Books like Three — picked by fans

This is one of the best books I have ever read. 

The writing is superb, the story clever and interesting and the settings diverse and beautiful. I love the characters and their inter and intra-family dynamics. And then there is a magical cat named Brie. 

The writing draws you into each scene and you feel like you are another person in the room as the story unfolds.     

Like all good books, Reservoir 13 is transformative. It’s made me see the world differently, as a place where swallows and bats and the nettle and a river and ewes and wood pigeons and the weather and townspeople are all interconnected through the cycle of years. McGregor manages to do this through a collage-like structure, where a description of a person moves effortlessly into a description of nature, proving that all living things have seasons, stories, and beauty.

By the end of the book, I always feel kind of god-like as a reader, in the sense that I’ve watched and observed and loved, over 13 years, this human and non-human community. Who wants to let something like that go? It’s often easier to just start at the beginning again. This is another book I find myself rereading whenever I get the chance. 

Without Reservations gave me hope following the death of my beloved husband of 37 years. Living with his unique and nontraditional worldview, I’d grown into and inhabited a wider, less conventional way of being than my suburban middle-class upbringing had prepared me for. But once he was gone, what and who was I going to be? Steinbach’s travelogue goes to many of the places my husband and I traveled in England and Europe, and that brought reminiscences of great pleasure. But it was her inner journeying in search of her soul that gave me the courage to embark on the inner travels toward self-discovery and the independence I faced in a newly widowed existence.

Not only do we have a summer romance, but we’ve combined it with French pastry. Literally a recipe for success! Anne-Sophie Jouhanneau’s debut YA novel follows seventeen-year-old ballerina, Mia, as she travels to Paris for the summer for an elite ballet program. Of course, she meets the charming Louis, and together they explore all that Paris has to offer. Rife with beautiful descriptions of Paris and plenty of croissants, this is the perfect summer romance.

Like so many, I’m addicted to this series. Often imitated, never surpassed, Simenon is perhaps the only mystery writer to be nominated for the Nobel Prize in Literature, and was considered by some contemporaries to be the greatest French novelist of his time. Don’t let that put you off. These are great mysteries with an indelible sense of time and place. If the Sherlock Holmes stories can transport me to Victorian London, I can as easily take an absorbing mid-20th century trip to the underside of Paris with Inspector Jules Maigret.

These police procedurals offer unforgettable characters and deep psychological insight. Maigret and the Bum is perhaps my favorite. The bum of the title is a vagrant who has been beaten nearly to death on the banks of the Seine. As Maigret investigates the crime, he finds that the victim was once a highly respected doctor, dedicated to helping the… show more.

That Night in Paris is the second book in Sandy Barker’s Holiday Romance Series, which is packed with beautifully described holiday destinations and the will-they-won’t-they moments we romance readers love. In That Night in Paris, Cat books an impromptu European coach trip in desperation after she has a few too many wines and sleeps with her flatmate. And what a decision that turns out to be when she bumps into her long-lost teenage crush in Paris.     

Cat’s on my dinner guest list because she’s feisty, fun, and oozes sass, while at the same time having a more vulnerable side that would get the deeper conversations going by dessert. Sometimes strong women who are confident and outspoken (in a good way) can be criticised and labelled negatively, but women like Cat should be applauded for being real. 

You may know this book as The Hunchback of Notre Dame, but you probably don’t really know it. Films, most notably the Disney cartoon, have grossly distorted this novel, often having Esmeralda ride off into the sunset with Phoebus. But the novel is really a very dark, Gothic story of love and lust, and one of the first existential novels. Frollo and Quasimodo both love Esmeralda, but she loves Phoebus, and he only loves himself. In the end, everyone dies, allowing their lust to destroy their common sense. Hugo wrote it to help popularize and save Notre-Dame Cathedral from falling into further disrepair. It influenced British author William Harrison Ainsworth to write The Tower of London, thus revitalizing British Gothic in a new way just as it did French Gothic.

People often ask me what is the best book to take with them to Paris if they can only take one, and this is the book I always recommend. This collection of essays, which can easily fit into a purse or a backpack, is brimming over with fascinating stories about “the people, places, and phenomena” of Paris. Downie’s encyclopedic knowledge of history, and the idiosyncratic curiosity that draws him (and his readers along with him) into a variety of offbeat situations make for fun as well as highly informative reading. It’s a great book to take with you to read in Paris, or sitting at home dreaming of or remembering Paris—and the selection of topics is varied enough that I believe there’s something in it to interest almost anyone. 

How Parisians survived Nazi Occupation—to what extent they resisted or collaborated—has been debated for decades but Sebba looks through a new lens: What did Parisiennes, specifically, do during these years? She was just in time to interview some key women who, having survived concentration camps, went on to live defiantly long lives. Others wouldn’t speak, still traumatised by their experiences. But Sebba has plenty to work with, and the pace at which she pulls it all together propels this book’s sense of importance. One can’t help but feel relieved that these stories have now been told. Some of it is shameful, sure, but you ultimately remember the tales of until-now-unsung heroines, whose fierce love for their city, above even their own welfare, makes them well deserving of a place in Paris history.

I loved and appreciated the way the life and writings of Christen de Pizan (the first woman to earn a living as an author) were revealed—Christine’s inner emotional world and the very real suspicion of women’s morality and intellect. I was immersed into the world of 14th Century Paris with all the politics that widow Christine needed to navigate to support her family and herself.

I loved the historical detail, although I had to look up some words (that’s okay!) from that era. Great characters.