100 Books Like White Trash and Recycled Nightmares

Machado is a master storyteller, a writer who plays with form and structure and our narrative expectations to create entirely new ways of telling tales. This collection was her groundbreaking debut.

I’ve always loved fairy tales and folklore for the ways they play with character archetypes, repetition, and deceptively simple story shapes. Machado does the same thing here, upending our ideas about wives, lovers, and monsters with these tales that might trick you into thinking you know what’s coming next—until she flips you over and turns you around. She’s a new Brother Grimm, a fairy-tale writer for the modern age.

I found this to be a strong debut collection. Its fascinating and thought-provoking short stories center around the theme of womanhood in realities slightly different from our own, often with hints of the supernatural or near-future sci-fi elements.

The standouts were so powerful that I had to pause at times to contemplate the often heartbreaking and poignant observations regarding bodily safety, beauty, fertility, and power. I especially love that this collection includes poetry as well, which adds another layer of depth to the collection.

This was a true page-turner—I could not put it down. From the first few pages, I was immediately pulled into the mystery and characters’ plights. I loved how the author kept a fast pace, keeping the action and tension high throughout.

Technically, this book is not comprised of short stories; it features segments of shorter narratives that gradually weave together to reveal a larger picture. The author skillfully played with tropes in the mystery and horror genres, presenting a thoughtful commentary on issues women face.

Imaginative and deftly told, this clever and satisfying book had me nodding along in grim recognition.

I generally don’t gravitate toward slasher horror with its brutal and gory storytelling, but I could not resist this fantastic anthology of superb horror authors focused on women's slasher stories. With supernatural twists and takes of revenge and violence, I greatly enjoyed the variety of styles and plots generally centered around the theme of women having to turn the tables in or take matters into their own hands, usually with blood-soaked results.

In particular, my favorites were standout stories by Cynthia Pelayo, R.J. Joseph, Sarah Budd, Stephanie Rabig, and Laurel Hightower, but they were all winners. I also appreciate that the anthology helped me discover new women horror authors, broadening my ever-growing to-be-read list.

I really enjoy all of Gaiman’s collections, but this one is my favorite. “We Can Get Them for You Wholesale” and “The Price” are two stories I particularly love, one so darkly comic I laughed nonstop the first time I read it and one that gave me a genuine chill.

But it’s a deep collection with lots of great stories spanning genres and emotions, and one I’ve read a few times.

I love how Micheal A. Palmer extends his vision of World War III to multiple theaters of war. Whereas other Cold War Turns Hot Military Fiction tends to focus on the Soviets Invading West Germany, Palmer spends considerable time in NATO's Northern Flank, the Mediterranean, and the Pacific theater. 

I really enjoyed this book because if focused specifically on the battles and not as much on individual characters. Don’t get me wrong, I love good character-driven stories, but it really feels like Palmer recognizes his strengths and plays to them. If you love war-gaming as much as I do, you’re going to fall in love with this book.

I used to look forward to receiving Stephen King’s latest novel for Christmas each year, but I haven’t cared for most of his post-2000 books, and my annual excitement had begun to wane…until I found a replacement in Keith Rosson. His writing has all the energy and honesty of early King, but Rosson is an altogether superior author, and this—his first novel—combines grim small-town horror with literary and crime noir sensibilities.

There aren’t many modern-day genre fiction writers whose prose I envy, but I read every page of Rosson’s books in a state of grinding envy and absolute delight.

Wilderness of Mirrors, written more than 40 years ago by Martin, the still-distinguished CBS News correspondent, remains a classic of espionage nonfiction. As the title suggests, the book captures the Byzantine world of counterintelligence during the Angleton era. Martin was the first to write knowledgeably about the Berlin Tunnel, and this book is also the first in-depth look at one of the most fascinating, important, and ultimately self-destructive officers of the first decades of the CIA, William King Harvey.

So some of you are sitting there thinking “Perry who?” well imagine him as the West German (it was first published in 1961) alternative to our Flash Gordon.

In book number one, Rhodan and his crew take off and make the first moon landing, their mission is disrupted by a crashed spacecraft. This is where they meet the Arkons, a sort of tall, large-headed alien with silver eyes, or hair, or both… it’s been a long time so don’t hold me to any of the details!

So these aliens from a super-intelligent species (Rhodan later in the series uses a device similar to the one in Battlefield Earth to increase his intelligence and psionic powers above even that of the Arkons) assist Rohdan in ending the cold war on Earth and uniting the planet.

The series runs for 126 books, mostly novellas, it’s typical Flash Gordon when it’s action time,… show more.

This is a thick history of the Cold War that breaks new ground in that it shifts the emphasis from Europe, where the Cold War started and ended, to the Third World where it was actually fought in a bloody manner through a series of proxy wars, large and small.