Here are 42 books that This Is Assisted Dying fans have personally recommended if you like
This Is Assisted Dying.
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I started to write poetry because I loved the poetry my father recited. I've kept writing poems because poems brought me closest to the mystery my father and mother were to me. Both my parents lived through the Depression in England and the Second World War that followed. Both of them suffered, one as a civilian casualty, the other as a soldier, and both carried to their deathbeds the things they did and the things that were done to them. The books that move me most offer me the words that lift the weight of sorrow and the understanding that replaces grief and anger with compassion.
In this book, Alison Bechdel is obsessed with the triangular relationship between one’s parents, oneself, and literature, and, in my poetry, so am I.
Our parents are either puzzles we can solve or mysteries we cannot, but still we have to try. And in this book, again and again, Bechdel takes those insights and moments of beauty that literature offers, investigates her father’s life and death, and in this book (as well as the follow-up, Are You My Mother?), the meaning of her mother’s choices as well.
Now that I think of it, Fun Home is the story of how literature is always the child of what an author experiences in their life and what they read, the two brimming over into the impulse to make more words, understand more life.
DISCOVER the BESTSELLING GRAPHIC MEMOIR behind the Olivier Award nominated musical.
'A sapphic graphic treat' The Times
A moving and darkly humorous family tale, pitch-perfectly illustrated with Alison Bechdel's gothic drawings. If you liked Marjane Satrapi's Persepolis you'll love this.
Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high-school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and the family babysitter. When Alison comes out as homosexual herself in late adolescence, the denouement is…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I started to write poetry because I loved the poetry my father recited. I've kept writing poems because poems brought me closest to the mystery my father and mother were to me. Both my parents lived through the Depression in England and the Second World War that followed. Both of them suffered, one as a civilian casualty, the other as a soldier, and both carried to their deathbeds the things they did and the things that were done to them. The books that move me most offer me the words that lift the weight of sorrow and the understanding that replaces grief and anger with compassion.
I’ve often told my students that the poetry most meaningful for you either puts into words things you’ve wanted to say but didn’t have the words for, or it gives you words for experiences you haven’t had but might be waiting for you somewhere down the road.
Stuart’s poetry has long amused and challenged me with his play at language and disruption of conventions, but in this book, I am made aware that he and I are born only a couple of years apart, and in some things, like the subjects of this book, he’s just up ahead, telling me what’s in store: what it is to be the last living member of your birth family, what it is to lose one of your oldest friends.
Poetry is sometimes just the wisdom of growing old made pure by art, and this is one of those times.
A poignant meditation on mortality from a beloved Canadian poet
A writer friend once pointed out that whenever Stuart Ross got close to something heavy and “real” in a poem, a hamburger would inevitably appear for comic relief. In this hybrid essay/memoir/poetic meditation, Ross shoves aside the heaping plate of burgers to wrestle with what it means to grieve the people one loves and what it means to go on living in the face of an enormous accumulation of loss. Written during the second wave of the COVID-19 pandemic, shortly after the sudden…
I started to write poetry because I loved the poetry my father recited. I've kept writing poems because poems brought me closest to the mystery my father and mother were to me. Both my parents lived through the Depression in England and the Second World War that followed. Both of them suffered, one as a civilian casualty, the other as a soldier, and both carried to their deathbeds the things they did and the things that were done to them. The books that move me most offer me the words that lift the weight of sorrow and the understanding that replaces grief and anger with compassion.
This is a book about extreme compassion, and the long and torturous work of it in the face of neighbourhood fear and municipal hostility towards those who live without fixed addresses and all that that entails.
Further, I see in Encampment the hope that on a personal and social level, we all have it within us to understand people we didn't think we could and keep alive the capacity we're born with to love those whom so many tell us we should not.
An activist priest provides sanctuary for an encampment of unhoused people in her churchyard
The housing crisis plaguing major urban centres has sent countless people into the streets. In spring 2022, some of them found their way to the yard beside the Anglican church in Toronto's Kensington Market, where Maggie Helwig is the priest. They pitched tents, formed an encampment, and settled in. Known as an outspoken social justice activist, Helwig has spent the last three years getting to know the residents and fighting tooth and…
What hope does an army of children have against the might of the Mamluks?
Brother Foulques de Villaret just wants to stay in Acre and perform his sworn duties. Instead, the young Hospitaller Knight of Saint John must undertake a dangerous journey from the Holy Land to a remote village…
I started to write poetry because I loved the poetry my father recited. I've kept writing poems because poems brought me closest to the mystery my father and mother were to me. Both my parents lived through the Depression in England and the Second World War that followed. Both of them suffered, one as a civilian casualty, the other as a soldier, and both carried to their deathbeds the things they did and the things that were done to them. The books that move me most offer me the words that lift the weight of sorrow and the understanding that replaces grief and anger with compassion.
I can’t create a list of recommended books based on books I love without Patrick Lane’s 1978 Poems: New and Selected.
