Here are 92 books that Trumpet fans have personally recommended if you like
Trumpet.
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Writing is about the metaphysical as well as the rational if it’s any good. As an author, I am always more interested in the wreckage of a crisis than the crisis itself—in the aftermath. Survivors search for purpose above all else. They undertake long sojourns, seek spiritual counsel, or find solace in art or politics. As a writer who has dealt with illness for most of my adult life, I think one path that is shared by all these novels is the discovery of agency—over one’s body, one’s choices, and one’s own life and death. There lies meaning.
I love novels that open up slowly, drawing the reader into a world of coincidence and connection.
Cunningham’s classic AIDS novel draws heavily on Virginia Woolf’s Mrs. Dalloway to create a haunting trilogy—a day in the lives of three women in different decades of the 20th century. I was drawn into the lyrical, elegiac stories about the heartbreaking choices we make as women and gay men, and the consequences of our actions on others.
This book taught me about finding the extraordinary in ordinary moments and a deeper understanding of how suffering stays in the body and is carried intergenerationally.
Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, 'The Hours' is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.
In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel.
A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of 'Mrs Dalloway'.
And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I loved that this classic by one of America’s greatest literary minds gave me answers about what it would be like if I did what I always dreamed of doing: leaving America behind and moving to France. One of the important things I came to realize was that The Great Escape would not solve your problems, but it would help give you a fresh perspective on things.
'A masterwork... an almost unbearable, tumultuous, blood-pounding experience' Washinton Post
When Another Country appeared in 1962, it caused a literary sensation. James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit.
'In Another Country, Baldwin created the essential American drama of the century' Colm Toibin
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
The brilliant, searing insights of this book are hard to oversell.
Tóibín is a writer who defies category, and the book—part mini-biographies, part literary criticism, all heart—is a book for anyone who loves writers (not just writing).
He has an incisive yet tender eye for analysis, of not just literature, but of an author’s—dare I say it—soul, and he taught me more about writers I already knew and loved, like James Baldwin and Elizabeth Bishop, while introducing me to authors I’d only heard of, like Thom Gunn and Thomas Mann.
The sections on Oscar Wilde and Roger Casement blew my mind wide open. This book is a must-read for all queer authors writing today—to appreciate how far we’ve come and to celebrate where we’re going.
Colm Tóibín knows the languages of the outsider, the secret keeper, the gay man or woman. He knows the covert and overt language of homosexuality in literature. In Love in a Dark Time, he also describes the solace of finding like-minded companions through reading.
Colm Tóibín examines the life and work of some of the greatest and most influential writers of the past two centuries, figures whose homosexuality remained hidden or oblique for much of their lives, either by choice or necessity. The larger world couldn't know about their sexuality, but in their private lives, and in the spirit of…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
To call this book a biography threatens to diminish the power and force of the story telling.
Yes, it covers the biographical details—the troubled family life, the delayed yet ferocious sexuality, the prodigious talent—but what makes this book extraordinary is the alchemy that occurs on the page; the blending of Williams’ voice with Lahr’s narrative focus gives us a deeply researched and insightful dive into the mind (and heart) of one of the greatest playwrights the American theatre has ever produced.
People today call everything “epic,” but this book truly is; it delves into Williams’ process, introduces his demons and muses, and shows the challenges all writers face of how to balance the people we’re committed to in our real lives with the characters we’re devoted to on the page.
The gift here is not in the gossip (though there’s plenty of great dish), it’s in the time travelling: to…
John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.
With vivid cameos of the formative influences in Williams's life-his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented…
I'm a guitar player, a writer of music and a bandleader. I've made 12 records—working on my 13th—have written 2 books, and made an app called "Humanome," which is a metronome that intentionally doesn't keep steady time. I have a Patreon page and a YouTube channel. I've devoted most of my life so far to playing music, touring, practicing—lots and lots of practicing—and more or less thinking about music non-stop. As a player, I care strongly about improvising—the spontaneous creation of music—and as a writer, I care deeply about melody, rhythm, and form. I get a lot of inspiration from visual art and from soulfulness in all its forms.
