Here are 100 books that Through the Shadowlands fans have personally recommended if you like
Through the Shadowlands.
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When I was a young adult, I lost someone whom I’d loved intensely. In the aftermath, I experienced a grief that would not subside for more than a year and interfered with my ability to function. This is known as complicated grief. As a result, I’ve done a lot of reading on the subject, looking for books that present complicated grief in a humane and understandable manner. While there is a place for self-help books, I’ve found creative literature to be more helpful, especially books written in the first person that offers a metaphorical hand to the reader. I published a detailed essay in Shenandoah on this topic.
I read this book after I had already sent my manuscript to my agent and was surprised that the plot involved the main character unexpectedly caring for a dog after losing a loved one, as my novel does. Told from the point of view of a writing professor whose best friend and mentor has taken his own life, it traces the protagonist’s slow psychological unraveling as she tries to come to terms with both her friend’s death and the place he had held in her life. Adopting his dog takes her out of her ordinary routine in concrete ways and also grounds her and requires her to take part in the details of a new kind of daily life, even if reluctantly.
Part of what I love about this book is the many ways in which it’s experimental. It combines fiction, autofiction, and essay writing. It contains blank pages. There…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My mom handed me one of those little girl diaries with a lock and key when I was in third grade. I wrote my heart into those diaries until I needed more space and shifted to regular-sized notebooks. Writing is my way to know myself and make sense of my life. The journal I kept in the last months of my husband’s life helped me reassemble the trauma-blurred memories of his dying, and then, it supported my emotional rebirth during the year of intense grieving. It is with surprise and delight that I hear from readers who say I articulate their innermost emotions related to love and loss.
Even though the marriage in Oh William!ends in divorce while my marriage ended (without my consent) in my husband’s untimely death, the book brought me back to the unconventional nature of my marriage. Elizabeth Strout’s uncanny ability to say much in a single sentence had me traveling back in time and heart to the many moments that made our marriage. The tendernesses and fears, the deep trust and insecurities that quietly but forcefully bound us together made up the subtle mysteries of our uncommon relationship. What makes people move apart yet remain forever close, as in Lucy Barton and her ex-husband, William, or what holds two people together when there are many factors that might drive them apart, as in my marriage? These questions made reading this book a thought-provoking and enriching experience.
The Pulitzer Prize-winning, Booker-longlisted, bestselling author returns to her beloved heroine Lucy Barton in a luminous novel about love, loss, and the family secrets that can erupt and bewilder us at any point in life
Lucy Barton is a successful writer living in New York, navigating the second half of her life as a recent widow and parent to two adult daughters. A surprise encounter leads her to reconnect with William, her first husband - and longtime, on-again-off-again friend and confidante. Recalling their college years, the birth of their daughters, the painful dissolution of…
After graduating with a BA in English, I moved to England to pursue a master’s in Literature and Visual Culture. My focus was on women artists working in London during the Blitz and I wrote my dissertation on Lee Miller, who went on to photograph (and doggedly publish) the liberation of German concentration camps. Later I worked in arts administration and marketing, and didn’t start writing my debut noveluntil I was thirty-five. My work is inspired by my favorite authors from the 1940s:Elizabeth Bowen, Patrick Hamilton, and Penelope Fitzgerald.I’m also drawn to historical fiction about ordinary people in difficult social conditions, especially when there’s a love story involved.
I used to moderate a book club for museum members at what is now the Institute of Contemporary Art, Los Angeles. Love Medicine was chosen by one of our exhibition artists. This astonishing debut is a masterwork about family, poverty, and passion.
The book is set where my grandparents came from, Minnesota and the Dakotas, and illustrates how settlers from Europe (my ancestors) continued to disrupt and destroy Native lives well into the 20th century. Ojibwe spiritual beliefs and Catholicism tangle as tightly as the characters that embody them. Spanning from 1934 to 1985, this novel should not be missed by anyone interested in Native American history.
“The beauty of Love Medicine saves us from being completely devastated by its power.” — Toni Morrison
Set on a North Dakota Ojibwe reservation, Love Medicine—the first novel from master storyteller and National Book Award-winning author Louise Erdrich—is an epic story about the intertwined fates of two families: the Kashpaws and the Lamartines.
With astonishing virtuosity, each chapter of this stunning novel draws on a range of voices to limn its tales. Black humor mingles with magic, injustice bleeds into betrayal, and through it all, bonds of love and family marry the elements into a tightly woven whole that pulses…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Widowed at age fifty and now eighty-four, I know first hand the search for love in late life. I have three adult children and can't avoid bringing baggage to any new relationship, whether with humans or the cats I adore. Coming to writing seriously only after my husband’s death, I remain fascinated by questions of craft, how the story is told (as my recommendations show), and I’ve published several essays on aspects of that subject. My first career in dance, my conversion to Catholicism, and my psychoanalytic therapy have been major parts of my life and play significant roles in my memoir, my novel, and my more recent novella and stories.
