100 Books Like The Seducer

This chart-topping writing duo can do no wrong in my eyes. Their Innkeeper Chronicles series ranks amongst my all-time favorites, but when it comes to fierce female protagonists, their Kate Daniels series truly takes the cake.

I find Kate fascinating. She has a complex backstory (no spoilers here!), and she is a masterful fighter, excelling in both physical combat and magical prowess. She consistently stands up for others, often putting herself in peril to protect those around her. 

I love how her wit and humor shine through, striking the perfect balance between light and shade. 

I will always remember the way she greeted a particular deadly lion shifter with a cheeky “Here, kitty, kitty, kitty.” For me, Kate Daniels embodies everything a fierce female protagonist should be.

I was living in Madrid, Spain, when one of my friends and fellow English-language teachers, Heather, nudged me and said, “James, you have to read this.”

I was in my “James only reads highbrow literature” era, so I told her that the cover looked too pulpy (yes, I was guilty of judging a book by its cover). Thankfully, my respect for Heather forced me to overlook my biases and give Pillars a shot. I’m so glad I did.

The prose style is simple and accessible (obeying Animal Farm author George Orwell’s advice to write prose as transparent as a “windowpane”). And that’s good, because the content draws you in completely.

A village in Medieval England decides to build a cathedral. The characters range from evil knights to noble monks to savvy businesswomen to scheming clerics. The world is rich with detail and the pages are addicting, almost turning themselves. It’s… show more.

The Far Pavilions is one of the most beautiful, culturally aware, historically accurate, and vivid books I’ve ever read, and I re-read it every few years.

I’ve loaned this book and not gotten it back so many times that I’m sure it’s still in print because of the number of copies I’ve had to buy to replace it. Based on the history of British direct rule in India, it tells the story of a young British boy raised as Indian by the nanny who saves his life during the Sepoy uprisings.

He struggles with having a foot in two worlds and not really belonging to either, and the author does a fantastic job of illustrating this. India truly comes alive.

This book messed with my head in all the right ways. I expected scares, but I didn’t expect the emotional gut-punch.

It’s not just about death; it’s about grief, denial, and how far someone will go to outrun the pain.

You feel the characters trying to escape what’s coming, running from fear, from loss, from truth, but it always catches up. The horror creeps in slowly, then hits like a truck, literally. Once the line between life and death is crossed, there’s no turning back. 

It’s one of the few books that left me genuinely unsettled because I understood the choices, even when they led straight into darkness.

Cyteen won a Hugo Award in 1989 and pushed the envelope on both world building and character development. For me though, it was the author’s exploration of what it means to be human that made this book one of my all-time favourites. 

In Cyteen, there are born humans and made people. Some of the made people are clones of a particularly powerful individual, but most are created to perform a function. These lower-ranked people are taught everything they need to know by ‘tape’, while they sleep. 

The book asks some deep philosophical questions about what makes a person human, and whether any of us have the right to create ‘sub-humans’ for our own benefit. These are powerful questions that still beg for answers.

This story was interesting in the way that the author had two main characters who were twins with widely different roles. With one taking the role of the chosen one and the other being in a place to save her, this was an intense rollercoaster ride from beginning to end. Not to mention the worldbuilding, traveling through lightning, was a very unique idea that amped up the suspense. 

I love everything this author does because his world-building is simple but perfect. The post-apocalyptic world-building in this story involves not only a description of mass desolation but also how that desolation has changed humanity. Of course, people are going to be affected by their environment – especially under post-apocalyptic circumstances – and too often I feel like characters in post-apocalyptic fiction are just the same as people today. 

Zombie worlds all have the same familiar feel, but I really liked the idea of how “tribes” of survivors had formed in cities and how these people had reverted to more primitive ways – if the world hadn’t functioned in decades, yeah, teens wouldn’t know about electricity. The world-building in this book covers everything from setting to characters to a strange new social structure that was really intriguing.

This is one of the very few books that made me yelp out loud in surprise when the twist happened, and I will forever recommend it because of how unique it was. The feel is reflective of The Road with the main part of the story showing a pained journey through a dangerous landscape. It also feels post-apocalyptic as these survivors struggle to cross the abandoned world that’s been overtaken by nature. The author wrote in a unique language that makes Idyll feel otherworldly but familiar too. All this blends together for really great world-building. I don’t want to give anything away, but there is a definite twist where the whole story flips into something different. You go from feeling like this is a Western to suddenly — Oh, yep, there’s the sci-fi!  

I love that the dedication is to the A to Z Challenge bloggers of 2014. (I was one of them!) Here's a well-written and comprehensive reference guide. There's a strong author voice and a great amount of information. It covers the importance of including diverse characters. I recommend The A-Zs of Worldbuilding: Building a Fictional World From Scratch to writers building a fictional world, and to writers using an unfamiliar setting. A necessary reference tool for authors.

My appreciation for this book snuck up on me. I thoroughly enjoyed the first third or so, in which we are introduced to Fetter–destined to assassinate his godlike father–and are introduced to the fascinating city in which the story is set. But I wasn’t as enthralled with what I took, at the time, for a bit of a meandering middle section. However, the utterly creative and mind-twisting final fifth of the book won me back over.

With time, I’ve come to appreciate the subtle thematic and character work in those middle chapters. Of all the books on this list, this one pushes the boundaries of fantasy the most, both in worldbuilding and characterization, but it’s a masterclass in both, and I hope it has a massive impact on the genre going forward.