Book cover of The City of Brass

Book description

Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by-palm readings, zars, and a mysterious gift for healing-are all tricks, both the means…

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Why read it?

2 authors picked The City of Brass as one of their favorite books. Why do they recommend it?

There’s not enough Muslim historical fantasy in the world, and this one is so lavish and full of aching romance—my favorite kind! It takes us from 18th-century Cairo, where con-girl Nahri accidentally summons centuries-old deava warrior Dara, to the fabled City of Brass, its walls covered in enchanted statues, home to rival clans of djinn.   

I love how the tribes of Deavabad reflect different parts of the Islamic world and its pre-Islamic culture. For example, the main djinn faith reflects Islam, whereas the deava faith with its fire temple reflects the Zoroastrianism of ancient Persia. It’s a complex, believable world…

Nahri is a con artist with dreams of becoming a doctor, if only she can ever make enough money to get out of Cairo. When a con goes terribly wrong, she realizes the magic that she’s always scoffed at is real–and deadly. The only way to get the target off her back is to get to Daevabad, the City of Brass.  

I have loved Egypt since I was a small girl, and Chakraborty’s mystical world of djinn encapsulates everything I ever wanted from an Egyptian-inspired story. There is magic, intrigue, and absolutely incredible religious inclusion and diversity. There’s a little…

From L.J.'s list on non-western fantasy.

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