Here are 100 books that Travel fans have personally recommended if you like
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When I was a kid in the 80s the superhero comics I was obsessed with were beginning to deal with the real world in a new way. And their creators were beginning to push and pull at the boundaries of the medium with a new spirit of play and provocation. I still love comics that seriously deal with real life – its complexities and its profound weirdness – and that push the medium in new directions and reckon with its history. I also want to be absorbed and moved and to identify intently with characters. It’s what I try to do in my own work, and what I look for in that of others.
This is the most profoundly absorbing experimental art-comic the world has ever produced.
It’s a fun book to sit with someone else and page through, backward or forward, or just ambling around, discovering things. The very simple conceit is that it’s a book that spans millions of years in time, but all happens in exactly one single space. It grew out of a six-page short story that blew people’s minds in the 80’s comics anthology Raw.
I remember hearing that the author had decided, two decades later, to expand it to book form, and wondered if that was really necessary. The short version had been such a perfect jewel of a piece. Turns out he had very good reason.
From one of the great comic innovators, the long-awaited fulfillment of a pioneering comic vision. Richard McGuire’s Here is the story of a corner of a room and of the events that have occurred in that space over the course of hundreds of thousands of years.
"In Here McGuire has introduced a third dimension to the flat page. He can poke holes in the space-time continuum simply by imposing frames that act as transtemporal windows into the larger frame that stands for the provisional now. Here is the comic-book equivalent of a scientific breakthrough. It is also a lovely evocation…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I think of my imagination as a living thing that I have a working, evolving relationship with. I try to access that creative flow state through automatic drawing and something about that process seems to help me in my daily life. I draw every day. I make art zines, comics, fine art, album art, and collaborative works. The books in this list all feel personally important to me and are works I return to and think about often.
I consider this to be one of the great wordless graphic novels. It’s a hyper-colored meditation on the creative power and potential of human hands, full of movement, energy, and effort. It’s amazing to see a work like this that’s so full of power, like a raw force of nature, yet there’s no violence or destruction. Sit in a quiet corner and give every page of this book your full attention and tell me how your brain feels afterward.
I think of my imagination as a living thing that I have a working, evolving relationship with. I try to access that creative flow state through automatic drawing and something about that process seems to help me in my daily life. I draw every day. I make art zines, comics, fine art, album art, and collaborative works. The books in this list all feel personally important to me and are works I return to and think about often.
One of the most treasured and unusual books in my personal library. It’s an encyclopedia from another world, entirely written in a made-up language. Page after page of haunting and strange illustrations, organized into specific categories and concepts. Sitting with this book transports me back to the time before I could read, when words felt like incomprehensible symbols. Taking the time to puzzle over this book feels like such a valuable experience. It takes me right out of the familiar ways of taking in information and puts me in a state of mind that has to search and consider the juxtaposition of images and ideas in totally new ways. I can’t recommend this book enough.
An extraordinary and surreal art book, this edition has been redesigned by the author and includes new illustrations. Ever since the Codex Seraphinianus was first published in 1981, the book has been recognized as one of the strangest and most beautiful art books ever made. This visual encyclopedia of an unknown world written in an unknown language has fueled much debate over its meaning. Written for the information age and addressing the import of coding and decoding in genetics, literary criticism, and computer science, the Codex confused, fascinated, and enchanted a generation.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I think of my imagination as a living thing that I have a working, evolving relationship with. I try to access that creative flow state through automatic drawing and something about that process seems to help me in my daily life. I draw every day. I make art zines, comics, fine art, album art, and collaborative works. The books in this list all feel personally important to me and are works I return to and think about often.
I own a number of books on Adolf Wolfli, but this one feels the most extensive and valuable to me. Wolfli spent most of his life in an isolated cell in a mental hospital in Switzerland. During that time he created a hyper-detailed graphic work that’s thousands of pages long. His dense drawings contain writings that chronicle an epic personal fantasy along with musical notation, lists of inventions, giant equations, and maps. This kind of creative output from a single person is both stunning and frightening. Spending time with this book really makes me contemplate the complexity and importance of human creativity, the nature of madness, trauma, and true originality.
