Here are 100 books that Writers at Work, Second Series fans have personally recommended if you like
Writers at Work, Second Series.
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I am an author of literary fiction and nonfiction on the creative writing process. My passion is to provide resources for writers who want to create stories as artful literature that will last. A few years ago, I created a website that contains all my fiction and non-fiction, a newsletter, a workshop, and a blog. The website has received over five million visits. I've published six novels, thirty-seven short stories, thirty essays, twenty-six interviews, and dozens of literary quizzes. My fiction has received over fifty+ awards. I’ve written and presented an online video course: Creating Literary Story with Thinkific. I continue to serve writers who are eager to improve.
Well-chosen stories with commentary that makes sense. A classic. Both authors were founders with others of The Fugitives, who published for a short time a literary magazine at Vanderbilt University, in Nashville, Tennessee. Both were giants in the expanding popularity of fiction writing. As a teacher of creative writing and creating great fiction stories, I have found the wisdom of these writers essential in nurturing writers to elevate their work and careers.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I am an author of literary fiction and nonfiction on the creative writing process. My passion is to provide resources for writers who want to create stories as artful literature that will last. A few years ago, I created a website that contains all my fiction and non-fiction, a newsletter, a workshop, and a blog. The website has received over five million visits. I've published six novels, thirty-seven short stories, thirty essays, twenty-six interviews, and dozens of literary quizzes. My fiction has received over fifty+ awards. I’ve written and presented an online video course: Creating Literary Story with Thinkific. I continue to serve writers who are eager to improve.
This book, and others by Campbell, has valuable ideas about humanity and mythology that are endlessly useful to fiction writers. Not about craft. About stories. And you’ll get a sense of how stories shape our world. And it has the effects of myth on human existence, fascinating from both a historic and cultural perspective.
This volume explores the whole inner story of modern culture since the Dark Ages, treating modern man's unique position as the creator of his own mythology.
I am an author of literary fiction and nonfiction on the creative writing process. My passion is to provide resources for writers who want to create stories as artful literature that will last. A few years ago, I created a website that contains all my fiction and non-fiction, a newsletter, a workshop, and a blog. The website has received over five million visits. I've published six novels, thirty-seven short stories, thirty essays, twenty-six interviews, and dozens of literary quizzes. My fiction has received over fifty+ awards. I’ve written and presented an online video course: Creating Literary Story with Thinkific. I continue to serve writers who are eager to improve.
Almost without argument, the most in-depth and illuminating text on narration in fiction writing. This book is essential to the library of any serious author of fiction. Written from the perception of a successful academic career, it has credible detail explained with creative insights into the writing process. A worthy addition to a library for reference throughout a writing career.
The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms-such as "the implied author," "the postulated reader," and "the unreliable narrator"-have become part of the standard critical lexicon.
For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I am an author of literary fiction and nonfiction on the creative writing process. My passion is to provide resources for writers who want to create stories as artful literature that will last. A few years ago, I created a website that contains all my fiction and non-fiction, a newsletter, a workshop, and a blog. The website has received over five million visits. I've published six novels, thirty-seven short stories, thirty essays, twenty-six interviews, and dozens of literary quizzes. My fiction has received over fifty+ awards. I’ve written and presented an online video course: Creating Literary Story with Thinkific. I continue to serve writers who are eager to improve.
It’s fair to say Henry James not only wrote from a stilted, often arcane, time, and that he was verbose to the extreme, and arrogant beyond most contemporary readers’ tolerances. Yet, he created stories that have lasted and served as resources for some of the greatest films of our time: The Golden Bowl, The Wings of the Dove, and Washington Square, for example. The notebooks, in general, are tough reading, and are meant only for reference. But there is insight galore in the thinking of James about writing and the novel that can aid any writer’s career.
James's biographer and a leading James scholar provide the definitive edition of the writer's notebooks, which were discovered among his papers by Edel in 1937. Of the material here assembled, much was previously unpublished, including pocket diaries and dictated notes.
