Here are 100 books that Seal of Approval fans have personally recommended if you like
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I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay,are replete with themes of Nazi occultism and border science.The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.
For those interested in a compelling work of fiction built loosely around Nazism and the occult, Michael Chabon’sThe Amazing Adventures of Kavalier & Clay is the perfect novel.
Whether it’s one of the protagonists, a young Jewish magician, escaping Nazi-occupied Central Europe in the coffin of the “Golem of Prague” or the eponymous cousins finding success with their own comic book series infused by contemporary esoterica, Kavalier & Clayevokes the world in which young, first and second generation Jewish immigrants from Central and Eastern Europe created the Marvel and DC superheroes and super(natural) villains, often allied with the Third Reich, that have defined our popular culture for the past eighty years.
Winner of the 2001 Pulitzer Prize for Fiction, 'The Amazing Adventures of Kavalier & Clay' is a heart-wrenching story of escape, love and comic-book heroes set in Prague, New York and the Arctic - from the author of 'Wonder Boys'.
One night in 1939, Josef Kavalier shuffles into his cousin Sam Clay's cramped New York bedroom, his nerve-racking escape from Prague finally achieved. Little does he realise that this is the beginning of an extraordinary friendship and even more fruitful business partnership. Together, they create a comic strip called 'The Escapist', its superhero a Nazi-busting saviour who liberates the oppressed…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
David’s book came out while I was still searching for the truth about Uncle Lev, and it provided a useful and entertaining overview of the effort to censor comic books—catching Lev directly in its cross-hairs—and the industry code that was implemented as a result. Ultimately, David argues, “the generation of comic-book creators whose work died with the Comics Code helped give birth to the popular culture of the postwar era.”
In the years between the end of World War II and the mid-1950s, American popular culture was first created in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics, in this engrossing history.
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
Another readable academic work, Bradford’s book helped me situate the history of comics within the broader narrative of post-war America’s emerging youth, pop, and consumer cultures.
As American as jazz or rock and roll, comic books have been central in the nation's popular culture since Superman's 1938 debut in Action Comics #1. Selling in the millions each year for the past six decades, comic books have figured prominently in the childhoods of most Americans alive today. In Comic Book Nation, Bradford W. Wright offers an engaging, illuminating, and often provocative history of the comic book industry within the context of twentieth-century American society. From Batman's Depression-era battles against corrupt local politicians and Captain America's one-man war against Nazi Germany to Iron Man's Cold War exploits in…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
Jules wrote this book in 1965, so it certainly doesn’t reflect the latest scholarship. But as probably the first critical history of the Golden Age, it’s a valuable read—and a lot of fun! Jules gives a real sense of what it was like to be alive, in New York City, creating these great works.
A great book about the super heroes of comic books( Superman, Captain Marvel, Human Torch, The Flash, Green Lantern, The Spectre, Hawkman, Wonder Woman.Sub Mariner, Captain America, Plastic Man, The Spirit, Afterword. All in colorful comics book style. In tub 87
I am a comic book writer from Scotland now living in Japan. I have had more than 40 books published with a variety of US, UK, and Japanese publishers. I am the only professional manga writer from Britain who lives in Japan. In 2016 my book The Faceless Ghost was nominated for the prestigious Eisner Book Awards, and received a medal in the 2016 'Independent Publisher Book Awards'. In 2017, my book Secrets of the Ninja won an International Manga Award from the Japanese government – I was the first British person to receive this. In 2020 I received the ‘Scottish Samurai Award’ from an association linking Japan and Scotland.
A key cliche which comic book writers like myself are trying to get over is that comic books and manga are just for kids. That has never been true. This Showa book is an excellent example of that, as the four volumes range over a 63 year period (1926 to 1989) in Japanese history in which we learn about the war, Japanese society, the changes over time, and Mizuki’s personal story. Such comic books and manga, or graphic novels to give them their fancy modern term, are an excellent way to learn about a wide variety of topics with both text and visual working together in an engaging dance. Mizuki was one of the key figures in Japanese manga but for me, this book on history and culture, told in a personal way is his most impressive work.
