Books like Umbrae — picked by fans

I love this book’s original take on the “spore” or “fungal” zombie outbreak. It feels like the author took The Last Of Us (which I also adore) and flipped the story on its head. Melanie is this unique character, at once the snarky, hilarious child of the piece and its terrifying monster.

She’s the threat, battlefield, and hope—and I find that combination so compelling. While it’s a grim, often bleak tale set in a decimated UK, this thread of unexpected hope and unusual connections kept me hooked. This story might not give me the future I wanted at the start of the story, but it offers a different vision with its own version of hope for humanity, and because of that, it has a special place on my shelf.

Rie is a kickass heroine who must survive in a world where humans like her don’t fit in and are not respected. The story mixes creatures of different types, high elves, dark elves, pixies, goblins, imps, and more. Handles the problem of an inferior trying to deal with more powerful friends and enemies. Great story.

Jade is a being of mysterious power who has traits of shifter, witch, fae, and others. She serves the police force in Winston, in a world in which supernatural beings are everywhere, but are discriminated against. She must solve a mystery and fight to protect herself and her friends. I enjoyed this story. I think you will enjoy it if you like fantasy.

What a phenomenal novel by Ann Leckie! I came across Ann Leckie’s series as I was working through books about cloning while I was writing my books. What do I love about it? The concepts, for sure: AI ships being negotiated, the entire idea of shipping minds around, a leader who sabotages herself to the detriment of her realm. All of these have been done to some extent before, but not at the scale that Ann Leckie takes on. She also manages to avoid some dead clone tropes and dead or dying AI tropes while she entertains. This novel (and series) were done well and the characters pop with personality. Loved it!

Jacky is a relatable character who’s gone through a major upheaval.

She’s become a werecat. Not raised in werecat society, she doesn’t let their views against other supernatural species stop her from doing what is right. Despite a surrogate father who thinks he’s always right, and siblings who want her to conform, Jacky very much marches to the beat of her own drum. Life is never dull when you’re a werecat with honor. 

I found each of the short stories in this collection to be entirely unnerving and deliciously disturbing. I particularly enjoyed how the complex characters and intricately crafted plots showcased strange and unusual situations to reveal the often-monstrous facets of humanity.

The stories were unsettling enough that I had to stop reading them before bedtime. I appreciated how they weren’t overly graphic but more subtle, focusing on spine-tingling, sinister suspense. These are the type of delightfully twisty stories I love reading in the fall and getting in the Halloween spirit.

Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.

Outside Is the Ocean reads like a novel, with stories interlinked and main characters growing more faceted as you read. The book centers on Heike, who left her native Germany after the war to settle in America, and her son Stewart, who both loves her and yearns for freedom from the drama she creates. Lansburgh presents a fascinating portrait of Heike at various junctures in her life, with a small cast of characters orbiting around her. Be prepared to be drawn into Heike’s chaotic world as you read, and to oscillate back and forth between shock and empathy. This is a book about family and enduring bonds between mother and son. That it is so beautifully crafted only adds to the delight. 

Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.

The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.

Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.

It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing. 

Boll, a Second World War veteran, tells this episodic story from the perspective of a German soldier during the last year of the war. Loosely episodic and propelled by a kind of grim, fatalistic absurdity, it follows the hapless infantryman Feinhals as he lurches from misadventure to misadventure on the Eastern Front. What really stuck with me is the awfulness of the predicaments Feinhals finds himself in, such as the moment when a soldier sets out to surrender a hospital full of wounded men, only to accidentally set off a dud shell beside the hospital’s cesspool. The Soviets, thinking they have been attacked, respond by levelling the place. "This war’s a load of shit," says one cynical character, and with a magnificent kaboom, that statement becomes literal.