This book beautifully, soulfully and informatively documents the life of one of America's greatest artists. I reveled in its pages, marvelling at the inner workings of the man and at the fascinating life he led for decades at the forefront of American music.
At various times tragic, hilarious, enlightening, scary, off-putting and inspiring, he couldn't have made it more like his own music if he'd tried. I never met Miles, but this particular book has the ring of veracity about it—at times, brutally so—and the countless stories of virtually every notable musician in Jazz and beyond are entertaining and eye-opening. Loved it.
Miles: The Autobiography, like the man himself, holds nothing back. He talks about his battles against drugs and racism, and discusses the many women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus and many others. The man who has given us the most exciting music of recent times has now given us a fascinating and compelling insight into his extraordinary life. 'An engrossing read ...gives fascinating insights into the cult phenomenon' Miles Copeland, Weekend Telegraph 'Magnificently truthful, action packed, raw and…
I am a world traveler and educator, a student of psychology and myth, and a lover of the wild and ancient places. I believe that sword and sorcery, the vanguard of modern fantasy, is overdue for a comeback. These tales echo the trials of Hercules, the rage of Achilles, and the melancholy of Gilgamesh and Beowulf, to name a few. There is much yet to learn: I write to stir my readers’ blood, and to examine the lessons of the epics: that man must face down the inhuman and monstrous to discover himself; that we cannot truly live until we have borne a great trial of our own. Stay fierce!
A doomed king, the last of his kind: a final shepherd of a race fallen into such depravity and barbarity that most no longer see the Picts as human; a man driven to deliver his kin from Roman oppression, to lift his people out of squalor. I was floored by Howard’s iron-hard writing in this all-too-brief sequence of heroic stories. The razor descriptions cut to the core of a man willing to give his all in a doomed quest. I read and re-read the few tales of Bran, but I always find something new and ferocious in the brooding king’s tragedy and bitter triumph. These tales rekindled my love of sword and sorcery, and helped me hone the edge in my own stories. I recommend them to any fantasy fan!
From Robert E. Howard’s fertile imagination sprang some of fiction’s greatest heroes, including Conan the Cimmerian, King Kull, and Solomon Kane. But of all Howard’s characters, none embodied his creator’s brooding temperament more than Bran Mak Morn, the last king of a doomed race.
In ages past, the Picts ruled all of Europe. But the descendants of those proud conquerors have sunk into barbarism . . . all save one, Bran Mak Morn, whose bloodline remains unbroken. Threatened by the Celts and the Romans, the Pictish tribes rally under his banner to fight for their very survival, while Bran fights…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I grew up in the heart of Scotland addicted to visiting museums and exploring local stories and legends. Now as an adult I’m either to be found with my nose in a history book or out on an archaeological dig. I love to weave the lives of Scottish heroes such as Roberts Burns into books filled with fantasy and adventure for children, and to write spine-chilling tales for adults where supernatural creatures from Scottish myths lurk between the pages. I recently co-created a series of educational writing videos for school children to help them explore the history of their local area, and hopefully inspire the historical authors of the future!
James is sent away to live with his mill-town relatives in this nostalgic, coming-of-age novel set against the backdrop of Dundee during WW1.
Some summers were made for growing up…
Dundee, 1917. When his father goes to fight in the war, 11-year-old James is sent to live with his mill-town relatives and his cousin, Billy. At first, James feels lost and alone: his cousin hates him, the school bully is after him, and he is worried about his father’s safety. Gradually, he finds a new world of friendship, freedom, fun, and The God of All Small Boys, in a summer that will change his life forever...
I found this story both funny and sad, and altogether emotionally gripping. Highly engaging, and full of historical details of Dundee during the First World War – a sure favourite for middle grade readers.