I’ve been completing Dry Januarys (and other sober months) since 2017! In turn, I’ve felt more energized, more positive, have experienced better sleep and better skin, among other benefits. I think giving up alcohol for any amount of time is beneficial and I encourage people to try it.
With recipes from renowned bars all over the world -- including Death & Co in Denver and NYC, Employees Only, The Aviary NYC, Broken Shaker in LA, Everleaf Drinks in London, and Little Red Door in Paris -- the book serves as the ultimate guide to making (and enjoying!) well-balanced non-alcoholic cocktails. The beverages are tasty, visual, creative, and fun to concoct, and will motivate you to stay dry for a month (and beyond).
90 spirit-free cocktail recipes from leading and lauded mixologists across the country
More than 100 years after Prohibition was enacted, bartenders are actually excited about people not drinking again. From Dry January and alcohol-free bars opening around the country to people interested in abstaining from drinking for better health, the no-proof movement is one of today's fastest-growing lifestyle choices, as consumers become more mindful and re-examine their relationship to alcohol. The no-proof drinker could be anyone, and even traditional bars have taken note with no-alcohol offerings. What do the world's most talented bartenders concoct when they can't use booze? This…
I’ve always enjoyed short story collections. Starting with Ray Bradbury and Stephen King, I became a fan of the short form. And as a burgeoning writer, writing short stories was the best way for me to learn the craft of storytelling. While I started out writing supernatural horror, I gradually found myself combining horror, fantasy, and science fiction with dark comedy and social satire, creating a blend of genres. Several of the short story collections I recommend here were instrumental in my evolution as a short story writer and inspired a number of the stories in my latest collection, Lost Creatures.
When it comes to short story collections I definitely have a type, as Upright Beasts is a blend of fantasy, horror, dark humor, and the surreal. And if we’re talking about genre-bending, no one does it quite like Lincoln Michel. His stories are strange and familiar, funny and sad, whimsical and disturbing, twisted and delightful. Sometimes all at the same time. Much like the other authors and collections I’ve listed here, these stories inspired my own writing and made me want to be a better writer. That’s what I want in the fiction I read: to not only be entertained but challenged.
Praise for Lincoln Michel: "Lincoln Michel is one of contemporary literary culture's greatest natural resources."-Justin Taylor, Vice Time passes unexpectedly or, perhaps, inexactly at the school. It's hard to remember what semester we are supposed to be in. Several of the clocks still operate, but they don't show the same time. The red bells, affixed in every room, erupt several times each day, yet the intervals between the disruptions wax and wane with an unknown algorithm. The windows are obscured by construction paper murals. Consequently, the sun rises and falls in complete ignorance of those of us attending the school.…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I’ve been a journalist for years, and to write my first book, I ended up doing a ton of original research and reporting about photography, fashion, the art world, and the magazine industry in midcentury New York. But certain passages in the twins’ interviews reminded me strongly of many books I’d read growing up, that address the challenges young women face as they confront choices in life. And their story, with its wild and colorful characters, begged to be structured like a novel. It also took place when American society was changing dramatically for women, as it is today. So, I kept books like these in mind while writing.
I find midcentury fashion memoirs inspiring because they’re filled with stories of strong, self-realized women who really managed to have it all. This one by Bettina Ballard, French editor for American Vogue in prewar Paris, goes one better because it also offers heartbreaking commentary on the war.
Alongside observations about great designers like Chanel and Dior, Ballard writes stirringly of the tragic, gruesome fates that befell many in her world and the courageous way some resisted the Germans to save their art form, couture. Vogue tries to bring her back to New York, but she swiftly returns to Europe as a Red Cross volunteer—albeit one who sneaks non-regulation eveningwear into her trunk. When she finally goes home to marry (for the second time), she mentions it in an aside.
Bettina Ballard, Paris-based correspondent and later Fashion Editor for US Vogue, was at the centre of the fashion world from the 1930s to the ’50s and an intimate of Coco Chanel, Cristóbal Balenciaga and Elsa Schiaparelli. With journalistic flair, she captures the spirit of pre-war Paris, the working methods of the fashion greats and the transformation of the post-war fashion industry with the arrival of Dior.