A fascinating period in Japanese history recounted by manga s most distinguished author. Showa 1926 1939: A History of Japan lays the groundwork for Eisner award-winning author Shigeru Mizuki s historical and autobiographical series about Japanese life in the twentieth century. Depicted against his trademark photorealistic backdrops, Mizuki effortlessly portrays a nation forced into a period of upheaval and brings history into the realm of the personal. Indeed, as a child coming of age in the Showa era, the author s earliest memories coincide with key events of the time. It all begins with the Great Kanto Earthquake, a natural…
I believe comics are one of the very best storytelling mediums for stories with big imagination. Prose and film are amazing, but comics have artwork for every single moment of the story, artwork not bound by space, time, or budget. I’ve written and drawn 5 graphic novels published in 11 different languages. I’ve dedicated my entire life to the pursuit of imagination. The books I’ve recommended have given me endless enjoyment and inspiration, I hope they can do the same for you too.
I absolutely adore Miyazaki’s art in Nausicaa. Although dealing in themes of plague and pollution, the artwork really feels like it comes from a place of love. His creature and vehicle designs exude his adoration of nature and science. And everything is rendered in a soft, effortless chiaroscuro that makes reading an endless pleasure.
But maybe the single most endearing attribute is the character, Nausicaa, herself. It seems to me, that more often than not, a hero story asks its protagonist to go through some sort of reluctant change to become a hero. But not Nausicaa. She comes to us fully formed, full of virtue and ambition. And so the story is centered on her choices. The story doesn’t happen to her, she drives it herself.
Nausicaa, a young princess who has an empathic bond with the giant Ohmu insects and animals of every creed. She fights to create tolerance, understanding and patience among empires that are fighting over the world's remaining precious natural resources.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
When I was five years old, my father sat down with me in front of the television and we watched together as the Space Shuttle Columbia launched for the first time. Four decades later, I’ve authored a history of those early shuttle missions, been a part of developing future space missions, and, most importantly of all, watched several space firsts with my own son. Space exploration is humanity at its greatest – working together using the best of our abilities to overcome incredible challenges and improve life here on Earth – and I’m always grateful for the opportunity to share that inspiration with others.
If you’re exploring space history, Apollo 11 is THE moment above all others – the first footsteps on another world. In Moonbound, Fetter-Vorm both captures and contextualizes that moment brilliantly, using the words of the astronauts themselves to share the story of the mission, while also giving the big picture that got them there – in the process unpacking everything from Galileo to the layers of a spacesuit.
On a summer night in 1969, two men climbed down a ladder onto a sea of dust at the edge of an ancient dream. When Neil Armstrong and Buzz Aldrin first set foot on lunar soil, the moon ceased to be a place of mystery and myth. It became a destination.
Now, on the fiftieth anniversary of that journey, Moonbound tells the monumental story of the moon and the men who went there first. With vibrant images and meticulous attention to detail, Jonathan Fetter-Vorm conjures the long history of the visionaries, stargazers, builders, and adventurers who sent Apollo 11 on…
I’ve been reading horror books and watching horror movies since I was entirely too young to do either—thanks to my father’s collection of Stephen King books and my uncle’s love of horror movies. Now I’m a horror writer and wake early each morning to make blank pages darker. Zombies remain one of my favorite horror sub-genres. There’s something relentlessly compelling about these mindless ghouls linking inside each of us waiting for some triggering event to set them loose. Maybe it’s the resulting chaos. Maybe it’s the gruesome horror. Mostly, it’s how such tales show us the fragility of our civilization and the darkness of our own nature.
