Books like Trickster's Choice — picked by fans

The plot, intrigue, and world-building in this series opener are pitch-perfect, but I'd be lying if I didn't say it was Katsa and Po's relationship that hooked me.

I loved their individual strengths and the way they strengthen each other. I love that their relationship is unorthodox and the way it's built on equality and respect. And I love that when Bitterblue comes into their lives, it brings a new dimension to all three characters.

This is the first in a series.

This book introduced me to the forced proximity/enemies-to-lovers tropes and has haunted me ever since.

The pervading mystery of the story, punctuated by strong characters and a love that has a lot of yearning behind it, made this totally unputdownable.

The world-building is incredibly creative – focusing on a benevolent dictator with authoritative and intolerant rule for anything around magic or religion. It creates a fascinating landscape for the ensuing mystery, political intrigue, and romance that follows. 

Set in the mid-1400s in France, this series starter contains action, court intrigue, romance, and assassin nuns! I read it years ago and it remains a favorite, not only for the beautiful language, but for the strong heroine, Ismae, and her journey from following the rules and doing as she’s been told, to learning how to discern right from wrong and follow the guidance of her own moral compass. This is a book I would love to watch as a movie, not only for the action, but the costumes.

Tess learns that she is not actually a princess but a decoy, and that the king and queen, who raised her as their child, have hidden the real princess away in a convent for her protection. It would explain why the chancellor taught her the arts of diplomacy, politics, self-defense, and subterfuge and had her build up a tolerance to poison. Despite feeling betrayed by her parents, after they are murdered by a usurper, she has to use all of her skills learned since childhood to reclaim the throne for the actual princess. While Tess is a bit bratty in the beginning (not surprising since she thinks she’s a princess), she develops into a mature (but still snarky) spy. The sequel, Princess at Sea, continues her adventure after restoring her “sister” to the throne.

This is my favorite portal fantasy series. It truly defined portal fantasy for me, on top of all of the other books/series that I’ve already mentioned. 

Meghan is your average teen…until she discovers a portal to a parallel world, the world of the Fey. This series has Meghan, and creatures from the fey realm, traveling back and forth as Meghan seeks to discover her true identity and her role in both worlds. 

I loved how this series was fantasy but intertwined traditional fairytale creatures, storylines, and elements with Kagawa’s own twist on the Fey, along with Shakespearean creatures and even Shakespearean humor. 

The Iron Fey is always my foremost recommendation for anyone who enjoys a great portal fantasy series, with one foot grounded on Earth, in reality, and the other in the fantastical.

Catherine Fisher uses myths brilliantly in all her books, but best of all in the trilogy of which The Oracle is the first volume. It’s a wonderful mash-up of Egyptian and Greek legends with characters you will grow to care about more and more with every page. Junior priestess Mirany begins to doubt the existence of the God she serves. The land where she lives is dying of drought, but the God doesn’t seem to listen to his people anymore, and a struggle for power that could destroy them all is about to take place. 

This is a beautifully written YA fantasy that has the flavor of a traditional epic—like the Lord of the Rings—but also brings us intimately close to its characters, their individual cares, and their unique world. The story centers on Aerin, the king’s daughter, and her journey from being an outcast at her father’s court to becoming a hero in her own right—at the expense of a dragon, unfortunately. 

The Hero and the Crown is often praised as an example of classic feminist fantasy. It was one of the first stories I encountered where the goal of the female main character wasn’t to be rescued or married. But in my opinion, it’s McKinley’s lyrical and compelling prose and fantastic world-building that truly makes this a not-to-be-missed read.

Insecurity is huge in end-of-the-world stories. As humans, we have always sought shelter and security from the wilds of nature, animals, and the things we cannot see in the dark. We created fire and fences and walls and locked doors—to this day, in our modern era, we still need these things. At the end of the world, security is tantamount, but what if you need to go beyond your secured barriers? What if behind these walls, things aren’t actually as safe as you think they are? Finding out why a character would breach their safety is intriguing. After all, a story would be very different if the characters never ventured out of their homes, but if it’s safer inside, why would they go out?

This is the one that will really appeal to readers who wish they could shrink down to the right size to enter into a dollhouse. Mindy finds the miniature house hidden in an old barn and can’t believe how realistic it is. The tiny furnishings are almost too realistic... But before she figures out its terrible secret, she and her neighbor become trapped inside!  

I always wanted to shrink down small enough to fit into my dollhouses, so this story really appeals.  

I have to recommend this book first because it is one that has stayed with me through the years and inspired my own writing. It features one of my favorite reluctant heroines, Meliara Astiar, as she battles against a tyrant king in the land of Remalna. As the countess of a backwater province, Mel has little understanding of the complicated politics of the capital. When she declares a rebellion against the tyrant king, she soon finds herself embroiled in a fast-moving game of intrigue, magic, violence, betrayal, and romance. Ultimately, Mel will have to decide whether she’s willing to live beneath an evil king—or die trying to dethrone him.