Some summers were made for growing up... Dundee, 1917. When his father goes to fight in the war, 11-year-old James is sent to live with his mill-town relatives and his cousin, Billy. In this unfamiliar world of poverty, bullying, and uncertainty, James fights to be accepted and learns the true value of friendship and family. 'The God of All Small Boys is the one who grows trees, with branches in just the right places, so we can climb right to the top. He invented fireworks and dogs and sticks and horses and muddy puddles. And he lets us find secret…
Very little Scottish history or culture was taught in school when I was growing up in the 1950s and 1960s. When I began to read books on the subject from the local library and then studied Scottish literature at Edinburgh University, I realised what my brother and sister Scots had missed out on, and was determined to rectify that by writing accessible books which would both inform and entertain as well as enrich their lives and change the way they perceived their culture. I love their reaction to my work and the influence my books have had.
One of the most important works on Scottish intellectual history and not as well known by the reading public as it should be. It was seminal in my own appreciation of Scottish culture and of the necessity to fight to continue the traditions described in the book—the broad-based education, the social egalitarianism, and recogniton of the importance of the vernacular Scots contribution to the unique culture we have. This democratic intellectualism went on to influence universities in America such as Princeton and colleges across Africa where Scots Presbyterian missionaries held sway.
An Edinburgh Classic edition of the cornerstone work on Scotland's intellectual identity First published in 1961, The Democratic Intellect provoked a re-evaluation of Scotland's philosophy of itself. George Davie's account of the history of the movements which set Scotland apart from its neighbours, and of the great personalities involved, has proved seminal in restoring to Scotland a sense of the value of its unique cultural identity. Scotland's approach to higher education has always been distinctive. From the inauguration of its first universities, the accent was on first principles, and this broad, philosophical interpretation unified the approach to knowledge - even…
I am an award-winning author and journalist, specialising in social history and gardening. I have an M.A. in Modern History from Cambridge University and a Diploma of Horticulture from the Royal Botanic Gardens, Kew. I have written for many British newspapers and magazines, most notablyThe Spectator, The Observer, The Independent, The Sunday Telegraph, The Daily Telegraph, and The Garden.
Witch Wood tells the story of a high-minded, ardent and scholarly young Presbyterian minister, David Sempill, who is called to a benighted Tweeddale parish in 1645 at the time of the War of Three Kingdoms, and how his desire to root out covert witchcraft amongst some of his most ‘devout’ parishioners at a time of civil war and plague leads to tragedy and exile. The Marquis of Montrose, on whose biography John Buchan was working at the same time, has a walk-on part in the story. John Buchan considered this his best work of fiction, and I agree.
Buchan's favourite of all his novels, Witch Wood deals with the hypocrisy that can lie beneath god-fearing respectability.
The book is set in the terrifying times of the first half of the seventeenth century when the Church of Scotland unleashed a wave of cruelty and intolerance. Minister Sempill witnesses devil worship in the 'Witch Wood' and is persecuted. It comes with an introduction by Allan Massie.
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I was brought up on a farm in the middle of nowhere. Surrounded by standing stones, crypts, and burial mounds of races turned to dust. I started sending sci-fi tales to mags like Uncanny Tales, New Worlds, Astounding Tales, Amazing Stories when I was thirteen, but none were accepted. I left the wilderness for the city, Edinburgh, the “Athens of the North” when fifteen and entered university. All I yearned to do after that was go home. I never did. A little more experience of life behind me, I was first published in Peoples Own and in the same year in New Worlds and then it worked well for me for a while.
Known best for his Waverly novels as well as Ivanhoe and Rob Roy, Sir Walter wrote many of the greatest short tales ever told. “The Highland Widow” is perhaps the greatest short tale ever. A subdued Scotsman living in a foreign London (at that time) and the foremost writer of his time he railed against our English overlords whilst pragmatically trying to maintain the status quo. (The letters of Malachi Malagrowther are a good example, marvellous reading, where he impugns the bank of England with great wit and Scalding rhetoric.)
He gave birth to many volumes of short tales, many under Pseudonyms (such as Malachi Malagrowther) as the English authorities were aware of his influence over the populace of London and his gift for romanticising the “Highland gentleman”. As a writer, he was unsurpassed in his time both in terms of sales by volume and in the quality of…
Scott's short stories have been overshadowed by his novels, yet the title story in this selection has been described as `the first modern short story in English', and R. L. Stevenson considered `The Highland Widow' to be Scott's masterpiece.
