Here are 100 books that A Very Important Teapot fans have personally recommended if you like
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I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
Believe me; I know how hard it is to write humour. To produce a successful comedic novel with laugh-out-loud lines as a debut novelist is no mean feat, but for me, Jane Ions has pulled it off with this book.
I found the voice of Sally Forth (I know!) engaging and hilarious from the off. There was so much for me to enjoy, from the wayward teenage son living in a lean-to in the garden to Sally’s long-suffering and respectable husband, who just happens to be an MP.
I love this kind of well-observed comedy that treats its characters, no matter how misguided, with kindness and compassion.
Sally's son Dan has come back home from college after completing his performing arts degree. He needs rent-free accommodation, friends, a love life, and somewhere to perform his arts. Sally herself is taking a career break from teaching English. She's tired of teaching year eleven pupils about the Mockingbird. She wants to kill the bird and stuff it with all the redundant apostrophe's' she's ever seen in twenty years of marking essays. She needs a rest. She does not need her adult son Dan, his current girlfriend, his previous girlfriend and his old school friend to move in and share…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
The on-target humour of this book helped get me through the lockdown. It is a comic novel about love, lust, and guerrilla dentistry in 1980s Leicester. How could I resist that?
I found the main character–teenager Lizzie Vogel, the guerrilla dentist in question–to be a hilarious and compelling creation, filled with the arrogance and naïveté of youth, very much in the tradition of Adrian Mole.
In fact, the book teems with entertaining, richly observed characters and absurd situations. Though there is plenty to laugh at, what impressed me most was Nina Stibbe’s gift for making her characters so real that, even while I was laughing at their antics, I felt great sympathy for them and their disappointments.
Lizzie Vogel's story continues in Reasons to be Cheerful, the brilliantly comic sequel to Nina Stibbe's hilarious books Man at the Helm and Paradise Lodge.
WINNER OF THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION WINNER OF THE COMEDY WOMEN IN PRINT PRIZE
'I read all of Reasons To Be Cheerful in one glorious gulp' CAITLIN MORAN
*****
Teenager Lizzie Vogel has a new job as a dental assistant. This is not as glamorous as it sounds.
At least it means mostly getting away from her alcoholic, nymphomaniacal, novel-writing mother. But, if Lizzie thinks being independent means sex with her…
I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
I’ll never understand why humorous writing is less respected than the more literary kind. Yet, I believe creating characters that are both convincing and amusing and steering them through a complicated plot–without letting the humour flag–takes great skill. For me, this is what the author Stevyn Colgan achieves in his South Herewardshire books, the first of which is A Murder to Die For.
I found the laughs just kept on coming as farce piled upon farce. As well as giving me a good chuckle, I relished the rural setting, a touching reminder of the splendors and eccentricities of English village life that I, for one, would be sad to lose.
When hordes of people descend on the picturesque village of Nasely for the annual celebration of its most famous resident, murder mystery writer Agnes Crabbe, events take a dark turn as the festival opens with a shocking death. Each year the residents are outnumbered by crowds dressed as Crabbe's best-known character, the lady detective Millicent Cutter.
The weekend is never a mild-mannered affair as fan club rivalries bubble below the surface, but tensions reach new heights when a second Crabbe devotee is found murdered. Though the police are quick to arrive on the scene, the facts are tricky to ascertain…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
A confession: Lissa Evans is one of my very favourite authors. I’ve greatly enjoyed all her books, and this one is a brilliant example. It’s crammed full of likeable and fallible characters–as well as some equally believable horrors–attempting to deal with the ridiculousness of life.
Reading it, I felt I was never far away from a good laugh, either a chuckle-worthy turn of phrase or a riotous set piece. Yet, along with escaped city pigs, procreating giant snails, and porno-mag chomping tortoises, I loved that there is poignancy and even tragedy. So much so I found myself late at night worrying for the fate of some of her characters.
