Books like Tyburn's Martyrs — picked by fans

What must it have been like to be an executioner? In this detailed and moving study, Harrington explores the extraordinary diary of Meister Franz Schmidt, the 16th-century executioner of Nuremberg, who kept notes on every one of the 394 people he executed, as well as the countless others he tortured, whipped, and disfigured according to the law's demands. This book is therefore essential for understanding exactly how this mysterious craft was carried out, but the surprising twist in the tale is how Schmidt spent his entire life seeking to have his family's honour restored in a period when executioners were believed to be able to ritually 'pollute' another human simply by touch. Harrington's real achievement here is explaining how dishonour was the central force within public punishment—something we too easily forget today.

It’s not often I’m moved to tears by an academic book, but this book did it for me by putting me in the shoes of a Florentine patrician trying to comfort his friend the night before his execution. The main historical source of the book is an extraordinary ‘how-to’ manual: the one used by the ‘comforting confraternities’ of 16th-century Bologna, men who volunteered to spiritually prepare condemned criminals for their final moments on earth and, in so doing, hopefully increase their chances of salvation. The book explains the various methods and tools that the comforter could use, including prayers, songs, and pictures, and reveals the complex rituals of execution that began long before the prisoner’s arrival at the scaffold. A moving account of the realities of historical capital punishment.

An art history book might not seem like the most obvious choice for a list like this, but this one is a revelation: we often forget that Crucifixion paintings are scenes of capital punishment. Merback looks at crucifixion images of northern European masters of the late medieval and early modern period, and reveals that the often mangled positions of the limbs of the two thieves on either side of Christ are depictions of the kinds of mutilations that spectators regularly witnessed on the bodies of those broken on the wheel (where the limbs were smashed and then 'woven' through the spokes of a cartwheel - no, really). This study is important not only for understanding the physical practices of execution on the Continent, but also for exploring the profound religious significance of the entire execution ritual. 

Many think that the medieval period was the era of cruel and sadistic punishment, but it was, in fact, the Renaissance that saw the rise of the great spectacle of the 'theatre of horror': scaffolds erected to display the brutal dismemberment and suffering of executed prisoners in front of thousands of spectators. Although it focuses on France, Friedland's study explores why, all across Europe, this period saw an appetite for something so graphic. It explores the history of capital punishment from the Romans onwards, so it's essential reading for the theory behind executions, but the real strength lies in its exploration of the gulf between what theorists believed and what the general public actually did at executions, and why they attended in their thousands. 

Capital punishment has always been a huge social issue for me. Sister Prejean gets you to really confront your own beliefs about it through powerful storytelling and anecdotes, humanizing the players in the death penalty process.

As I have learned through my own death penalty journey as an attorney, it’s easy to say, “Execute him!” but when you know someone and experience their humanity, it is not that simple.

While she makes the points about why she can’t tolerate the ultimate punishment, she is not preachy or maudlin. She is practical. She also does not glorify the condemned and acknowledges the pain caused by his horrific acts.

In this book, barrister-turned-novelist Sarah Caudwell strikes a perfect balance of intricate, cozy mystery and zany British humor.

While I adored all of the books by this author, I particularly loved the Gothic threads that run through this last one, as well as the satisfying queer aspects of the storyline. If I could live inside any mystery series, it would be this one: the characters are so much fun, especially the narrator, Oxford professor Hilary Tamar.

Interestingly, Professor Tamar’s gender is never disclosed—a pretty radical concept for a series that started in the 1980s—which manages to avoid ever feeling gimmicky and which helped me to reflect as I read on my own expectations and assumptions about gender in mystery stories.

If there is an heir to Harper Lee in the realm of legal thrillers, my vote goes to John Grisham. There’s a basic sense of decency in Grisham’s books that appeals to me. In A Time for Mercy, Grisham’s enduring character Jake Brigance returns to Clanton, Mississippi in a story constructed around a polarizing small-town murder. However, precious little can be categorized along strictly black and white lines in this crime. Grisham understands that we live in a world where the grays of reality are predominant and inherently more interesting. He makes sure we understand the characters, even those we may dislike or disagree with. Grisham doesn’t take the easy way out in A Time for Mercy. The story unfolds to a surprisingly untidy yet satisfying conclusion that leaves the reader with plenty of food for thought.

By the early twentieth century, violent crime was the number one political issue in America. In response, Congress passed the Swift and Sure Anti-Crime Bill, which gave a previously convicted violent criminal one fair trail, one quick appeal, then immediate execution. But to prevent abuse of the law, it was necessary to create a machine that could detect lies with one-hundred percent accuracy. It was clear that such a Truth Machine would change the world. But the race to perfect the Truth Machine forces one man to commit a shocking act of treachery. Now he must conceal the truth from his own creation---or face execution.

The conflict here is truth versus justice, as is often the case in human affairs. I was extremely interested in seeing how the author would balance these two seemingly irreconcilable factors. The book does a startingly job in resolving this conflict, in the process creating… show more.

Two skills fundamental to scientific reasoning are inquiry and argument. Inquiry is generating new information, and argument is using that information to justify and evaluate knowledge claims. Kuhn presents a framework for understanding these processes, as well as methods for teaching them. Her insights are grounded in science-education research demonstrating not only why inquiry and argument are challenging but also how they can be improved. Kuhn’s book fundamentally changed how I teach science to others. It provided me a way of organizing and motivating the various research methods I cover in my courses, as tools for building a collective body of knowledge.

This is the true first person account of Illinois Governor George Ryan’s courageous and unprecedented decision to suspend the death penalty and empty death row in 2003. He oversaw the state’s last execution, an experience that was seared in his brain. In 2000, he became the first governor (and a Republican at that) to impose a moratorium on the death penalty. I was there as a journalist and I helped him write this powerful memoir.