the rest of the book, announcing, "A spectre is haunting Europe, the spectre of Communism."

Rowson’s dense and beautiful artwork makes demands on the reader; in its multi-layered depths of meaning, it’s a phenomenal achievement.  

This book is one of the texts that gave rise to Italian “operaismo.”

For me, as for many other Marx scholars, it is a fundamental text that teaches how to look at capitalist relations from the perspective of class struggle. This shift in perspective means looking at capital as a response to a conflict that forces it into constant restructuring, innovation, and reconfiguration.

The conflict also innervates workers' institutions, so that sometimes a refusal to participate in a strike can also be read and acted upon as a refusal to participate in the union's reformist and compromising politics. It is a way of reading social relations to free their political potential.

I could have mentioned other books written by E.P. Thompson. Each of his books has influenced my work.

Customs and Tradition contains "Time, Work-Discipline and Industrial Capitalism." This brilliant and elegantly written essay shows how capitalism, to impose itself, had to modify the experience of time. This change occurred through numerous conflicts with the traditions and customs of the working classes.

E.P. Thompson teaches us to consider the political importance and emancipatory potential of these struggles and not to leave "tradition" and its energy to the right.

E.P. Thompson taught me to look at these conflicts not just as forms of resistance, but as tensions between mutually incompatible legal systems. A useful corrective to Foucault.

Although not Fromm’s best-known book, The Sane Society is crucial because it states for the first time a description of the human condition. I was astonished when I first read it, as it presented to me the possibility that the human condition could be described, and, therefore by implication, understood, something which had never before occurred to me. Fromm’s thesis is that society in the 20th century, when he was writing, can be characterised as insane, because it does not meet humanity’s real needs. Part of the revelation of this book is that such needs can be developed from an analysis of the human condition. Since reading the book, I have followed Fromm’s conviction that a real and true description of ourselves is crucial to humane ethical progress. 

This really engaging book shows how Capital, Volume 1 is implicitly modelled on Dante’s Inferno, from the way Marx stages the descent (katabasis) into the hell of the 19th-century factory to the division of the French and English translations into 33 chapters, mirroring the 33 cantos of Dante’s famous poem. Roberts almost makes you forget you’re reading political theory, an effect Marx was aiming for in trying to reach his socialist and working-class audiences.

Economists are arguing to this day what gave rise to the enormous rise in living standards since the 1750s. Deirdre McCloskey argues in this first book of her Bourgeois trilogy that it resulted from a cultural shift in which bourgeois virtues replaced aristocratic ones. The book opened my eyes to the importance of cultural attitudes (dignity and stigma) of various economic and social activities. McCloskey claims that sustained economic growth and innovation were crucially dependent on the dignity of the bourgeois and their commercial activities. McCloskey’s fluent prose which interweaves empirical historical knowledge with literary allusions remains a model to me. 

This book argues that Christianity provided the foundation for reason which led to the beginnings of science. It makes the case that Christianity alone embraced logic and deductive thinking as the basis for freedom and progress and is responsible for the most significant intellectual, political, scientific, and economic breakthroughs of the past millennium.

Additionally, it is a very well-written book, which is usually not the case for academic works.