Spencer, Fran and Iris have something in common: the feeling that life is passing them by. Spencer's lost his lover, who bequeathed him a list of things to do; Fran shares a run-down house with her oddball brother; whilst Iris spends her time cleaning up after her two teenage sons...
SPENCER'S LIST is a wonderfully funny tale of life lived on the edge - of reason, of failure and of (just possibly) a brighter future.
Ever since I picked up an old copy of Richard Halliburton’s Book of Wonders as a child, I’ve known that exploring other cultures and countries is something I wanted to experience for the rest of my life. From then on, I’ve traveled, taken cross-cultural studies, and managed international teams as a tech marketer–and my passion for new people and places hasn’t ceased. I love reading (and writing) about the liminal spaces in history–the times and places that aren’t easy to define and don’t make it into standard history books. This list reflects my interests, and I hope it broadens the horizons of other readers.
The first time I set foot in Sydney, Australia (after a 19-hour flight from Los Angeles), I knew that I needed to learn as much about the history of that continent as possible.
In bars and cafes, I would listen to Australians speaking to each other, marveling at their accents. I wondered how a colony of convicts could thrive in a place completely different from their homes in England and Ireland. I wondered what they did to the Aboriginal people to claim as much land and wealth as they had.
This is why I was drawn to Christina Baker Kline’s book, which follows three young women in Australia, telling the story of its colonization in the 19th century from very different perspectives. Kline’s prose is effortless–descriptive without getting in its own way, but not simplistic. At some point, when I was reading this book cover to cover, I looked up…
The author of the #1 New York Times bestseller Orphan Train returns with an ambitious, emotionally resonant historical novel that captures the hardship, oppression, opportunity and hope of a trio of women's lives-two English convicts and an orphaned Aboriginal girl - in nineteenth-century Australia.
Seduced by her employer's son, Evangeline, a naive young governess in early nineteenth-century London, is discharged when her pregnancy is discovered and sent to the notorious Newgate Prison. After months in the fetid, overcrowded jail, she learns she is sentenced to "the land beyond the seas," Van Diemen's Land, a penal colony in Australia. Though uncertain…
As a professional counselor by trade, I’m fascinated by the machinations of the human mind, what drives us, and how our primeval urges can overcome our learned and acceptable behaviors. Accordingly, I enjoy both reading and writing books that expose and explore the dark side of our psyche and the dichotomy of human nature. I particularly appreciate stories that balance evil with redemption, rescue, or retribution.
I love a tense, character-driven thriller, and this one was set in a remote town I’ve visited.
I love that the book is set in 1963, a decade that had particular significance for Australian women, their roles, and the expectations placed upon them.
It’s not fast-moving, but the setting is an almost palpable character in its own right. I found it dark, rife with corruption, violence, oppressive heat, and both the best and the worst of what Australia has to offer.
'From screen to page, Matt Nable's ability to breathe life into vivid characters shines against the grittiness of the harsh Australian landscape.' - Jane Harper, author of The Dry
'a thrilling, heart-stopping novel that fans of The Dry are going to love' - Weekender
'Nable renders the past both tangible and real and it's riveting' - Sue Turnbull, The Age
'must read' - Who Weekly
Darwin, Summer, 1963.
The humidity sat heavy and thick over the town as Senior Constable Ned Potter looked down at a body that had been dragged from the shallow marshland.…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
This is the diary Australian writer Helen Garner kept during a difficult period of her life: the period when she was married to (and eventually separated from) her third husband.
The writing is exquisite, which is why I love this book. Garner records the intricacies and intimacies of the marriage in such exacting terms. Her observations about marriage and the world leave me breathless.
Finally, Helen Garner has opened her diaries and invited readers into the world behind her novels and works of non-fiction. Recorded with frankness, humour and steel-sharp wit, these accounts of her everyday life provide an intimate insight into the work of one of Australia’s greatest living writers.
Yellow Notebook, Diaries Volume I, in this new paperback edition, spans about a decade beginning in the late 1970s just after the publication of her first novel, Monkey Grip. It will delight Garner fans and those new to her work alike.
