Here are 100 books that Poems fans have personally recommended if you like
Poems.
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I started to write poetry because I loved the poetry my father recited. I've kept writing poems because poems brought me closest to the mystery my father and mother were to me. Both my parents lived through the Depression in England and the Second World War that followed. Both of them suffered, one as a civilian casualty, the other as a soldier, and both carried to their deathbeds the things they did and the things that were done to them. The books that move me most offer me the words that lift the weight of sorrow and the understanding that replaces grief and anger with compassion.
In this book, Alison Bechdel is obsessed with the triangular relationship between one’s parents, oneself, and literature, and, in my poetry, so am I.
Our parents are either puzzles we can solve or mysteries we cannot, but still we have to try. And in this book, again and again, Bechdel takes those insights and moments of beauty that literature offers, investigates her father’s life and death, and in this book (as well as the follow-up, Are You My Mother?), the meaning of her mother’s choices as well.
Now that I think of it, Fun Home is the story of how literature is always the child of what an author experiences in their life and what they read, the two brimming over into the impulse to make more words, understand more life.
DISCOVER the BESTSELLING GRAPHIC MEMOIR behind the Olivier Award nominated musical.
'A sapphic graphic treat' The Times
A moving and darkly humorous family tale, pitch-perfectly illustrated with Alison Bechdel's gothic drawings. If you liked Marjane Satrapi's Persepolis you'll love this.
Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high-school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and the family babysitter. When Alison comes out as homosexual herself in late adolescence, the denouement is…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I started to write poetry because I loved the poetry my father recited. I've kept writing poems because poems brought me closest to the mystery my father and mother were to me. Both my parents lived through the Depression in England and the Second World War that followed. Both of them suffered, one as a civilian casualty, the other as a soldier, and both carried to their deathbeds the things they did and the things that were done to them. The books that move me most offer me the words that lift the weight of sorrow and the understanding that replaces grief and anger with compassion.
Stefanie Green administered my mother’s medically assisted death, and among the stories in the book is my and my brother's farewell with her.
It wasn’t a long story – just a paragraph among chapters – and I read the book to find out more about my mother’s choice and the choice of the doctor who cared for her. I say “cared” because for my mother, a medically assisted death turned hopelessness about the end of her life into the happiness of having a choice in a situation in which she was otherwise helpless.
In her account of my mother’s last moments, Stefanie showed me what I did not see at the time, and that insight only added more meaning to the story of my mother’s life.
An international bestseller, this compassionate memoir by a leading pioneer in medically assisted dying who helps suffering patients explore and fulfill their end of life choices is "written with sensitivity, grace, and candor...not to be missed" (Publishers Weekly, starred review).
Dr. Stefanie Green has been forging new paths in the field of medical assistance in dying since 2016. In her landmark memoir, Dr. Green reveals the reasons a patient might seek an assisted death, how the process works, what the event itself can look like, the reactions of those involved, and what it feels like to oversee proceedings and administer…
I started to write poetry because I loved the poetry my father recited. I've kept writing poems because poems brought me closest to the mystery my father and mother were to me. Both my parents lived through the Depression in England and the Second World War that followed. Both of them suffered, one as a civilian casualty, the other as a soldier, and both carried to their deathbeds the things they did and the things that were done to them. The books that move me most offer me the words that lift the weight of sorrow and the understanding that replaces grief and anger with compassion.
I’ve often told my students that the poetry most meaningful for you either puts into words things you’ve wanted to say but didn’t have the words for, or it gives you words for experiences you haven’t had but might be waiting for you somewhere down the road.
Stuart’s poetry has long amused and challenged me with his play at language and disruption of conventions, but in this book, I am made aware that he and I are born only a couple of years apart, and in some things, like the subjects of this book, he’s just up ahead, telling me what’s in store: what it is to be the last living member of your birth family, what it is to lose one of your oldest friends.
Poetry is sometimes just the wisdom of growing old made pure by art, and this is one of those times.
