Here are 66 books that Hunted fans have personally recommended if you like
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Like many adults, I love a good YA story. YA books take us back to our younger days when we were stronger, faster, and likely better-looking, but also to the confusing transitional time of being a teenager. Mostly, I love reading and writing YA novels because despite being about hard topics–friendship, disease, toppling the patriarchy–they are hopeful. In this confusing, stressful world, we need a little optimism. With that in mind, I offer you five of my favorite YA books that I think adults will love, too.
Although I love a book that takes you traveling to the past or to foreign lands, sometimes I want to jump into the shoes of a contemporary character and understand their world. This book does just that.
Starr Carter is a black teenager who lives in a poor, predominantly black neighborhood but attends an elite, mostly white private school. Starr manages to code-switch between her two lives until her childhood friend is shot by the police.
If you like books about social justice and characters who stand up for what they believe, this is a fantastic read.
Now a major motion picture, starring Amandla Stenberg
No. 1 New York Times bestseller
Winner of the Waterstones Children's Book Prize * Goodreads Choice Awards Best of the Best * National Book Award Longlist * British Book Awards Children's Book of the Year * Teen Vogue Best YA Book of the Year
Sixteen-year-old Starr lives in two worlds: the poor neighborhood where she was born and raised and her posh high school in the suburbs. The uneasy balance between them is shattered when Starr is the only witness to the fatal shooting of her unarmed best friend, Khalil, by a…
One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.
Trickster Drift is Book Two in the Trickster trilogy. (Side Note: I loved the entire trilogy, but Book Two is my favourite.) Trickster Drift is an edgy blend of the supernatural, Indigenous lore, and substance abuse. The characters, particularly Jared’s mother Maggie (who is literally a witch) are memorable, and the dialogue is smart and funny. I have to be careful of spoilers, so I’ll just say that Jared’s conversations in his aunt’s Vancouver apartment with a certain individual wearing a bathrobe are not to be missed. Robinson juggles a number of characters (something I have to contend with in my hockey books), and she does it very well.
Following the Scotiabank Giller Prize-shortlisted Son of a Trickster comes Trickster Drift, the second book in Eden Robinson's captivating Trickster trilogy.
In an effort to keep all forms of magic at bay, Jared, 17, has quit drugs and drinking. But his troubles are not over: now he's being stalked by David, his mom's ex--a preppy, khaki-wearing psycho with a proclivity for rib-breaking. And his mother, Maggie, a living, breathing badass as well as a witch, can't protect him like she used to because he's moved away from Kitimat to Vancouver for school. Even though he's got a year of sobriety…
One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.
You Don’t Have to Die in the Endis just the sort of book I’d hand to a student who struggled with finding anything relatable. Eugenia Grimm could be down to her last chance when she is sent to Reason’s Wait, a facility for troubled teens. Because of her troubled past, she has programmed herself to lock horns with any adult who tries to cross—or help—her. I cringed during her tempestuous exchanges with social workers, staff, and fellow “inmates”—hoping one of them would find a way to save this bitter, angry girl from herself. Spoiler alert: As Daher’s title suggests, Eugenia’s train wreck of a life is salvaged in the end.
Eugenia Grimm is a tough girl living in a tough town at the foothills of the Rocky Mountains. She drinks and fights and pushes against expectations. She is also hurting. After her father died by suicide on her eighth birthday, her older brothers drifted away and her mother up and left when she turned 14, Eugenia has not made the best choices. After a last-straw violent incident and faced with the possibility of incarceration, she is sentenced to time at an Intensive Support and Supervision Program located at a remote mountain ranch. There, she begins to makeconnections, explore difficult truths,…
One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.
Julia Vanishes, Book One in the Witch’s Child series, is fantasy sprinkled liberally with strong female characters. One of those characters is most certainly Julia. She is deeply flawed, has a mysterious past, and makes a living as a thief, so she’s a bit of an anti-hero. Julia also has a talent for making herself unseen—but this talent is evolving and expanding in ways that are quite frightening. Although Egan’s world-building and plotting are brilliant, what I love most are Julia’s interactions with characters like her lover Wyn (the ultimate bad boy), the mysterious Mrs. Och, and most especially Pia the assassin. Dialogue fraught with tension and humor hurtled me from one chapter to the next.