Every author remembers that book, the one that both showed them what writing could do and inspired them to try it, too. For me, this book is the perfect marriage between down-to-earth-and-sometimes-unbearably-painful life and sublimely beautiful language.
This book is what I’d show you if you asked me what the saying means, “Hymns to the light are best sung in darkness.”
One of Canada's most distinguished poets and winner of the Governor General's Award in 1979 for Poems New and Selected , Patrick Lane deserves much admiration for his remarkable poetic achievement. This new volume of his verse traces the evolution of his work and includes both poetry from his previously published collections and a number of new poems.
Raphael Cohen-Almagor, DPhil, St. Catherine’s College, University of Oxford, is Professor of Politics, Olof Palme Visiting Professor, Lund University, Founding Director of the Middle East Study Centre, University of Hull, and Global Fellow, Woodrow Wilson International Center for Scholars. Raphael taught,inter alia, at Oxford (UK), Jerusalem, Haifa (Israel), UCLA, Johns Hopkins (USA), and Nirma University (India). With more than 300 publications, Raphael has published extensively in the field of political philosophy, including Liberal Democracy and the Limits of Tolerance; Challenges to Democracy; The Right to Die with Dignity; The Scope of Tolerance; Confronting the Internet's Dark Side; Just, Reasonable Multiculturalism,and The Republic, Secularism and Security: France versus the Burqa and the Niqab.
The book brings together two contradictory viewpoints.
While Jackson argues that we should legalise assisted suicide in order to enable ‘good death’ and honour patients’ wishes, Keown opposes such a legislation, thinking that voluntary euthanasia and physician-assisted suicide are gravely unethical and what we need to do is to improve care, not to offer death.
This is an excellent exchange of ideas that I have used in my classes on end-of-life concerns.
John Keown and I meet in Washington every once and a while. Although we disagree on whether physician-assisted suicide should be offered, we agree on the need to preserve the dignity of the person as well as on many other fundamental issues.
In this new addition to the 'Debating Law' series, Emily Jackson and John Keown re-examine the legal and ethical aspects of the euthanasia debate.
Emily Jackson argues that we owe it to everyone in society to do all that we can to ensure that they experience a 'good death'. For a small minority of patients who experience intolerable and unrelievable suffering, this may mean helping them to have an assisted death. In a liberal society, where people's moral views differ, we should not force individuals to experience deaths they find intolerable. This is not an argument in favour of dying.…
Since college, psychology has been a subject I find intriguing. I am a retired Early Childhood Educator. Having daughters has enabled me to travel the time-worn path of mother-and-daughter relationships. After much trial and error, I’ve come to the conclusion that it is a complicated dynamic given the ages and stages, distinct personalities, social and cultural differences, socio-economics as well as generational challenges. An important thing is for mothers to understand that their daughters may have similarities to them, but they are not them. As they mature, they will make their own life choices.
I fell into a dark family dilemma from the time I opened the first page. A young, big-city career woman becomes a caregiver to her dying mother. Her father has made the decision without her consent. I found myself on an emotional roller coaster. The mother is loving and kind, which makes her daughter feel more guilt for wanting out. How could she be so selfish? Then, I put myself in her shoes at that age.
The intensity of maternal love drew me in as I came to understand the changes in both women. A very emotional read for me.
NEW YORK TIMES BESTSELLER • A “hypnotically interesting” (The Washington Post Book World) novel from the Pulitzer Prize–winning author of Miller’s Valley
“[Anna Quindlen] writes passionately . . . painstakingly uncovering all the intensity, suspicion and primitive love that bonds mothers and daughters.”—The Boston Globe
Ellen Gulden is enjoying her career as a successful magazine writer in New York City when she learns that her mother, Kate, is dying of cancer. Ellen’s father insists that she quit her job and return home to become a caregiver. A high-powered career woman, Ellen has never felt she had much in common with…
I have an international reputation as an expert on dehumanization. I have researched this subject for the past fifteen years, and have written three books and many articles, and given many talks on it, including a presentation at the 2012 G20 economic summit. I believe that dehumanization is an extremely important phenomenon to understand, because it fuels the worst atrocities that human beings inflict upon one another. If phrases like "never again" have any real meaning, we need to seriously investigate the processes, including dehumanization, that make such horrific actions possible.
Many people are unaware that the Nazi genocide of Jews and Roma was built on their earlier mass extermination of disabled people, beginning with children. The killing methods used in places like Auschwitz and Treblinka were pioneered in the murder of many thousands of people with physically and mentally disabled people, whom members of the German medical profession referred to as “life unworthy of life” and “useless eaters.” This book by a distinguished Holocaust scholar meticulously documents the journey from the first child killed on Hitler’s orders to the inferno of the Polish extermination camps.
