Here are 100 books that Thud! A Discworld Novel fans have personally recommended if you like
Thud! A Discworld Novel.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m the author of an award-winning indie book series that focuses on a pretty unusual main character: a middle-aged mother actively parenting three kids in an insane situation. I love unexpected situations and fresh or unusual characters, and the books I recommend here reflect that.
I am so impressed by Pirateaba’s worldbuilding. While there are some fantasy staples in the series, like dragons and dwarves, there are also plenty of lesser-seen races, like gnolls and djinni, and some that are completely unique creations, like the Antinium and the Gazers.
What’s more, all of these races feel like they have their own identities and shared culture, and then, on top of that, individuals from each race are distinct! Two gnolls won’t necessarily see eye-to-eye just because they’re gnolls.
(This novel is the e-book version of the free web serial. You may read the entire ongoing story at wanderinginn.com free of charge.)
“No killing Goblins.”
So reads the sign outside of The Wandering Inn, a small building run by a young woman named Erin Solstice. She serves pasta with sausage, blue fruit juice, and dead acid flies on request. And she comes from another world. Ours.
It’s a bad day when Erin finds herself transported to a fantastical world and nearly gets eaten by a Dragon. She doesn’t belong in a place where monster attacks are a fact of…
Everything you know about Santa Claus is a lie. And that’s just the way she likes it.
She remembers nothing of her real parents. She was abducted by fairies who taught her all she knows. Everyone calls her Key, but no one can tell her why.
Absurdity gets a bad rap in fiction and storytelling, I think. “It’s too silly,” they say. But for those who can take a step back and appreciate how absurd our own world is—our everyday life—there’s nothing more real than absurdity. (I’m saying “absurd” an absurd amount of times. Let’s just say it’s purposeful.) It might be played for laughs at times, but if it’s done right, it gives you perspective. Sometimes we all need to look through a funhouse mirror to realize that we’re only human. These five books share that spirit and have made me laugh, think, and occasionally reevaluate my entire life in a spiral of existential dread—with a smile on my face.
This one leans heavier on the laughter, lighter on the thinking—but sometimes a little bit of fun is exactly what I need.
It’s a chaotic mash-up of The Hunger Games and Ready Player One, except with far more laughs and a talking cat. It’s the first in a long series (which I admittedly haven’t finished yet), but even on its own it’s a blast: action-packed, darkly funny, and weirdly endearing.
I fell in love with the two main characters and happily followed them into the madness.
A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible.
In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground.
The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe.
I’m the author of an award-winning indie book series that focuses on a pretty unusual main character: a middle-aged mother actively parenting three kids in an insane situation. I love unexpected situations and fresh or unusual characters, and the books I recommend here reflect that.
Do you know what makes life-and-death drama better? Throwing it in a pot with a healthy dash of family drama and stirring vigorously. Rachel Aaron understands that, and I love that almost all of her series effortlessly blends the importance of apocalyptic disasters with the difficulty of dysfunctional familial relationships.
And sometimes–just sometimes–the characters get a little healing along the way.
As the smallest dragon in the Heartstriker clan, Julius survives by a simple code: keep quiet, don’t cause trouble, and stay out of the way of bigger dragons. But this meek behavior doesn't fly in a family of ambitious magical predators, and his mother, Bethesda the Heartstriker, has finally reached the end of her patience.
Now, sealed in human form and banished to the DFZ--a vertical metropolis built on the ruins of Old Detroit--Julius has one month to prove he can be a ruthless dragon or kiss his true shape goodbye forever. But in a city of modern mages and…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I’m the author of an award-winning indie book series that focuses on a pretty unusual main character: a middle-aged mother actively parenting three kids in an insane situation. I love unexpected situations and fresh or unusual characters, and the books I recommend here reflect that.
This book does one of my favorite things: deconstructing and reconstructing tropes. It goes ahead and uses Jin, the main character, to critique everything that doesn’t quite make sense in the cultivation subgenre, and then it later uses other characters to validate the same tropes it earlier poked fun at.
On top of that, the contrast between a relaxed Canadian farmer and his ultra-chuuni “death before dishonor” rooster never fails to be delightful.
A laugh-out-loud, slice-of-life martial-arts fantasy about . . . farming????
Jin Rou wanted to be a cultivator. A man powerful enough to defy the heavens. A master of martial arts. A lord of spiritual power. Unfortunately for him, he died, and now I’m stuck in his body.
Arrogant Masters? Heavenly Tribulations? All that violence and bloodshed? Yeah, no thanks. I’m getting out of here.