"An exciting novel with magic and serial killers.... One of the hottest books coming out."—Hypable.com
Fans of Marie Lu, Leigh Bardugo, and Kristin Cashore will be captivated by this stunning first book in a must-have new fantasy trilogy about a spy who can vanish at will and who discovers that monsters, mystery, and magic are also lurking—just out of sight.
Julia has the unusual ability to be . . . unseen. Not invisible, exactly. Just beyond most people's senses.
It's a dangerous trait in a city that has banned all forms of magic and drowns witches in public Cleansings. But…
The roots of my debut novel Charlesgate Confidentialare in the time I spent in Boston, most notably the three years I lived in the Charlesgate building when it was an Emerson College dormitory. I always wanted to find a way to write about that time, but it wasn’t until I immersed myself in the world of Boston crime—not only the novels of Higgins, Lehane, and company but nonfiction works like Black Massand movies like The Departedand The Town—that I hit on the way to tell my story. I’ll always be excited for new Boston-based crime fiction, and I’m happy to share these recommendations with you.
The newest book on this list is the first in the Hester Thursby series about a diminutive Harvard librarian turned sleuth. Those expecting a cozy mystery based on that character description should brace themselves because Hill’s debut has more in common with Patricia Highsmith’s Ripley novels than the typical “librarian investigates” yarn. I feel a personal connection to this one because it was published at the same time as my book and I did my first event for that book with Hill, but rest assured, Little Comfort and the rest of the Thursby series are tremendous reads.
In a brilliantly twisted debut set among Boston’s elite, Edwin Hill introduces unforgettable sleuth Hester Thursby—and a missing persons case that uncovers a trail of vicious murder . . .
Harvard librarian Hester Thursby knows that even in the digital age, people still need help finding things. Using her research skills, Hester runs a side business tracking down the lost. Usually, she’s hired to find long-ago prom dates or to reunite adopted children and birth parents. Her new case is finding the handsome and charismatic Sam Blaine.
Sam has no desire to be found. As a teenager, he fled his…
As a reader and a writer, I am drawn to the darker side of human nature. Dysfunctional families, toxic relationships, liars, murderers, bring on the bad. An avid reader of horror and thrillers, I love a jaw-dropping twist. I aim for that feeling in my own novels, opening up reader questions and slowly delivering satisfying answers until the final big reveal. While inside my head is very dark and murdery, outside I live a very normal, law-abiding life, in Tampa with my husband, our four kids, and two dogs.
John Marrs is one of my favorite authors, and this book is what got me hooked on his work. This is not your typical thriller, or your typical plot. So buckle up because you are in for a ride. You think you’ve read about dysfunctional families? Wait until you meet Maggie and Nina. Just your run-of-the-mill mom and daughter, hanging out, eating dinner, until mom gets sent back to the attic where she’s chained and being held captive—um what?! Dark, disturbing, with unreliable narrators, it’s everything I love in a domestic thriller and more.
Nina can never forgive Maggie for what she did. And she can never let her leave.
They say every house has its secrets, and the house that Maggie and Nina have shared for so long is no different. Except that these secrets are not buried in the past.
Every other night, Maggie and Nina have dinner together. When they are finished, Nina helps Maggie back to her room in the attic, and into the heavy chain that keeps her there. Because Maggie has done things to Nina that can't ever be forgiven, and now she is paying the price.
I’ve loved Vampire Romance themes since I was a teenager. They were all over the house, with my mum and my sister both reading them too, all part of our home library. I can’t count how many series and standalone books I’ve read, but I don’t foresee it ever stopping. Whilst I am also a fan of fantasy and sci-fi, I love the romance factor in Paranormal books. As a result, I find them to be best suited for my mood. I not only read paranormal romance but write it and have dabbled in researching backgrounds on the myths of vampires, which led me to read vampire novels that integrate fiction and speculation.
For example, vampires can eat food, although it doesn’t sustain them as well as blood. In my novel, whilst they don’t eat food, and drink from blood bags, it is mainly blood from the vein that sustains them the most.
I think this is a similar concept, where vampires don’t necessarily need to drink blood from a human or an animal all the time.
From New York Times Bestseller Mimi Jean Pamfiloff comes a Horribly Sunny Mystery, The Librarian’s Vampire Assistant.
