97 Books Like Timescape

This is my favorite hard sci-fi classic. I love the beautiful mix of real science (wormholes excepted), compelling story, and characters, and it touches on both first contact and the way in which human nature might cause us to react to it. That is the power combo, in my opinion!

The movie of the book was very good — Robert Zemeckis is a brilliant director — although it left out some fantastic details that, as a math and science fan, I really loved! (I won’t spoil it here; it’s too good.)

THEME: Technically, this is not really a work of science fiction per se, even though it takes place in London 2013, twenty-one years before the book's publication. So it explores aspects of the future through a journey into the head of a serial killer and to the heart of murder itself. In the book, London at that time was a city where serial murder has reached epidemic proportions. To combat this raft of murders, the government has created a test to screen people for a predisposition to commit violent crimes. Tested at random, a man is shocked to hear that he fits the model. Yet when he breaks into the computer to erase his name, he discovers a list of his "brothers" a logical idea springs into his mind: What if to protect society he becomes a killer of serial murderers?

The inspector charged with tracking down this sociopath, code-named… show more.

I specifically recall the scene in which a mind-uploaded character is being subjected to interesting psychological experiments, such as having his neural processing slowed, sped up, and even completely halted without feeling any awareness of those changes.

This book is a fascinating philosophical deep dive into the relationship between functionalism and consciousness. The other thing I was personally drawn to was the story’s use of cellular automata and artificial life since these areas of computer science have been passions of mine even longer than mind uploading.

This is, in my humble view, the best science fiction novel ever written. I have read it no less than ten times so far and intend to keep rereading it. What nowadays seems incredible is that it was written back in 1961, when most science fiction was still in its age of innocence, full of naïve assumptions about extraterrestrials and their malevolent ambitions.

It will be many years before the first ideas of benevolent aliens appear and even more before we fully realize Lem's wisdom from Solaris: there isn't going to be any First Contact because Others are neither bad nor good, but indifferent, as it is the planetary intelligent ocean on Solaris. We aren't still mature enough even for contacts with ourselves, let alone Others.

By the early twentieth century, violent crime was the number one political issue in America. In response, Congress passed the Swift and Sure Anti-Crime Bill, which gave a previously convicted violent criminal one fair trail, one quick appeal, then immediate execution. But to prevent abuse of the law, it was necessary to create a machine that could detect lies with one-hundred percent accuracy. It was clear that such a Truth Machine would change the world. But the race to perfect the Truth Machine forces one man to commit a shocking act of treachery. Now he must conceal the truth from his own creation---or face execution.

The conflict here is truth versus justice, as is often the case in human affairs. I was extremely interested in seeing how the author would balance these two seemingly irreconcilable factors. The book does a startingly job in resolving this conflict, in the process creating… show more.

I loved this book because it’s the granddaddy of time travel stories that use a machine method of transportation to the past or future. The protagonist creates a machine capable of moving through time without actually moving through space.

I easily suspended my 21st-century pragmatic understanding of time travel and was immersed in Wells's plot for a world of the future, one with a socialist propensity. For a book that would be considered a Novella, this has a ‘big story’ feeling—for me anyway.

Isaac Asimov rarely wrote about aliens, but this Hugo and Nebula award-winning novel contains an astounding thought experiment, not only imagining a truly alien species but placing them in a different universe with different physical laws from our own.

I first read this novel as a teenager and was blown away by Asimov’s ability to make me understand and care about the fate of such vastly different alien creatures that possessed three distinct sexes and derived their life energy from photosynthesis.

The fact that the novel inextricably links the fate of these creatures with the fate of our own universe gave me a greater appreciation of how truly diverse life can be. A fact–along with the lessons I learned from the other novels listed here–that continues to inform my own writing on aliens and alien cultures. 

Brilliant young scientist develops a miraculous new pain-killer. A goldmine for the pharmaceutical company! But is the serum really safe? Ann Clewiston Symonds, the scientist at the heart of this story, comes up against Big Pharma’s disdain for ethical issues, and then a car crash dumps her on the customer’s side of the counter. What follows is riveting, chilling, and still horribly relevant today. Kate Wilhelm was extremely good at telling the hard truths about sci-fi material, that sci-fi usually avoids, and this is her best.

Microbiologist professor Joan Slonczewski loved Dune (as do I), so she decided to create a living world with no dry land (which would work) instead of a living world without free water (which, sadly, wouldn’t...). Shora, colonised by an all-female human society, and maintained in continual creation (but untamed) by Shoran microbiologists, is dangerous, beautiful—and threatened by the Evil Empire of Profit. Gripping, harrowing take on how to win a war, save the world, and utterly renounce violence all at the same time.

Truly a book for the ages, how could I not recommend this? It is THE iconic book about a constructed being and his consequent travails.

Made by Victor Frankenstein from all sorts of collected detritus, when the monster opens his “yellow, watery eyes,” the scientist flees from him and never looks back. The monster is left to negotiate the world on his own, but much like a newborn baby, he is ignorant and unequipped to do so.

I love how, unlike the popular concept of the monster, he is, in fact, a vegetarian, and at the start, very vulnerable and peaceful. He learns to read by sitting outside a cottage where he can hear the cottagers teaching a foreigner to read.

I wrote a whole novel about him, A Monster’s Notes, which transports him into the 21st century.