Farm life sounds pretty great. Tilling a field by hand is fun when you’ve got the strength of ten men—though maybe I shouldn’t have fed those Spirit Herbs to my pet rooster. I’m not used to…
When I was a small child I used to stare long and hard at playing cards, absorbed in the mediaeval-ish drawings and with the feeling that they were trying to tell me something beyond the obvious; which was that they simply represented numbers and suits for the purpose of playing Whist or Rummy or whatever. Gradually I learned that the instinct was true, that ordinary playing cards have long been used for fortune-telling and are related of course to Tarot cards, which take the divination angle to a whole other level (and conversely can equally, if rather frivolously, be used for playing Poker if you leave out the Major Arcana cards).
Does Terry Pratchett seem a frivolous choice compared to my others? Not at all. There is deep and humane wisdom hidden in his Discworld humor.
In the eternally recurrent conflict between Dwarves and Trolls in the Discworld, the board game Thud (a parallel world echo of the Scandinavian hnefatafl games) plays a pivotal and, ultimately, crucial role.
The story's hero is Samuel Vimes, a favorite avatar of Pratchett's. Vimes is a recovering alcoholic, depressive policeman who through chance and a stubborn inborn streak of decency and sense of fair play, happens to end up as the Duke of Ankh Morpork (the Discworld equivalent of London) and mediator between the two warring tribes. It's his job to find the point at which they can at least agree to not slaughter each other.
Once, in a gods-forsaken hellhole called Koom Valley, trolls and dwarfs met in bloody combat. Centuries later, each species still views the other with simmering animosity. Lately, the influential dwarf, Grag Hamcrusher, has been fomenting unrest among Ankh-Morpork's more diminutive citizens—a volatile situation made far worse when the pint-size provocateur is discovered bashed to death . . . with a troll club lying conveniently nearby.
Commander Sam Vimes of the City Watch is aware of the importance of solving the Hamcrusher homicide without delay. (Vimes's second most-pressing responsibility, in fact, next to always being home at six p.m. sharp to…
Only in my recent life as a reader did I realize that my favorite novels often follow a precise pattern: either the author or the main character is a woman. Or both. So, why this sort of bias from a male reader? I found a plausible answer in my belief that female protagonists, more than male ones, serve as the ideal lever for compelling plot twists—the deae ex machina of contemporary storytelling. No wonder the protagonist of the first novel I wrote is a woman. No wonder she’s gifted (or, rather, cursed) with supernatural powers. As for my choice of topic, could it possibly have turned out differently?
This is one of the very few novels that managed to conquer me in every aspect—the plot, the characters, the settings, and the writing. All credits go to the author, of course. But—as I now see her as a living person rather than a fictional character—I think I owe a special tribute to Big Ammachi, the female protagonist of this family saga.
She grabs the scene on page one, and although there comes a moment when she leaves (the story spans some eighty years), her profound sense of humanity keeps lingering throughout the book. More than that—she continues to linger now, even two months after I finished reading. And I suspect she will stay with me forever.
OPRAH’S BOOK CLUB PICK • INSTANT NEW YORK TIMES BESTSELLER • SUBJECT OF A SIX-PART SUPER SOUL PODCAST SERIES HOSTED BY OPRAH WINFREY
From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret
“One of the best books I’ve read in my entire life. It’s epic. It’s transportive . . . It was unputdownable!”—Oprah Winfrey, OprahDaily.com
The Covenant of Water is the long-awaited new novel by Abraham Verghese, the author of…
This is a multicultural epic fantasy with a diverse cast of characters. Sickly fifteen-year-old Prince Psal, the son of warrior-king Nahas, should have been named Crown Prince of all Wheel Clan lands. But his clan disdains the disabled.
When the mysterious self-moving towers that keep humans safe from the Creator's…
My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
This novel takes an absurd premise (everyone magically receives a string whose length reflects how long they will live) and spins it into a profound thought experiment. I loved it for its complete indifference to the scientific credibility that I tried to build into my novel, which is in part about knowing (if you want) exactly how long you have to live.
I found it liberating to learn that, as a writer, I could have it both ways: be extremely thoughtful and nuanced about the consequences of your premise while being completely arbitrary and absurdist about the premise itself. I don’t have that kind of nerve, so I fell back on mere science for my premise, but I love Erlich’s gall.
