100 Books Like Two Dark Moons

This was the first fantasy book that made me afraid for its characters and helped me understand that fantasy is allowed to feel realistic.

Up until this point, the types of books I was reading were very paint-by-numbers, but here the stakes felt real because no one was safe... not even the ones who seemed typical fantasy rules were untouchable.

What stuck with me wasn’t the true-to-form fantasy bits (dragons/battles), but how human the characters felt. In this world, loyalty is a death sentence... love is dangerous, and power always comes with a price.

This was my first introduction to Sanderson’s work, and I knew within a few pages that we were going to be a good fit. I’d just gotten off of reading through Martin’s A Song of Ice and Fire, and the “multiple POVs” angle of the book was a big pull for me.

The frankly bizarre world of the book (and the series of which this is book 1, The Stormlight Archive) was so full of strange creatures and patterns–so studded with interesting, resourceful characters–that I couldn’t put it down over the course of days to finish it.

Kristen Britain’s Green Rider is an adventure that takes place in a carefully crafted medieval world.

What’s notable is the way Britain integrates medieval culture and tradition into the story. From the honor code of the Green Riders to the standard of loyalty and virtue, the novel is steeped in values commonly held in the medieval era. This adds authenticity to the story.

The series also introduces ‘fantasy flair’ in the Eletians, a group of people I could closely associate with the Elves in my own book.

There is so much going on in this book that brings it together into a rich, beautiful tale, and there’s nothing else quite like it. Demon and angel analogues combine with casual magic in a retro urban fantasy in a post-apocalyptic eternal winter that goes on an epic quest as good as any classic high fantasy novel. It all weaves together into a story that drew me right in and wouldn’t let go. As if that wasn’t enough, each character’s arc is so natural and smooth that you feel exactly what they feel. It’s a gorgeous piece of writing and there’s a lot of it to enjoy.

Part queer love story, part sci-fi mystery, wholly delightful; this is my comfort read when the world begins to look too bleak and hopeless. This is another story with beautiful worldbuilding, and fascinating details, but the real beauty of it is the characters—complex, flawed, hurting, but loving each other through it.

The story is gentle, with enough intrigue to hold your interest but never mile-a-minute action, and one of the sweetest love-stories I’ve ever read, but the book never veers into the saccharine—as much as it is a love story, it’s also a story about the messiness of being human—impulsive, thoughtless sometimes, hurting and hurt, but trying ultimately to do the right thing, no matter the cost. 

I love that the dedication is to the A to Z Challenge bloggers of 2014. (I was one of them!) Here's a well-written and comprehensive reference guide. There's a strong author voice and a great amount of information. It covers the importance of including diverse characters. I recommend The A-Zs of Worldbuilding: Building a Fictional World From Scratch to writers building a fictional world, and to writers using an unfamiliar setting. A necessary reference tool for authors.

Madeline Hunter is the pseudonym of an art historian who teaches at the university level, and that expert knowledge translates well in her books.

The little bits and pieces of art detail she adds to her story worlds really bring them to life. There’s also an element of mystery that deepens the plot. The Seducer is the first book in The Seducer series, and while it’s not the first of her books that I’ve read, the story of Diane Albret and Daniel St. John is the one that made me a fan.

The heroine is a recent boarding school graduate, and the hero is her far more experienced guardian. In the modern-day world, this premise is all kinds of creepy. The power dynamics between this couple were so far off, I wasn’t sure how Hunter could make this a romance.

But based on the historical details built into the world,… show more.

My editor wrote to me a few years ago (mostly all-caps and !!!s) about a book called The Goblin Emperor, and had I read it, and didn’t she think I’d adore it? She was so convincing that I ordered a copy from my favorite indie bookstore right away and read it in a sitting. I almost cried when I realized Addison had written only one other book at that point—until a friend told me she was also the author Sarah Monette. I spent the next month reading everything in her oeuvre. But none I adored with my whole body being like I did The Goblin Emperor: its deep kindness, its gentleness, its world-building and warmth, its high stakes and heightened language, its arc of grace and growth. 

I am so impressed by Pirateaba’s worldbuilding. While there are some fantasy staples in the series, like dragons and dwarves, there are also plenty of lesser-seen races, like gnolls and djinni, and some that are completely unique creations, like the Antinium and the Gazers.

What’s more, all of these races feel like they have their own identities and shared culture, and then, on top of that, individuals from each race are distinct! Two gnolls won’t necessarily see eye-to-eye just because they’re gnolls.

The character work in this book is so good.

This is my bible, the book I’ve read more times than any other. It’s three books in one—Wolf in Shadow, The Last Guardian, and Bloodstone. There’s clearly some direct inspiration here in relation to the mystical power source that keeps cropping up (no spoilers). Some things just get in your head and reintroduce themselves when you least expect it. Jon Shannow is my favourite literary creation, Gemmell my favourite author. Overall, heroic and epic fantasy has had the most influence on my writing style, but I’ve merged it with contemporary language and the vision of large-scale sci-fi. I learned a lot from reading Gemmell, and The Jerusalem Man’s post-apocalyptic setting sees the sharp-shooting anti-hero face darkly religious demagogues, mutated creatures, and insidious megalomaniacs. Shannow is a troubled soul trying to be good in a world of relentless evil, but Gemmell’s writing is sharper, less… show more.