I know, I know. Lots of people are over The Walking Dead. I have a love/hate relationship with the television show, as well. But I’ve read every chapter of the comic book series, and I have to tell you that zombie fiction doesn’t get much better. Kirkman’s epic spans 22 collection editions comprising 193 total comic books, and it’s pure dark magic from start to finish. He populates his tale with compelling characters and terrifying zombies. The tension is palpable and absolutely no one is safe. One of the hallmarks of this series is the shocking, unexpected deaths of key characters, which made all the more impactful because Kirkman makes us feel genuine emotions for them all.
The world we knew is gone. The world of commerce and frivolous necessity
has been replaced by a world of survival and responsibility. An epidemic of
apocalyptic proportions has swept the globe, causing the dead to rise and feed
on the living. In a matter of months society has crumbled: no government, no
grocery stores, no mail delivery, no cable TV. In a world ruled by the dead, the
survivors are forced to finally start living.
I am a care aide (aka personal support worker) who has happily worked at an extended care facility for more than twenty years, and as such, I have been a compassionate listener to many a family member suffering from the tsunami of feelings involved when coping with aging parents or spouses, so I thought I would be well-positioned and emotionally prepared to cope when it was my turn to face my own mother's deterioration. How wrong I was! Thank goodness for the generous souls who write memoirs. Each of the books that I have chosen was an education and an affirmation to me as I tried to maintain my equilibrium while supporting my mother and my mother-in-law through their final years.
When I read this graphic novel for the first time in 2010, it had just been published, and my mom was still my mom. I had been a care aide for ten years and I was thinking a lot about what families had already been through by the time their beloved came to me in Extended Care. Tangles tells the story of Sarah Leavitt's family from the beginning, when the family starts to notice something is wrong with Mom, to the diagnosis of Early Onset Alzheimer's disease, through the long journey until death. The pictures and text were a perfect combination that cracked open my heart and made me a better care aide.
Years later, I had a more personal use for Tangles. My mom didn't have Alzheimer's disease, but Leavitt's book resonated like a tuning fork in St. Paul's cathedral. "I decided to pretend she wasn't my mother…
In this powerful memoir the the LA Times calls “moving, rigorous, and heartbreaking," Sarah Leavitt reveals how Alzheimer’s disease transformed her mother, Midge, and her family forever. In spare blackand- white drawings and clear, candid prose, Sarah shares her family’s journey through a harrowing range of emotions—shock, denial, hope, anger, frustration—all the while learning to cope, and managing to find moments of happiness. Midge, a Harvard educated intellectual, struggles to comprehend the simplest words; Sarah’s father, Rob, slowly adapts to his new role as full-time caretaker, but still finds time for wordplay and poetry with his wife; Sarah and her…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve always enjoyed reading true stories and stories that feel like they could be true. I enjoy learning about other people’s lives and experiences. If a character’s life experiences have been very different than my own, it is eye-opening and informative. If we’ve had similar experiences it helps me feel less alone. When writing, I usually draw inspiration from my own life experiences. With AWOL, I wanted to share military family culture and help readers affected by PTSD feel less alone.
I love Stargazing! On its surface, Stargazing is about friendship and family but it has many layers, making it the perfect book to read again and again. The story of Christine and Moon touches on the diverse experiences of growing up Asian in America, jealousy & conflict, social expectations & feeling comfortable in your own skin, and a little bit of magic. Except the magic turns out to be symptoms of a serious medical condition. With writing as beautiful as the art, this is a story not to be missed!
Moon is everything Christine isn't. She's confident, impulsive, artistic . . . and though they both grew up in the same Chinese-American suburb, Moon is somehow unlike anyone Christine has ever known.
But after Moon moves in next door, these unlikely friends are soon best friends, sharing their favorite music videos and painting their toenails when Christine's strict parents aren't around. Moon even tells Christine her deepest secret: that she has visions, sometimes, of celestial beings who speak to her from the stars. Who reassure her that earth isn't where she really belongs.
Moon's visions have an all-too-earthly root, however,…