As a queer speculative fiction writer, I often find myself drawn to themes of identity. Reckoning with identity and defining your own (and redefining, and redefining, and redefining) is a critical part of the queer experience in the cis-hetero norms of the real world. Fantasy and science fiction have always given readers a lens to see themselves through, and many queer readers have found their own definitions between the lines of a book. The protagonists and stories in these books couldn’t be more different, but each offers a unique and compelling vision of discovering—or making—a place for themself in their magical world.
Thirsty for more buff orc lesbians? Legends & Lattes serves up a mug of warm, cozy queer fulfillment. Viv was an adventurer, but she no longer wants to be. Despite her battle scars and intimidating looks, she longs to open her own quiet coffee shop.
The journey to small-business success has challenges, but her determination to live on her own terms brews up a staff of misfits that become a queer-found family. This quiet, low-stakes novel is as sweet as an almond croissant and will leave you hungry for more.
High fantasy, low stakes - with a double-shot of coffee.
After decades of adventuring, Viv the orc barbarian is finally hanging up her sword for good. Now she sets her sights on a new dream - for she plans to open the first coffee shop in the city of Thune. Even though no one there knows what coffee actually is.
If Viv wants to put the past behind her, she can't go it alone. And help might arrive from unexpected quarters. Yet old rivals and new stand in the way of success. And Thune's shady underbelly could make it all…
I love cities, and as a former Mayor, I understand their vibrant complexity. Like all of us, I am deeply worried about planetary breakdown, but unlike most, I’ve had the privilege of seeing firsthand the great work that leading mayors are undertaking globally to address the climate crisis. It's my belief that if more of us knew what is happening in some cities, and therefore what is possible in all, we would not only see that it is possible to avoid climate breakdown but fuelled by that hope, we would demand change from those we elect. You can hear more in the podcast I lead, Cities 1.5, or read more in my occasional newsletter on substack.
I absolutely loved this book. Michael Crummy is an incredibly clear writer and tells an incredibly clear and compelling story about life in a Newfoundland outport (Mockbeggar) in the 1800s, focusing on a sibling rivalry between merchants, the widow Caine, and her brother Abel Strapp.
Life there is hasty, brutish, and short. The descriptions of daily life, including violence, made everyone in our book club squirm. But what I liked most was that he takes the reader right to Mockbeggar (and its neighbour, Nonsuch) - within a page or two, you feel like you are inside a church in Mockbeggar. From that point on, you never leave the outport and its way of life.
An enthralling novel about the corruption of power and the power of corruption from one of our greatest writers, the award-winning, bestselling author of THE INNOCENTS (Extraordinary”—Wall Street Journal)
"A FLAWLESSLY CRAFTED NARRATIVE" —Wall Street Journal
"ONE OF OUR BEST WRITERS" —Booklist (Starred Review)
In an isolated outport on Newfoundland's northern coastline, Abe Strapp is about to marry the daughter of a rival merchant to cement his hold on the shore when the Widow Caines arrives to throw the wedding and Abe's plans into chaos.
An album you’ve never heard. A story you’ll never forget...
Benji Hughes is a musician with a bad case of writer’s block, an estranged girlfriend and a secret past he’s not allowed to discuss—but does anyways. Recounting the unbelievable (but true!) story of his fairytale romance catches the attention of…
We are in a time where everything seems fraught, and cozies remind me that there are other paths. I write science fiction and fantasy, a genre known for making things worse. But secretly, I want my books to explore what happens when people talk to one another and make the kinder choice. It’s easy to escalate. But having a book with tension and interest and plot twists, while also making the reader feel secure is much harder. Watching characters in unexpected genres have cozy moments reminds me it’s possible. And also, sometimes you just want a hug from a book.
I began recommending this book before I even finished it—it was that good. Maybe counterintuitively, I’d categorize it as cozy horror. Or fantasy romance. It’s a book that’s so very hard to describe. The main character is a literal monster, but their ability to shapeshift and “mask” was also relatable—as was her journey of falling in love. I adored reading about how she worked hard to make the person she cared for feel safe.
It’s an extremely comforting story in an unexpected genre wrapper.
A Most-Anticipated Book of 2024: LitHub, Polygon, Apple, Goodreads
"Wiswell raises the bar on the outcast as protagonist . . . the ultimate monster slayer story, if the monster is just a misunderstood creature searching for love." - Kristi Chadwick, Library Journal (starred review)
Discover this creepy, charming monster-slaying fantasy romance-from the perspective of the monster-by Nebula Award-winning debut author John Wiswell
Shesheshen has made a mistake fatal to all monsters: she's fallen in love.
Shesheshen is a shapeshifter, who happily resides as an amorphous lump at the bottom of a ruined manor. When her rest is interrupted by hunters…