Adolf Wölfli is the original outsider artist. Before Darger, Rizzoli and Rodia, there was Wölfli: orphan, laborer, criminal, artist and the subject of a 1921 monograph titled A Psychiatric Patient as Artist, authored by his doctor--the first publication on an outsider artist--which won him the admiration of André Breton and Jean Dubuffet, and gave birth to the outsider phenomenon. “Wölfli’s creations treat the eye to a roller-coaster ride through a terrain bounded by Piranesi, biblical myth, illuminated manuscripts, tantric mandalas and Swiss cuckoo clocks,” New York Times critic Roberta Smith once wrote--“in other words, a dizzying multi-cultural universe.” Adolf Wölfli:…
Like Neil Gaiman, I came to Norse mythology via the Stan Lee/Jack Kirby Marvel comics route. And when I explored the material further I was struck by the darkness and unsanitised oddity of many of the stories. They clearly reflected the Vikings’ view of the world as a cold, hostile, sometimes absurd place that must be met with a strong arm and a hearty laugh if one is to survive not only physically but mentally. There’s something refreshingly honest about such an approach, and when I came to write the third novel in my Pantheon series, The Age of Odin, which recast the myths as a modern military-SF thriller, I leaned heavily into the aspects I found the most appealing as well as the most dramatic, not least the snowy apocalypse that is Ragnarök, while injecting some appropriately ribald humour too.
This series of short back-up strips in the 1960s Thor comic from Marvel retold and embellished on the myths in characteristically bombastic Lee/Kirby fashion. While Thor himself, in the main feature, battled costumed supervillains in contemporary New York, the supporting feature dealt with his youth, his allies and enemies in Asgard itself and the rest of the Nine Realms, and a whole host of sorcerers, witches, and grotesque monsters. Kirby in particular seemed enthused by the project and it shows in his artwork.
Never has Thor been more sensational than during these early tales, crafted by Marvel's greatest, Stan Lee and Jack Kirby. Re-live Stan and Jack's stories of the Norse Gods and Thor before he came to Earth as Don Blake. Witness as these masters breathe life into the thunder god. Read these stories as never before with all-new, modern coloring and six interlocking covers by Olivier Coipel.
Collecting:
Thor: Tales of Asgard by Stan Lee & Jack Kirby #1-6
I’m a public health professional, author, and reader. During part of my childhood and my subsequent career in international public health, I lived in Côte d’Ivoire and the Central African Republic; I’ve also worked throughout West and Central Africa, primarily in Francophone African countries. My experiences in these parts of the continent have not only influenced my fiction writing, but also what I read. While there are plenty of books by Anglophone African authors, few of their Francophone counterparts see their work translated into English. As a result, stories from French-speaking Africa are underrepresented in the literature available to English-speaking audiences. This list is an attempt to make a dent in this disparity.
I’ve added this graphic novel to my list in part for nostalgic reasons. Although the book and its two sequels were published in the 2000s, they are all set in 1970s Abidjan, Côte d’Ivoire, when I had the good fortune to live there. Aya is an adolescent girl living in the vibrant neighborhood of Yopougon, where everyone knows each other’s business. While she just wants to focus on her studies, she keeps getting distracted by the drama of those around her—from the boy-chasing machinations of her girlfriends to the foolish missteps of her parent's generation.
"Aya is an irresistible comedy, a couple of love stories and a tale for becoming African. It's essential reading." -Joann Sfar, cartoonist of The Rabbi's Cat
Ivory Coast, 1978. It's a golden time, and the nation, too-an oasis of affluence and stability in West Africa-seems fueled by something wondrous. Aya is loosely based upon Marguerite Abouet's youth in Yop City. It is the story of the studious and clear-sighted nineteen-year-old Aya, her easygoing friends Adjoua and Bintou, and their meddling relatives and neighbors. It's a wryly funny, breezy account of the simple pleasures and private troubles of everyday life in…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
Amy’s book takes on the same topic, but from the perspective of an academic—and with a more balanced, objective approach. In particular, she examines the role of anti-comics crusader Dr. Fredric Wertham, arguing that his “role in the crusade against comics has been largely misinterpreted by fans and scholars alike, who dismiss his findings as naïve social science, failing to understand how his work on comic books fits into the larger context of his beliefs about violence, psychiatry, and social reform."
