Here are 100 books that The Faithful Executioner fans have personally recommended if you like
The Faithful Executioner.
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When I started researching the history of early modern public execution, I read a few eyewitness accounts in which people behaved so strangely that I realised I understood nothing about the realities of this once-common historical practice. By reading the books on this list, I quickly discovered that the ceremony of capital punishment was a performance in which the entire community participated, filled with rituals and behaviours that had enormous emotional and spiritual significance for everyone involved, not just the âpoor sinnerâ on the scaffold. I also discovered that music and singing were crucial parts of the performance, with ballads being sung about the event for years afterwards.
Itâs not often Iâm moved to tears by an academic book, but this book did it for me by putting me in the shoes of a Florentine patrician trying to comfort his friend the night before his execution. The main historical source of the book is an extraordinary âhow-toâ manual: the one used by the âcomforting confraternitiesâ of 16th-century Bologna, men who volunteered to spiritually prepare condemned criminals for their final moments on earth and, in so doing, hopefully increase their chances of salvation. The book explains the various methods and tools that the comforter could use, including prayers, songs, and pictures, and reveals the complex rituals of execution that began long before the prisonerâs arrival at the scaffold. A moving account of the realities of historical capital punishment.
In Renaissance Italy a good execution was both public and peacefulâat least in the eyes of authorities. In a feature unique to Italy, the people who prepared a condemned man or woman spiritually and psychologically for execution were not priests or friars, but laymen. This volume includes some of the songs, stories, poems, and images that they used, together with first-person accounts and ballads describing particular executions. Leading scholars expand on these accounts explaining aspects of the theater, psychology, and politics of execution.
The main text is a manual, translated in English for the first time, on how to comfortâŠ
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn theâŠ
When I started researching the history of early modern public execution, I read a few eyewitness accounts in which people behaved so strangely that I realised I understood nothing about the realities of this once-common historical practice. By reading the books on this list, I quickly discovered that the ceremony of capital punishment was a performance in which the entire community participated, filled with rituals and behaviours that had enormous emotional and spiritual significance for everyone involved, not just the âpoor sinnerâ on the scaffold. I also discovered that music and singing were crucial parts of the performance, with ballads being sung about the event for years afterwards.
McKenzie looks at the extraordinary phenomenon of the 'last dying speech' that condemned prisoners in Britain got to give from the scaffold. In particular, she explores events at Tyburn, London's most notorious execution site, in the 18th century, exploring how this period saw an explosion of printed literature that featured the criminal as an Everyman from whom everyone could learn a harsh lesson in morality. It's a fantastic exploration of the reality of the gallows versus what one could read in print: from the 'game' highwayman who refused to bow to society's expectations to the fearful, trembling prisoner who begged for mercy. Totally fascinating.Â
The public execution at Tyburn is one of the most evocative and familiar of all eighteenth-century images. Whether it elicits horror or prurient fascination - or both - the Tyburn hanging day has become synonymous with the brutality of a bygone age and a legal system which valued property over human life.But, as this fascinating cultural and social history of the gallows reveals, the early modern execution was far more than just a debased spectator sport. The period between the Restoration and the American Revolution witnessed the rise and fall of a vast body of execution literature - last dyingâŠ
When I started researching the history of early modern public execution, I read a few eyewitness accounts in which people behaved so strangely that I realised I understood nothing about the realities of this once-common historical practice. By reading the books on this list, I quickly discovered that the ceremony of capital punishment was a performance in which the entire community participated, filled with rituals and behaviours that had enormous emotional and spiritual significance for everyone involved, not just the âpoor sinnerâ on the scaffold. I also discovered that music and singing were crucial parts of the performance, with ballads being sung about the event for years afterwards.
An art history book might not seem like the most obvious choice for a list like this, but this one is a revelation: we often forget that Crucifixion paintings are scenes of capital punishment. Merback looks at crucifixion images of northern European masters of the late medieval and early modern period, and reveals that the often mangled positions of the limbs of the two thieves on either side of Christ are depictions of the kinds of mutilations that spectators regularly witnessed on the bodies of those broken on the wheel (where the limbs were smashed and then 'woven' through the spokes of a cartwheel - no, really). This study is important not only for understanding the physical practices of execution on the Continent, but also for exploring the profound religious significance of the entire execution ritual.Â
This text reconstructs the religious, legal and historical context of the Crucifixion and of other images of public torture. The result is an account of a time when criminal justice and religion were entirely interrelated and punishment was a visual spectacle devoured by a popular audience. Mitchell Merback compares the images of Christ's Crucifixion with those of the two thieves who met their fate beside Jesus. In paintings by well-known Northern European masters and provincial painters alike, Merback finds the two thieves subjected to incredible cruelty, cruelty that artists could not depict in their scenes of Christ's Crucifixion because ofâŠ
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is realâbut hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to actâŠ
When I started researching the history of early modern public execution, I read a few eyewitness accounts in which people behaved so strangely that I realised I understood nothing about the realities of this once-common historical practice. By reading the books on this list, I quickly discovered that the ceremony of capital punishment was a performance in which the entire community participated, filled with rituals and behaviours that had enormous emotional and spiritual significance for everyone involved, not just the âpoor sinnerâ on the scaffold. I also discovered that music and singing were crucial parts of the performance, with ballads being sung about the event for years afterwards.