The most important formative experiences of my life were contained in the years I spent living and traveling with Brenin, a wolfdog. I can safely say that just about every worthwhile idea I have had – I am a professor of philosophy and ideas are supposed to be my thing – stemmed from those years. I have written many books since Brenin died, all of them, in one way or another, concerned with the question of what it is to be human. I am convinced that we can only understand this if we begin with the idea that we are animals and work from there.
Commonly thought to be about death, and our fear thereof, what I find most striking about this book is its piercing and utterly haunting analysis of the role of memories in making us who we are. The most important memories are the ones that are lost, and then return in a new form, deeply woven into our bodies, emotions, and feelings – as blood, as glance and gesture, as Rilke puts it. Rilke was a poet; this was his only excursion into the art form of the novel. So, the book falls apart after a while. But if anyone has written anything better than the first fifty pages or so, I am unacquainted with it.
First published in 1910, Rilke's "Notebooks of Malte Laurids Brigge" is one the first great modernist novels, the account of poet-aspirant Brigge in his exploration of poetic individuality and his reflections on the experience of time as death approaches. This new translation by Burton Pike is a reaction to overly stylized previous translations, and aims to capture not only the beauty but also the strangeness, the spirit, of Rilke's German.
I’m an urban designer, author, and host of The Life-Sized City urbanism series - as well as its podcast and YouTube channel. I’ve worked in over 100 cities, trying to improve urban life and bring back bikes as transport. I came at this career out of left field and am happily unburdened by the baggage of academia. I've famously refrained from reading most of the (probably excellent) books venerated by the urbanism tribe, in order to keep my own urban thinking clear and pure. My expertise stems instead from human observation and I find far more inspiration in photography, literature, cinema, science, and especially talking to and working with the true experts: the citizens.
We are coded as homo sapiens to look at each other. To observe, study, analyse our fellow creatures. One of the reasons I’ll never live in the country is that I’ll miss observing urban life.
This is such a simple book with a simple premise. Perec recorded everything he saw while sitting at a café on a Parisian square over three days. When I lived in Paris in the 1990s, I had a dog-eared French version of this book and I dutifully went to the same place. Not to record my own observations but to try and see things that Perec might have seen twenty years prior.
A city-dweller regards their city. This book is at once nothing and yet it is everything about urban life. I found in Perec a comrade in arms. The romantic in me insists on believing that the seeds for my later urban observations lie…
"Take it with you to any cafe in any city, and Perec will be both your drinking partner and your tour guide, drawing your attention to each little detail coming and going.” –Ian Klaus, CityLab
One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one café window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
Until I did my own animal-accompanied journey with Mollie and Peggy in 1984, my only association with animals on the trail was inadvertently with a collection of cockroaches in my backpack. It was when Bradt decided to add to their anthologies with a collection of stories about travelling with animals in 2018, Beastly Journeys, that I was able to read a wide variety of books on the topic. A delightful exercise!
I discovered this fascinating and extraordinary story when I was researching tales about travelling with animals for Beastly Journeys. Unlike the other four books in my list, this one has the animal as the central character. And what an animal! Zarafa was captured as a calf in what is now Ethiopia in a plan to cement relationships between the Ottoman Viceroy of Egypt and Charles V of France. The year was 1826 and a giraffe had never before been seen in France. Zarafa did the first part of her journey strapped to the back on a camel, and then – surely more comfortably – down the Nile and across the Mediterranean on a brigantine.
A hole was cut in the deck which allowed Zarafa to travel with her body in the hold, while her head and neck enjoyed the human company on deck. From Marseille she was walked, with…
In October 1826, a ship arrived at Marseille carrying the first giraffe ever seen in France. A royal offering from Muhammad Ali, Ottoman Viceroy of Egypt, to King Charles X, she had already traveled 2,000 miles down the Nile to Alexandria, from where she had sailed across the Mediterranean standing in the hold, her long neck and head protruding through a hole cut in the deck. In the spring of 1827, after wintering in Marseille, she was carefully walked 550 miles to Paris to the delight of thousands of onlookers.
The viceroy's tribute was politically motivated: He commanded the Turkish…