Tracing the rise of racist and eugenic ideologies, Henry Friedlander explores how the Nazi programme of secretly exterminating the handicapped and disabled evolved into the systematic destruction of Jews and Gypsies. He describes how the so-called euthanasia of the handicapped provided a practical model for the later mass murder, thereby initiating the Holocaust. The Nazi regime pursued the extermination of Jews, Gypsies and the handicapped based on a belief in the biological, and thus absolute, inferiority of those groups. To document the connection between the assault on the handicapped and the Final Solution, Friedlander shows how the legal restrictions and…
I'm a lapsed lawyer who decided as an empty-nest project to take a few history of medicine courses just for fun. One thing led to another and I found myself with a PhD and a book about eugenics and law to my name. I love the history of medicine. It connects us right back to the cavemen who worried about the same things we worry about today – illness, injury, our bodies, reproduction, death, dying. The history of eugenics is really a part of that history and it is filled with laws – coerced reproductive sterilization, marriage restrictions based on so-called “fitness,” etc. So it's a perfect union of my background and my newfound love.
This is a book about how eugenic ideas were popularized in early movies. It focuses on one particular movie called The Black Stork which tells the true – and shocking – story of Harry Haiselden, a Chicago physician who was accused of allowing the deaths of so-called “defective” babies in the late 1910s. The book also includes fascinating background about the movie industry at the time, as well as about Pernick’s hunt for a copy of this old film. While it is not about Canada, it nevertheless really helps us understand the way eugenic ideas came before the public and their important relationship to pop culture. It is also a very engaging read which introduced me to the fun of learning about old movies.
In the late 1910s Dr. Harry J. Haiselden, a prominent Chicago surgeon, electrified the nation by allowing the deaths of at least six infants he diagnosed as "defectives". Seeking to publicize his efforts to eliminate the "unfit", he displayed the dying infants to journalists, wrote about them for the Hearst newspapers, and starred in a feature film about his crusade. Prominent Americans from Clarence Darrow to Helen Keller rallied to his support. The Black Stork tells this startling story, based on newly-rediscovered sources and long-lost motion pictures, in order to illuminate many broader controversies. The books shows how efforts to…
Throughout my life, I have been fascinated by religion, initially in struggling with individual belief and later with its place within the social and political world. As a bioethicist, I studied and worked with patients and practitioners as they dealt with religious and moral concerns in healthcare. Then, as an international human rights advocate, educator, and governance development practitioner, I engaged with people of faith and secularists in the struggle to protect human rights and dignity as well as to attempt to promote peacebuilding in the post-conflict areas in which I worked, such as Afghanistan, Iraq, Lebanon, and Cote d’Ivoire.
In trying to exclude religion from the public sphere, most critics argue that religion precludes reasoned discussion: that secular arguments are rational and religious arguments are not.
Ronald Dworkin correctly recognizes that arguments over moral issues ultimately rest upon personal values, whether expressed in secular or religious terms. I love how he brilliantly breaks down arguments over such emotionally and morally controversial issues as abortion and euthanasia and then tries to identify the values relied on by both sides in how they attempt to justify their position.
In doing so, he makes two critical points: first, fundamental secular beliefs ultimately rest upon a religious-like understanding of the world, and second, in engaging with the thoughtful believer and secularist, it is possible to find common values. He uses the idea of the "sacredness of life" as one such meeting point shared by each.
Internationally renowned lawyer and philosopher Ronald Dworkin addresses the crucially related acts of abortion and euthanasia in a brilliantly original book that examines their meaning in a nation that prizes both life and individual liberty. From Roe v. Wade to the legal battle over the death of Nancy Cruzan, no issues have opened greater rifts in American society than those of abortion and euthanasia. At the heart of Life's Dominion is Dworkin's inquest into why abortion and euthanasia provoke such controversy. Do these acts violate some fundamental "right to life"? Or are the objections against them based on the belief…
A tragicomic novel about the toxic relationship between two couples who first met at medical school and whose paths cross again many years later.
Charlotte is married to Henry, a retired consultant pathologist. She abandoned her own medical training after a harrowing experience left her emotionally…
As a queer, disabled YA author, I focus on writing stories that reflect the complexities of identity, disability, and mental health. I believe every teen who is disabled and/or struggles with mental illness deserves to see themselves represented, but I’m also passionate about stories that allow able-bodied readers to gain insight into new perspectives. These book recommendations showcase diverse voices and highlight a disabled experience, and I hope books like these will foster a new generation that values inclusivity and representation. Happy reading!
I think the body horror and cosmic horror are wonderfully done, but the heartwarming moments between the queer, the disabled cast are the cherry on top!
This apocalyptic story cleverly challenges the treatment and expectations of disabled and neurodivergent folks during disasters. The protagonist has epilepsy and migraines, and I was immersed by the vivid depictions that emphasize how his disabilities affect him.
A YA unbury-your-gays horror in which an undead teen must find the boy he loves before he loses his mind and body.
Five years ago, a parasite poisoned the water of Ian’s West Virginia hometown, turning dozens of locals into dark-eyed, oil-dripping shells of their former selves. With chronic migraines and seizures limiting his physical abilities, Ian relies on his best friend and secret love Eric to mercy-kill any infected people they come across.
Until a new health report about the contamination triggers a mandatory government evacuation, and Ian cracks his head in the rush. Used to hospitals and health…