Many think that the medieval period was the era of cruel and sadistic punishment, but it was, in fact, the Renaissance that saw the rise of the great spectacle of the 'theatre of horror': scaffolds erected to display the brutal dismemberment and suffering of executed prisoners in front of thousands of spectators. Although it focuses on France, Friedland's study explores why, all across Europe, this period saw an appetite for something so graphic. It explores the history of capital punishment from the Romans onwards, so it's essential reading for the theory behind executions, but the real strength lies in its exploration of the gulf between what theorists believed and what the general public actually did at executions, and why they attended in their thousands.Â
From the early Middle Ages to the twentieth century, capital punishment in France, as in many other countries, was staged before large crowds of spectators. Paul Friedland traces the theory and practice of public executions over time, both from the perspective of those who staged these punishments as well as from the vantage point of the many thousands who came to "see justice done". While penal theorists often stressed that the fundamental purpose of public punishment was to strike fear in the hearts of spectators, the eagerness with which crowds flocked to executions and the extent to which spectators actuallyâŠ
I write historical fiction, non-fiction, and biography. My historical fiction is set in the eighteenth century, which is often pictured as a time when people swanned about in fancy clothes, lived on country estates, travelled in gleaming carriages, and dined and danced their nights away in glittering assembly rooms. But most people didnât live like that at all, although they are the ones who made the clothes, worked on the estates, drove the carriages, cooked the food, and cleaned the rooms. The books on my list focus on history from their point of view. In my own work â fiction and non-fiction â Iâm also interested in telling the stories of so-called âordinaryâ people.
The Hanging Tree is one of the best non-fiction books Iâve read about how the other half (more like seven-eights actually) lived. It describes the experience of the mainly lower-class people who suffered under the Bloody Code, when over 250 offences carried the death penalty. By using diaries, memoirs, broadsides, petitions for mercy, letters, and other contemporary documents, Gatrell gives voice to the executed, their executioners, witnesses, reformers, judges and juries. Itâs an unflinching study of a ghastly reality that goes to the heart of what it means to be a civilized society and challenges several cozy myths along the way. I admit it doesnât sound like a lot of fun, and of course, the subject matter is dark, but Gatrell is a compelling writer, vivid, forthright and passionate.
Hanging people for small crimes as well as grave, the Bloody Penal Code was at its most active between 1770 and 1830. In those years some 7,000 men and women were executed on public scaffolds, watched by thousands. Hanging was confined to murderers thereafter, but these were still killed in public until 1868. Clearly the gallows loomed over much of social life in this period. But how did those who watched, read about, or ordered these strangulations feel about the terror and suffering inflicted in the law's name? What kind of justice was delivered, and how did it change?
I first went to Berlin after college, determined to write a novel about the German Resistance; I stayed a quarter of a century. Initially, the Berlin Airlift, something remembered with pride and affection, helped create common ground between me as an American and the Berliners. Later, I was commissioned to write a book about the Airlift and studied the topic in depth. My research included interviews with many participants including Gail Halvorsen. These encounters with eyewitnesses inspired me to write my current three-part fiction project, Bridge to Tomorrow. With Russian aggression again threatening Europe, the story of the airlift that defeated Soviet state terrorism has never been more topical.Â
Nothing epitomizes the striking success of the Berlin Airlift more than the true story of the so-called âcandy bomber.â
This was a USAF pilot who on his own initiative started dropping candy tied to handcrafted mini-parachutes out of his transport plane to give the children of Berlin a little sweetness in their otherwise bleak lives. His gesture more than any transformed the âterror bombersââresponsible for so much of Berlinâs destructionâinto friends in the eyes of the Berliners.
This book is an autobiographical account by the candy bomber himself, Lt. Gail Halvorsen. It is written with candid clarity and heartwarming charm. A gem!
The Berlin Candy Bomber is a love story-how two sticks of gum and one man's kindness to the children of a vanquished enemy grew into an epic of goodwill spanning the globe-touching the hearts of millions in both Germany and America.
In June 1948, Russia laid siege to Berlin, cutting off the flow of food and supplies over highways into the city. More than two million people faced economic collapse and starvation. The Americans, English, and French began a massive airlift to bring sustenance to the city and to thwart the Russian siege.
Aury and Scott travel to the Finger Lakes in New Yorkâs wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, itâs time to dig into the details and seeâŠ
Ever since I discovered science fiction and fantasy as a kid, I loved playing in other worlds. It didnât take me long to start creating my own to play in, so I thought I might as well write them down. I also learned that itâs more fun to throw disparate elements and genres together. Why not throw some time travel and aliens in a Western? Or put some aliens and a little cyberpunk in an alternate history? I always find the most interesting worlds are the ones where things are not so easily categorized.