NOBODY MESSES WITH HIS LIBRARIAN. . .
Who killed Michael Vanderhorst’s maker? It’s a darn good question. But when the trail brings Michael to hellishly sunny Phoenix, Arizona, his biggest problem soon becomes a cute little librarian he can’t seem to stay away from. He’s never met a bigger danger magnet! Even her book cart has it out for her. And is that the drug cartel following her around, too? “Dear God, woman! What have you gotten yourself into?”
I love mixing the known with something new and creative–molding two universes in a way that still feels whole and plausible for the reader. Reading is, for me, part entertainment and recreation and also part education. I refuse to divide books into instructive and non-instructive–because broadening my horizon can happen while I enjoy myself. It’s something I treasure in my favorite authors and, therefore, also aim to provide. This requires a certain insight into human nature to build a credible story about how we, as a species, would deal with different circumstances; also the ability and patience to do some proper research before sitting down and shaping it all into a story.
Vampire stories are out there–plenty of them. So many, in fact, that they are starting to bore me. What I find refreshing about these books is that the vampire part takes a back seat–it’s merely a circumstance that reveals the protagonist’s character when suddenly confronted with entirely different circumstances in her life, i.e., becoming a Vampire unplanned.
The protagonist remains true to her ironic and sarcastic self and is still insecure as a person even though she is now super-strong and fast. She learns over time to outgrow some of her less productive behavioral patterns, just as she likely would have as a human.
The first in the Half-Moon Hollow series is “wry, delicious fun” (Susan Andersen, New York Times bestselling author) as it follows a librarian whose life is turned upside down by a tempestuous and sexy vampire.
Maybe it was the Shenanigans gift certificate that put her over the edge. When children’s librarian and self-professed nice girl Jane Jameson is fired by her beastly boss and handed twenty-five dollars in potato skins instead of a severance check, she goes on a bender that’s sure to become Half Moon Hollow legend. On her way home, she’s mistaken for a deer, shot, and left…
I write fantasy novels, including A College of Magics, River Rats, and When the King Comes Home. With Patricia C. Wrede, I wrote half of the Kate and Cecy series: Sorcery and Cecelia, The Grand Tour, and The Mislaid Magician.
A dragon, a great detective, many fae, and more than one resourceful librarian clash in a Venice so alternate I can't quite pin down the year—during Carnival, of course. This novel is part of the Invisible Library series, which I've loved from the very first book, The Invisible Library. I love Cogman's use of magic—and airships—as she builds whole worlds and as her librarians travel among them. Her plots are ingenious, but it is her marvelously twisty characters that impress me the most.
Librarian-spy Irene and her apprentice Kai are back in the second in this “dazzling”* book-filled fantasy series from the author of The Invisible Library.
The written word is mightier than the sword—most of the time...
Working in an alternate version of Victorian London, Librarian-spy Irene has settled into a routine, collecting important fiction for the mysterious Library and blending in nicely with the local culture. But when her apprentice, Kai—a dragon of royal descent—is kidnapped by the Fae, her carefully crafted undercover operation begins to crumble.
Kai’s abduction could incite a conflict between the forces of chaos and order that…
Angela Burke Kunkel is an author, school librarian, and former English Language Arts teacher. She has experience working with all types of young readers, from the reluctant to the voracious, and has taught in both alternative and public schools, including a New Mexico middle school with a nationally-recognized dual education program. She is passionate about ensuring equitable book access for all children, and has published articles and participated as a panelist on these issues.
I very clearly remember Lydia Sigwarth sharing her library story on the This American Life episode “The Room of Requirement” back in 2018. Sigwarth, who was homeless as a child, found peace, stability, and a sense of routine at her local library—and grew up to become a children’s librarian herself. That wonderful segment was turned into an autobiographical picture book, written by Sigwarth and illustrated in warm and cozy tones by Romina Galotta.
When Lydia was five years old, she and her family had to leave their home. They hopped from Grandma's house to Aunt Linda's house to Cousin Alice's house, but no place was permanent. Then one day, everything changed. Lydia's mom took her to a new place -- not a house, but a big building with stone columns, and tall, tall steps. The library.
In the library, Lydia found her special spot across from the sunny window, at a round desk. For behind that desk was her new friend, the librarian. Together, Lydia and the librarian discovered a world beyond their…