This true story of love and lasting marriage in later life is told by the husband and wife in alternating first-person voices. Ingrained habits of social and personal life and relationships with both parents and children all create stumbling blocks as the two lovers strive to create a unified way of life. I admire this book for its frank and vivid presentation of the pitfalls that can threaten a union of two individuals who meet in late middle age, already well set on their paths. In its presentation of problems and solutions, this book offers the most “self-help” of these five recommendations.
Jill Robinson, the author of Bed/Time/Story and Past Forgetting, and her husband, Stuart Shaw, share their true story about finding love when they both had lost faith in romance.
When Stuart and Jill first met, neither felt ready for love. Stuart was recovering from the alcoholism that had wrecked his marriage and ravaged his career. Jill was recovering from a second failed marriage and believed she was done with love forever.
But then, in a crowded Connecticut diner, Jill caught Stuart's eye and shot him a look that she knew would draw him in. What follows is a sexy journey…
My passion for mythic stories began as early as the age of five, when my father had me tested and found I was reading over two hundred words a minute. He quickly saw the need to feed my thirsty young mind and placed epic fantasy books (most beyond my comprehension) in my tiny hands. As for my absorption with stories that impact the soul, I'd have to say my strongest interest came from my need for it. That need has shaped me and shaped my writing, much more than any list of qualifications, which include being a licensed minister, a professional pianist and cinematic composer, and now a published author.
I loved Till We Have Faces, but not just for the most obvious reasons, like the story’s content. For me, it was the realization that C.S. Lewis was allowing me to discover the meaning of the story gradually.
The novel invited me into a mystery and let revelation slowly come. I’ve found so many of my greatest ah-ha! moments in life have come this way—not because someone preached a message, or commanded me… Not because a person told me the answers up front… Not even necessarily because outside circumstances demanded it. The much-needed revelation slowly unfolded in my heart and mind as I probed (and sometimes wrestled) for the truth.
I was quietly led and guided to the truth… and that’s exactly what this story does.
Fascinated by the myth of Cupid and Psyche throughout his life, C. S. Lewis reimagines their story from the perspective of Psyche's sister, Orual.
'I saw well why the gods do not speak to us openly, nor let us answer . . . Why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?'
Till We Have Faces is a brilliant examination of envy, betrayal, loss, blame, grief, guilt, and conversion. In this, his final - and most mature and masterful - novel, Lewis reminds us of our…
Whenever in Oxford, I feel I’ve come “home.” It’s a magical city steeped in beauty, history, literature, culture, and fascinating people. I’ve been blessed to have taken graduate courses at the University, participated in numerous conferences, brought tour groups, lived “in college,” and conducted walking tours of the town. My familiarity with the city enabled me to write the original chapter on Oxford for Rick Steves’ England guidebook, and it’s where I set my fictional series, The Oxford Chronicles. When I can’t be there in person, I love to visit vicariously through good books. I hope these novels will enable you to experience some of the magic of Oxford too.
Historical romance set in the world of C.S. Lewis at Oxford University: what’s not to love?
I am a fan of historical fiction and love to live history vicariously through the experiences of well-crafted characters, and in this case, real people. This thoroughly researched and masterfully written novel tells the story of the unlikely friendship turned marriage of Christian apologist and author C.S. Lewis to an American Jewish divorcée, Joy Davidman.
This poignant love story has been told before in play and film versions, but this is the first time I experienced the story from Joy’s POV.
I found myself simultaneously sympathizing with and being exasperated by Joy. She was a complex and brilliant woman, and I’m very impressed with Patti Callahan’s own brilliance and chutzpah in writing, most convincingly, Joy’s story in a first-person narration.
Now a USA TODAY and Publishers Weekly bestseller! Meet the brilliant writer, fiercely independent mother, and passionate woman who captured the heart of C.S. Lewis and inspired the books that still enchant and change us today.
When poet and writer Joy Davidman began writing letters to C. S. Lewis-known as Jack-she was looking for spiritual answers, not love. Love, after all, wasn't holding together her crumbling marriage. Everything about New Yorker Joy seemed ill-matched for an Oxford professor and the beloved writer of The Chronicles of Narnia, yet their minds bonded over their letters.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
When I was a young adult, I lost someone whom I’d loved intensely. In the aftermath, I experienced a grief that would not subside for more than a year and interfered with my ability to function. This is known as complicated grief. As a result, I’ve done a lot of reading on the subject, looking for books that present complicated grief in a humane and understandable manner. While there is a place for self-help books, I’ve found creative literature to be more helpful, especially books written in the first person that offers a metaphorical hand to the reader. I published a detailed essay in Shenandoah on this topic.
C.S. Lewis is best known for his Narnia books, but the book of his that sticks with me the most is this one, a first-person contemporaneous account of the famed fiction writer’s mourning for his wife. He began a journal shortly after she died and stopped when he reached the end of the notebook and then published it.