This is one of those ideas that I wish I had thought ofâGermany of the Thirty Years War meets Appalachia of the early 2000s. I enjoy the unexpected things that time travel can bring, like a high school library being the most potent source of knowledge in the world or a high school cheerleader confronting the king of Sweden. And for those who appreciate historical accuracy, Flint does not disappoint.
For me, itâs the characters that really connect me to the story. There are a lot of themâfrom both 2000s America and 1630s Europeâbut Flint gives enough time that I really feel like I got to know a lot of them.
I am momto three daughters, grammyto seven grandchildren. I am a storyteller and a voracious reader. Thereâs nothing better than to immerse myself in books about history, espionage, and family sagas. Growing up in northeastern Pennsylvania, I never suspected that I would travel the world one day, although I always dreamed of writing novels. Living in India for a time, I developed a passion for international affairs. I try to make the settings and culture of my novels as authentic as possible. To research the background for The Expatriate, I traveled to England, Austria, Switzerland, Italy, and the Eastern Republics of the former Soviet Union.
I read this book for research for my own book. The White Rose is the tragic story of Hans and Sophie Scholl and their friends, German students who defied Hitler, forming the underground movement known as The White Rose. I was thrilled at the terror of the brother and sister taking chances, distributing anti-Nazi leaflets right under the eyes of the Gestapo. Handsome Hans, heartthrob of his female medical classmates, was the leader of the group, while serious, pious Sophie was his loyal lieutenant. Written by their sister, this account shows there were good people who opposed Hitler, risking everything. I had chills, imagining the terrible price the two siblings paid for their bravery. And my heart ached for their mother, who lost two children to Himmlerâs archaic method of punishmentâthe guillotine.
The White Rose tells the story of Hans Scholl and Sophie Scholl, who in 1942 led a small underground organization of German students and professors to oppose the atrocities committed by Hitler and the Nazi Party. They named their group the White Rose, and they distributed leaflets denouncing the Nazi regime. Sophie, Hans, and a third student were caught and executed.
Written by Inge Scholl (Han's and Sophie's sister), The White Rose features letters, diary excerpts, photographs of Hans and Sophie, transcriptions of the leaflets, and accounts of the trial and execution. This is a gripping account of courage andâŠ
I have a lifetime interest in military events of the First and Second World Wars, and my current status as an Associate Professor teaching military history within the Royal Military College of Canadaâs RMC History Department allows me to live my dream of exploring past conflicts for a living. I am currently also a contracted author at Casemate Publishing of Havertown, PA, and I am very lucky to have this company support me and publish my work.
This book is an excellent summary of the WWII Eastern Front battles from July to November 1944 near Warsaw, Poland, through the lens of the Germans defending the front there, specifically the IV. SS-Panzerkorps, an armored (tank) corps consisting of two Waffen-SS Panzer Divisions (The Waffen-SS being the military arm of the Nazi Party in wartime Germany).
Author Douglas E. Nashâs analysis is excellent, and his experience as a retired US Army armored officer allows him to provides insights few others can regarding Eastern Front combat in 1944.
On top of this, his German language skills allowed him to carry out a higher degree of historical research than other books on the Eastern Front, utilizing primary German wartime documents to delve into events.
This book provides the reader with a clear understanding of how the June 1944 Russian Operation Bagration offensive was stopped by desperately fighting German units attempting toâŠ
During World War Two, the armed or Waffen-SS branch of the Third Reich's dreaded security service expanded from two divisions in 1940 to 38 divisions by the end of the war, eventually growing to a force of over 900,000 men until Germany's defeat in May 1945. Not satisfied with allowing his nascent force to be commanded in combat by army headquarters of the Wehrmacht, Heinrich Himmler, chief of the SS, began to create his own SS corps and army headquarters beginning with the SS-Panzerkorps in July 1942. As the number of Waffen-SS divisions increased, so did the number of corpsâŠ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
I have been drawn to the history of the German lands ever since I opened a historical atlas as a child and wondered why the middle of Europe was a colorful patchwork compared to the solid blocks depicting other countries. I then wondered how the people living under this multitude of authorities could manage their affairs, resolve differences, and defend themselves against each other and outsiders. Digging deeper into these questions has unearthed fascinating stories, not all of them pleasant, but which also shed light on the complexities of our shared existence.
The Thirty Years War remains seared into the popular consciousness across Germany and Austria as a momentous catastrophe against which other conflicts are still measured.
The conflict was indeed terrible, yet its impact was uneven across time, place, social status, and gender.
Sigrun Haude writes sympathetically about how ordinary people coped with calamity whilst skillfully weaving individual stories with the wider dynamic of military and political events.Â
At its core, Coping with Life during the Thirty Years' War (1618-1648) explores how people tried to survive the Thirty Years' War, on what resources they drew, and how they attempted to make sense of it. A rich tapestry of stories brings to light contemporaries' trauma as well as women and men's unrelenting initiatives to stem the war's negative consequences. Through these close-ups, Sigrun Haude shows that experiences during the Thirty Years' War were much more diverse and often more perplexing than a straightforward story line of violence and destruction can capture. Life during the Thirty Years' War was notâŠ
