Books like Nausea — picked by fans

This is, in my humble view, the best science fiction novel ever written. I have read it no less than ten times so far and intend to keep rereading it. What nowadays seems incredible is that it was written back in 1961, when most science fiction was still in its age of innocence, full of naïve assumptions about extraterrestrials and their malevolent ambitions.

It will be many years before the first ideas of benevolent aliens appear and even more before we fully realize Lem's wisdom from Solaris: there isn't going to be any First Contact because Others are neither bad nor good, but indifferent, as it is the planetary intelligent ocean on Solaris. We aren't still mature enough even for contacts with ourselves, let alone Others.

Propaganda is truth; truth is propaganda. We live in an Orwellian world, the world of “alternative narratives” – blatant untruths that are like a twisted mantra tormenting objectivity until it is beaten into submission.

When I first read 1984, I knew Orwell was not predicting the future but describing the past and the betrayal of a socialist revolution by Stalin. But the hideous truth is that Orwell’s depiction of the "evil Soviet empire" is now the new reality, east and west, where tyranny and authoritarianism distort reality to the point where people feel powerless to oppose.

Resist, and the system will get you. Accept, and you will live a life of a deluded soulless husk. You choose!

The Scottish author Muriel Spark’s specialty was short, mordant, corrosive novels, the best known being, of course, The Prime of Miss Jean Brodie. This one, published in 1970, was among her most striking.

A repressed woman’s vacation during the free-loving sixties turns out to be a date with death she may have initiated: the question lingers after you finish.

It became a flawed yet fascinating 1974 film with Elizabeth Taylor at her most—literally and figuratively—exposed.

In a tough prostitute named Virginia, escaped convict Timothy Sunblade finds the perfect partner to help execute the perfect crime. The extraordinary relationship between these two makes the book memorable. Sunblade is clear-eyed, thoughtful, disillusioned, sensitive, brutish, self-assured at times, and wavering at others. Virginia is wise, world-weary, sure of herself and what she wants, sometimes crazed like a caged animal, but always strong.

Chaze's atmospheric detail adds depth and presence to the story. The characters' arc is one of darkening fate and inevitable tragedy. Watching their slow descent is like watching a train wreck in slow motion. The characters continue to deepen throughout the story, all the way to the final page, and they stay with you long after you've put the book down.

Released in the early ‘90s, Frisk was adapted into a film in the mid-90s by Todd Verow. Both received mixed reviews due its transgressive content about madness and bizarre sexual aesthetic. Frisk leaves little to the imagination as the narrator explores taboo photography and sexual deviance while traveling through Holland. Critics and fans found this breakthrough novel deeply polarizing because it involves a gay character obsessed with annihilation. Nevertheless, the overall theme is about victimization, and a culture obsessed with objectification. Despite the novel’s punk prose and hypnotic pacing, there’s something to be said when humanity has a tendency to destroy what society deems perfect. Cooper definitely explores how human desire can become just as fanatical as a religious zealot. A must read for fans of cinematic gore.

Simenon is a master storyteller and father of the noir genre. He quit school as a teenager and never attended a writing program. Dirty Snow is filled with psychological insight and hard facts about life. The main character, Frank Friedmaier, is a brawny young man who lives in his mother’s brothel in France under German occupation. A horrible crime, along with heinous acts, are committed because he cares about nothing and does things without reason. His life is deprived of a father and that void quickly becomes occupied by whores that facilitate a man without optimism. Simenon vividly takes us on a trip into the mind of a creature that can be uncomfortable for a lot of people. This is yet another dark classic about an anti-hero challenged by the notion that he is a man like any other.

This is a book that I never hesitate to go back to because it sums up perfectly a society that wants to find you guilty because of who you are.

As the protagonist searches for the rationale behind his arrest, it is a never-ending spider’s web designed to obscure the answers. The point is that at any moment, your personality, your character, your heartfelt beliefs can be the thing that you are guilty of, even if you have done nothing wrong.

The Trial is the abstraction of totalitarian systems. Freedoms that we think we have can be taken away at a moment’s notice, with no rhyme or reason.

This is my guilty pleasure, a book that is a mega movie/TV franchise with several iterations.

But I highly recommend the source book, not just because of its brilliant and original premise, but because it entertains, whilst dealing with some of the most profound issues we face as a species.

Its truth is that it plays with reality to make us look in the mirror and ask ourselves painful questions: about how we treat other species; about how impermanent we are in the great scheme of things; about how oppressive we are whilst thinking we are always superior to everything around us. We should be humbler and respect far more than we do.

This is the book I reach for when I want the war for the soul told without shortcuts.

Dostoevsky takes me straight into the collision of faith and doubt, love and cruelty, repentance and self-justification—and he refuses to flatter any of it. The “Grand Inquisitor” sequence alone sharpened how I think about coercion dressed up as righteousness, which is a chillingly modern spiritual danger.

When I’m writing redemption, I want it to cost something—and this novel taught me how suffering, freely offered, can become a doorway instead of a sentence.

Many of us, when young, read Looking-Glass with Carroll’s first work, Alice’s Adventures in Wonderland, but it was as an adult, eager to reflect philosophically, that I began to appreciate deep puzzles within our language and consciousness – and these are more prominent in Looking-Glass.  

I taught philosophy for many years – oops, not true, I don’t think philosophy can be taught. Rather, I encourage people to step back and think philosophically by confronting paradoxes, using their imagination, and looking beyond appearances. I often recommend Looking-Glass to achieve a sense of bewilderment and the delicious desire to dig into and question everyday assumptions of living.