When I read it, I was dealing with intense grief that I felt no one around me understood, and reading Lewis’ journal/memoir made me feel like someone living in the same headspace had reached out his hand to me. One of the early statements in the book struck such a chord with me that I remember it to this day, more than 30 years later: “No one ever told me that grief felt so like fear.”
The perennial classic: this intimate journal chronicling the Narnia author's experience of grief after his wife's death has consoled readers for half a century with its 'sensitive and eloquent' magic (Hilary Mantel)
'An intimate, anguished account of a man grappling with the mysteries of faith and love ... Elegant and raw ... A powerful record of thought and emotion experienced in real time.' Guardian
'Raw and modern ... This unsentimental, even bracing, account of one man's dialogue with despair becomes both compelling and consoling ... A contemporary classic.' Observer
'A source of great consolation ... Lewis deploys his genius for…
Barrie is an historian specializing in early Christianity. Today we now know that there were many different movements within the first few centuries, each claiming to be Christian. James’ Jewish group differed from Paul’s Christ religion and both differed from Gnostic Christianity which saw Jesus as a teacher of insight. None was dominant. The discovery of the Dead Sea Scrolls and the Gnostic writings add an intriguing overlay. The books selected are those that open up new ways of understanding the historical development of Christianity. Each in its own way has created a paradigm shift.
If we only had Paul to rely on for our knowledge of Jesus’ life, all we’d know is that he was born, was Jewish, had brothers and died. Written by a British academic, The Mythmaker is a break-through book that shows how Paul created Christianity by developing a mythology/theology about the significance of the death of Jesus as a Christ. Maccoby’s thought is further developed in my book, How Jesus Became Christian (2008) that demonstrates how different Paul’s religion was from that of Jesus.
Beardstown is my ancestral home. I grew up, sitting on my grandfather’s knee and listening to stories of great floods, huge winter storms, steamboat trade up and down the river, and even ancient tales of the Iroquois annihilating the Mascouten and the long-forgotten Indian mounds. It has been such a joy to be able to compile all those ancient memories into one pretty good story.
Michener’s fifty-year-old novel focuses on a natural spring that becomes a tell – one civilization stacked on top of another from the beginning of time. It is the spring that makes life. If it is life that creates civilization and then destroys it and then comes back to the water to create yet another. The eternal and lasting thing is the water. Michener makes a beautiful story of the civilizations that come and go and stack on top of one another.
The town is a new civilization created, the founder believes, from wilderness. But it is not so. The spot he choose was previously occupied by indigenous natives and they took it from the natives there before them. How could I not love Michener’s story? It is the same as mine just 5,000 years earlier.
In his signature style of grand storytelling, James A. Michener transports us back thousands of years to the Holy Land. Through the discoveries of modern archaeologists excavating the site of Tell Makor, Michener vividly re-creates life in an ancient city and traces the profound history of the Jewish people—from the persecution of the early Hebrews, the rise of Christianity, and the Crusades to the founding of Israel and the modern conflict in the Middle East. An epic tale of love, strength, and faith, The Source is a richly written saga that encompasses the history of Western civilization and the great…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
In the 1980s, I was living in Spain, teaching high school. On weekends and vacations, I traveled throughout the country, fascinated with the remnants of its flourishing medieval civilization, where Jews, Christians, and Muslims mingled. When I later became a historian, I focused on the rich history of Jewish-Christian-Muslim contact in Spain and throughout the Mediterranean. I also wanted to understand conflict and prejudice, particularly the historical roots of antisemitism and islamophobia in Europe. I have increasingly realized that classical religious texts need to be reread and contextualized and that we need to rethink our ideas about religion and religious conflict.
In this book, Robert Gregg focuses on the narratives around a number of key figures in the sacred history of the Judaism, Christianity and Islam. They are “shared stories” because these various writers agreed on most (but not all) of the biographical details of these figures. Indeed, the “rival tellings” often reflect intimate knowledge of each other: the Jewish stories about Mary and Jesus are implicit responses to (and refutations of) Christian beliefs, and the Mary of the Qur’an is a rebuke to both Christian and Jewish versions. Retelling and reinterpreting these stories is a key activity in the construction and delineation of communities of the faithful, whether defined broadly (Judaism, Christianity, Islam) or in their narrower components (ascetic movements within each of the three traditions, rival Christian churches, Sunnism vs Shiism, etc.). If telling stories can be a way to build bridges, it is also, as Gregg shows, a…
While existing scholarship informs us about early contact between Christians, Muslims, and Jews, the nature of that interaction, and how it developed over time, is still often misunderstood. Robert Gregg emphasizes that there was both mutual curiosity, since all three religions had ancestral traditions and a commanding God in common, and also wary competitiveness, as each group was compelled to sharpen its identity against the other two. Faced with the overlap of many scriptural stories, they were eager to defend the claim that they alone were God's preferred people.
In Shared Stories, Rival Tellings, Gregg performs a comparative investigation of…