I’m a Pom, as Aussies would say, born and bred in England to an Australian mother and British father. I emigrated to Australia as a ten-pound Pom way back when and though I eventually came home again I’ve always retained an affection and a curiosity about the country, which in time led me to write three books about my own family history there. The early days of colonial Australia, when around 1400 people, half of whom were convicts, ventured across the world to found a penal colony in a country they knew almost nothing about, is one of the most fascinating and frankly unlikely stories you could ever hope to come across.
This is a cornucopia of the weird and wonderful in Australia: the origins of ‘mateship’, rural remedies, measuring the weather by the behaviour of birds, how ‘Waltzing Matilda’ had its origins in a shearers’ strike, and the bizarre life of the itinerant swagman, including hints on how to make a ‘swag’ and carry it according to the legendary writer Henry Lawson. There are wonderful tales of Australian ‘taciturnity’ and folks living so remotely they still thought Queen Victoria was on the throne in the mid-1900s. It may be light-hearted in tone but this book somehow gets to the heart of what makes Australians unlike anyone else in the world.
Yarns, legends, myths, jokes and anecdotes are our national lifeblood. These home-grown and borrowed tales, told and re-told over generations, offer an insight into the larger national story of which every Australian has a part.Was Breaker Morant the Gatton murderer? What happened to Sniffling Jimmy and Black Mary? We revisit some of the most colourful characters in Australia's past, and the stories that have grown around them. We go looking for the real illywhacker and find out what happened after the execution of our most famous outlaw, Ned Kelly.It takes a certain character to make a living in the Australian…
As host of the Airport Economist TV series I have been to around 60 countries in 5 years and I have always been fascinated by what makes each place tick. I have been curious as to why some countries succeed and others fail, how do businesses operate there and how do the people fare when it comes to elections. I am interested in how egalitarian the place is, how rich are the rich, how do the poor do, is life improving. I am also interested in sport and popular culture and how important it is to the local populace.
This is the best book written on Australian economic history.
How did a convict colony become one of the world’s most prosperous economies and successful democratic societies in just 200 years? McLean takes us methodically through the evidence with a compelling narrative dispelling popular myths along the way.
This book is the first comprehensive account of how Australia attained the world's highest living standards within a few decades of European settlement, and how the nation has sustained an enviable level of income to the present. Why Australia Prospered is a fascinating historical examination of how Australia cultivated and sustained economic growth and success. Beginning with the Aboriginal economy at the end of the eighteenth century, Ian McLean argues that Australia's remarkable prosperity across nearly two centuries was reached and maintained by several shifting factors. These included imperial policies, favorable demographic characteristics, natural resource abundance, institutional adaptability and innovation,…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I read a lot of crime novels but get frustrated by the ones that don’t seem to be grounded in any reality. I get irritated when police procedural novels like any real ‘procedure’, and I find ‘maverick’ cops a tedious trope because it’s rarely done as well as the true originals like Morse. Of course, there’s a lot more freedom with PIs or ‘amateur sleuths’, but I still want the books to have some relation to reality. I’m not keen on too many coincidences either. Perhaps I’ve become hard to please!
A seriously underrated series set in Australia with the mysterious Heller, who is from a Nordic country (although it takes several books to find out more about him), and a young woman who becomes part of his chaotic family of misfits who run a security business, possibly with ties to the government and international espionage.
Every personal detail of Heller is grudgingly given, which makes it so much more intriguing. Each book is a standalone, but each adds more to the overall picture.
I wish I could tell you what happened to this talented author, but she disappeared mysteriously over ten years ago and has never written another book since. A true-life mystery.
Book 1 in the Heller series. Despite having no experience or skills, Tilly Chalmers can’t believe her luck when she lands a dream job in a security and surveillance business owned by the dangerously attractive Heller. But she soon discovers her new boss is a man of many secrets. And what is she to make of the strange group of people who live with him? After her first two assignments go disastrously wrong, and with a ruthless competitor on the scene, Tilly must decide if she has what it takes to survive the rough world of security work.
