Books like Up the Down Staircase — picked by fans

A student would be incredibly lucky to have had Palmer as a teacher. I adore his humanistic way of thinking about teaching. As we all know, a classroom can be such a joyful place if teachers and students are on a voyage of discovery, but at other times, a lifeless, frustrating place to run away from. This is the most theoretical book of the five, but it’s based on his years of teaching experience.

Palmer feels strongly that good teaching cannot be reduced to technique if a teacher doesn’t have self-knowledge. I really appreciated his advice to slow down, keep questioning, and work on learning who you are. This is good advice for not just teaching but any field! 

I adored this book. I think every teacher should be given this book just to feel that although you might shut the door to the outside and be alone in the classroom with your students, you are not alone in what you face. This book convinced me that I needed to write my own teaching memoir. 

McCourt (author of Angela’s Ashes) and his sense of humor and creativity at times get him into trouble but eventually endear him not only to the students but also to the school administration. I might not have agreed with everything he described, but I was overwhelmingly delighted with his approach and his great rapport with his students. 

I love how the epigraphs set the tone. “I cannot teach anything; I can only make them think” (Socrates) and “It’s not the broken dreams that break us, it’s the ones we don’t dare to dream.” Connecticut high school science teacher Andy Bramante not only has his students dream, but he also shows them how to put foundations under these dreams.

In this book, a journalist describes an amazing teacher who gives the students freedom to research for science fairs and celebrates independent learning. With humor and kindness, Andy truly changes their lives and shows us we’re capable of so much if given the opportunity and trust. The book made me feel good about what a teacher can do and led me to remember great teachers in my own life.

I loved this book because of the issues it raises: should you bring social problems into the classroom, or should it be a sheltered enclave? When I started teaching, we were told to keep sex, politics, and religion out. But is this correct? The editor of this collection thinks no—There are so many important issues that young people need to grapple with: hate speech, violence against women, and war. How can you deal with them?

The author/editor believes that teachers have a responsibility to engage students in respectful discussions. The book features various teachers’ voices on how they have handled current issues and discussions. I love how these teachers show their caring side by wanting to help teenagers make sense of their lives.

Here is a dark comedy for the office worker. Office dysfunction is unique but also ubiquitous and lends itself well to, of course, Kafkaesque and Orwellian absurdity. One day, people just start getting fired, which leads to growing paranoia and more dysfunction. I like stories that don’t explain too much. Thanks to the pandemic, life, especially work life, has become increasingly amorphous and unreal. What is balance anymore? Where is the line? It’s refreshing to be immersed in a world even more bizarre than the one that workaholics now seem to be living in. 

I loved this book because it’s such a great concept.

It’s a delightfully intoxicating cocktail of Cervantes, Ian Fleming, with a twist of Beckett—shaken, not stirred. Fantastically fun and propelled by an extraordinary character who is obviously totally crazy, or maybe that’s just his cover story. An absolutely ingenious concept for a character and a book that is surprising, funny, ludicrously action-packed, yet strangely plausible, weirdly believable, and ultimately, completely enjoyable!

The characters, the locations, the menus, the yachts, the clothes, the witty repartee—I felt a little classier and more sophisticated just from having read it.

I could easily have all five of my picks be novels by Sinclair Lewis. I'll stop at two.

In George Babbitt, Lewis's titular lead, we have a character whose very name became synonymous with conformity. What I absolutely love about this book has a lot to do with the bold plot choices Lewis takes with Babbitt. I write this knowing that many critics did not like the book because, they complained, there really wasn't a plot! (Cripes, what book were they reading?)

These plot turns include his dalliances with socialism (which runs counter to his position as the city of Zenith's most successful realtor) and a socialist woman.

Told as a series of movie reviews, A Short Film About Disappointment unfurls its dystopia gradually. A hacker attack kicks off a global multi-decade economic depression, and to prevent this from ever happening again the Internet is abolished and replaced with the “Betternet,” a neutered and highly censored version of the Internet. Personal screens are also banned in this nanny state, leading to a robust cinema culture that the unread reviewer wants to contribute to with a dense art film of his own. The hilarious capsule descriptions of eighty (fictional) films serve as an oblique way of introducing the world, while the numerous tangents of the writer “Noah Body” tell a personal story of love, filmmaking, and a literal haunting by an ex-friend.

Sam Lipsyte’s sentences are demented and perfect. He’s one of the funniest writers I have ever read.

The story behind this book is one of publishing legend. Here's the way I've always heard it told: Lipsyte’s first book, The Subject Steve, was a brutal satire of contemporary American life that had the deep misfortune of being published on September 11, 2001. (Yes, I know, it wasn’t the worst thing that happened on 9/11, but still.)

He followed it with Home Land, a vitriolic, sleazy, hilarious novel in the form of epic pissy dispatches to a high school alumni newsletter. As narrators go, Lewis Miner is as unimprovable as he is unredeemable. This book was passed around to every publishing house in New York City, read and cherished by dozens of editors who were scared to put their colophon where their heart was.

It’s hard to remember now, but… show more.

Another book with an episodic structure, The Confidence-Man concerns an assorted group of Mississippi steamboat passengers whose individual hypocrisies are confronted by the mysterious character of the title.

Melville’s ship of fools features a variety of types, some of whom are caricatures of American literary figures including Emerson, Hawthorne, and Poe. The book was published in 1857 on April Fool’s Day, an irony equal to the publication of Bram Stoker’s Dracula on Valentine’s Day, and a gesture that Wiseman, himself a great ironist, surely would appreciate.

Certainly, it is no surprise that Wiseman has referred to The Confidence-Man as his favorite novel. One might even find Melville’s elaborate prose style analogous to Wiseman’s careful editing and his ability to confront spectators with their own biases and preconceptions, as the eponymous confidence-man does in the book.