For the past forty years the content of comic books has been governed by an industry self-regulatory code adopted by publishers in 1954 in response to public and governmental pressure.
This book examines why comic books were the subject of controversy, beginning with objections that surfaced shortly after the introduction of modern comic books in the mid-1930s, when parents and teachers accused comic books of contaminating children's culture and luring children away from more appropriate reading material.
It traces how, in the years following World War II, the criticism of comic books shifted to their content, and the reading of…
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
Another readable academic work, Bradford’s book helped me situate the history of comics within the broader narrative of post-war America’s emerging youth, pop, and consumer cultures.
As American as jazz or rock and roll, comic books have been central in the nation's popular culture since Superman's 1938 debut in Action Comics #1. Selling in the millions each year for the past six decades, comic books have figured prominently in the childhoods of most Americans alive today. In Comic Book Nation, Bradford W. Wright offers an engaging, illuminating, and often provocative history of the comic book industry within the context of twentieth-century American society. From Batman's Depression-era battles against corrupt local politicians and Captain America's one-man war against Nazi Germany to Iron Man's Cold War exploits in…
I’m a queer writer who is passionate about getting good awareness of gender, sexuality, relationships and mental health out there into the world. I create comics, zines, blog posts, and self-help style books to try to reach as wide an audience as possible, bringing together the work of activists, scholars, therapists, and creators - and drawing on a diverse range of knowledge and experiences - in the hope of helping us all understand ourselves and our world better.
Most of the people I’ve spoken to received terrible sex and relationship education. This is the comic book to rectify that. Buy it for young people so that they have a better experience than you did, and buy it for yourself to make up for what you went through back then.
Let’s Talk About It is an awesome inclusive, accessible graphic book, and beautifully illustrated throughout. Erika and Matthew do a great job of covering the questions young people really want answered, through dialogues between a beautifully drawn cast of characters who are navigating their own way through this complex, confusing territory.
The guidance given is warm, friendly, realistic, and clear, likely to alleviate much of the fear and shame we all have around these topics.
Is what I'm feeling normal? Is what my body is doing normal? Am I normal? How do I know what are the right choices to make? How do I know how to behave? How do I fix it when I make a mistake?
Let's talk about it.
Growing up is complicated.
How do you find the answers to all the questions you have about yourself, about your identity, and about your body? Let's Talk About It provides a comprehensive, thoughtful, well-researched graphic novel guide to everything you need to know.
Covering relationships, friendships, gender, sexuality, anatomy, body image, safe sex,…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’m a queer writer who is passionate about getting good awareness of gender, sexuality, relationships and mental health out there into the world. I create comics, zines, blog posts, and self-help style books to try to reach as wide an audience as possible, bringing together the work of activists, scholars, therapists, and creators - and drawing on a diverse range of knowledge and experiences - in the hope of helping us all understand ourselves and our world better.
There are very few books - let alone graphic books - out there covering asexuality. This comic strikes a great balance between informing the reader about asexuality, and challenging many of the myths that still persist around it, as well as telling Rebecca’s own story of coming to understand her ace experience.
How to be ace is a great, accessible, engaging read for anyone on the ace or aro spectrum themselves. It’s also a very helpful book for everyone to get a better sense of the diversity of a/sexual experience.
PRISM AWARDS FINALIST 2021 GREAT GRAPHIC NOVELS FOR TEENS - YOUNG ADULT LIBRARY SERVICES ASSOCIATION (YALSA) 2022
"When I was in school, everyone got to a certain age where they became interested in talking about only one thing: boys, girls and sex. Me though? I was only interested in comics."
Growing up, Rebecca assumes sex is just a scary new thing they will 'grow into' as they get older, but when they leave school, start working and do grow up, they start to wonder why they don't want to have sex with other people.
