100 Books Like A Door Into Ocean

I think this novel, by physicist Gregory Benford, is one of the best fictional representations of how science is really done and of the real world of scientists and graduate students.

It is also an early exploration of the concept of tachyons, particles that cannot move slower or as slow as the speed of light but always have to go faster. (These have been proposed only in theory, but what makes them exciting is that they would travel backward in time.) In the book, that property enables people in the future to communicate with us in their past.

Another thing I like about this book is that some of his characters are thinly disguised (or not disguised) versions of real astronomers of the time.

Isaac Asimov rarely wrote about aliens, but this Hugo and Nebula award-winning novel contains an astounding thought experiment, not only imagining a truly alien species but placing them in a different universe with different physical laws from our own.

I first read this novel as a teenager and was blown away by Asimov’s ability to make me understand and care about the fate of such vastly different alien creatures that possessed three distinct sexes and derived their life energy from photosynthesis.

The fact that the novel inextricably links the fate of these creatures with the fate of our own universe gave me a greater appreciation of how truly diverse life can be. A fact–along with the lessons I learned from the other novels listed here–that continues to inform my own writing on aliens and alien cultures. 

Brilliant young scientist develops a miraculous new pain-killer. A goldmine for the pharmaceutical company! But is the serum really safe? Ann Clewiston Symonds, the scientist at the heart of this story, comes up against Big Pharma’s disdain for ethical issues, and then a car crash dumps her on the customer’s side of the counter. What follows is riveting, chilling, and still horribly relevant today. Kate Wilhelm was extremely good at telling the hard truths about sci-fi material, that sci-fi usually avoids, and this is her best.

I read this during a confusing time—when I was seeking treatment for depression, from age 16 through 24.

Here was the third-most adapted book in history, and yet with each adaptation, the story grew further from the author’s true voice, which was that of an 18-year-old girl. How odd that this could happen, given that Frankenstein revolves around the creature finding his identity.

He only wants to do good, but when he learns how to read, he also learns how to label himself—as separate from God, and separate from man. He believes he must be bad because he’s different. The whole town agrees. 

When I read this, I also felt different. This feeling didn’t go away until I finished my dad’s bucket list and saw the beauty and wonder he’d seen in me. I was different. But this was a good thing. I pray Mary Shelley found the same peace,… show more.

This collection of comics by different women cartoonists explains the challenges and successes of six women scientists in the 20th century.

Although I am familiar with the scientists’ biographies and their celebrated discoveries, I liked seeing how well the different cartoonists make use of the affordances of the comic book format to convey women’s situations, emotions, and steps toward empowerment as well as the technical aspects of their scientific work. It would make an attractive book club choice for students or adults.

Feminist theorist Dale Spender wrote, in Women of Ideas and What Men Have Done to Them, “We need to know how women disappear….”  Although she spoke of women who disappear from the historical record, all too many women seem to disappear from any sort of public life as soon as they leave high school: so many shine there, but once they graduate, they become invisible. What happens?  

Marriage and kids is an inadequate answer because married-with-kids straight-A boys are visible.  Everywhere. Even the straight-B boys are out there. So what happens?

This is what happens.

When I was an undergraduate, the editor of Nature called this book "the best candidate for burning there has been for many years". I therefore rushed out to buy a copy to see why, and I have treasured the book and recommended it ever since. Almost every idea between its covers is wrong, but marshalling evidence to refute the ideas makes readers ask the most fundamental questions about biology and why they believe what they do. I am eternally grateful to Sheldrake for making me justify my opinions properly, with evidence, not just because they were what I read or heard in some classroom. And he will do the same for anyone else: heretics like Sheldrake are really important for testing mainstream science.

What I love about this book is its clarity and honesty. It is a work of philosophy that has nothing to do with the fashionable task of analyzing concepts at the time of its publication. It sets out a clear view about the nature of the world–what it is that science is telling us about the nature of the world–and discusses problems that this view gives rise to with admirable clarity and honesty. 

And the author makes a vital contribution in connection with his discussion of the nature of sensations and consciousness. Above all, I admire the patent honesty of this book so much, the capacity of the author to pursue his basic idea wherever it may lead, to the ends of the earth, with scrupulous honesty and integrity.

Jo Carney’s book is a wonderful way of appreciating both Shakespeare and contemporary literature that responds to the themes he developed all those centuries ago. This study explores more recent adaptations published in the last decade whereby women—either authors or their characters—talk back to Shakespeare in a variety of new ways. Carney puts modern works such as Prospero’s Daughter, Desdemona, Hag-Seed, The Gap of Time, The Porpoise, Station Eleven, and Hamnet into dialogue with the plays Othello, The Tempest, The Winter’s Tale, Pericles, and King Lear. This beautifully written and very accessible book allows us to think about contemporary issues of sexual assault, gender expectations, and differences in new and very exciting ways as well as allowing readers to develop a new appreciation of Shakespeare.  

Can we talk about how amazing Nora Roberts is? I started reading her more traditional romance novels as guilty pleasures when I was younger and quickly realized she loves to write about strong women. The O’Dwyer trilogy is part of her supernatural books, focusing on an ancient curse, a long-held obsession and the enduring power of love. Tucked in a small village in Ireland are a brother and sister, their American cousin, and their circle of friends. Together, witches, warlocks, and humans battle an ancient evil to break a curse that has plagued their family for centuries. Two of the main characters are separated from each other by the curse and their longing is so palpable. I don’t do spoilers, so you will have to read the trilogy to find out what happens.