A poignant meditation on mortality from a beloved Canadian poet
A writer friend once pointed out that whenever Stuart Ross got close to something heavy and “real” in a poem, a hamburger would inevitably appear for comic relief. In this hybrid essay/memoir/poetic meditation, Ross shoves aside the heaping plate of burgers to wrestle with what it means to grieve the people one loves and what it means to go on living in the face of an enormous accumulation of loss. Written during the second wave of the COVID-19 pandemic, shortly after…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I started to write poetry because I loved the poetry my father recited. I've kept writing poems because poems brought me closest to the mystery my father and mother were to me. Both my parents lived through the Depression in England and the Second World War that followed. Both of them suffered, one as a civilian casualty, the other as a soldier, and both carried to their deathbeds the things they did and the things that were done to them. The books that move me most offer me the words that lift the weight of sorrow and the understanding that replaces grief and anger with compassion.
This is a book about extreme compassion, and the long and torturous work of it in the face of neighbourhood fear and municipal hostility towards those who live without fixed addresses and all that that entails.
Further, I see in Encampment the hope that on a personal and social level, we all have it within us to understand people we didn't think we could and keep alive the capacity we're born with to love those whom so many tell us we should not.
An activist priest provides sanctuary for an encampment of unhoused people in her churchyard
The housing crisis plaguing major urban centres has sent countless people into the streets. In spring 2022, some of them found their way to the yard beside the Anglican church in Toronto's Kensington Market, where Maggie Helwig is the priest. They pitched tents, formed an encampment, and settled in. Known as an outspoken social justice activist, Helwig has spent the last three years getting to know the residents and fighting tooth and…
I’m a middle school science teacher, and many of my students are “readers,” the ones that constantly have their heads in books when they aren’t dragged away by classwork. I created this list because they remind me of what I enjoyed about reading when I was their age, the environment. Characters and plots were great, but I wanted a book to take me somewhere I’d never been. Whether it was the Klondike or soaring through clouds, I needed to believe it was real, someplace I might see for myself. Vivid descriptions that provide fuel for imagination make reading more dynamic.
Have you ever been cold, in your bones cold? That’s what I felt reading Athabasca. Growing up in northern Utah, I thought I knew cold. Then Alistair MacLean introduced me to a true, icy, desperate cold. The atmosphere is so much a part of this story, it’s like a character. I’ll admit, this book challenged me as a young reader. It tends to plod along at glacial pace until the last third of the book, but that end is feverishly spectacular. This book is the first I read by this author and I rapidly devoured all his other titles.
Reissue of the nail-biting tale of sabotage set in the desolate frozen wastes of two ice-bound oil fields, from the acclaimed master of action and suspense.
SABOTAGE!
THE VICTIMS Two of the most important oil-fields in the world - one in Canada, the other in Alaska.
THE SABOTEURS An unknown quantity - deadly and efficient. The oil flow could be interrupted in any one of thousands of places down the trans-Alaskan pipeline.
THE RESULT Catastrophe.
One man, Jim Brady, is called in to save the life-blood of the world as unerringly, the chosen targets fall at…
She really gets at the heart of how Brown and Black bodies are seen, and what is fascinating to me is the approach through current “technical art” and a good discussion of architecture. I had a class focus on her discussion—lengthy—about surveillance and race. It’s extremely poignant, and something whites especially just don’t think about. I will never again go through an airport without thinking about her book.
In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the…
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
I first became interested in the history of the British Empire as an undergraduate. Understanding this history helped me relate my parents’ experiences growing up in a postcolonial nation with the history of the United States, where I grew up. As an academic historian, my research and teaching emphasize connections—between disparate places, between the past and present, and between our personal experiences and those of people born in distant times and places. My first children’s book allowed me to translate my scholarly work for a young audience. I hope this list of books that inspire my approach to history encourages your own investigations of imperialism and its pasts!
George Manuel was once asked by a white coworker, “Does Indians have feelings?” Refusing dehumanization, Manuel reveals the ongoing colonial relations between First Nations and the Canadian settler state. He charts his political journey from Secwepemcúl̓ecw to the National Indian Brotherhood to the World Council of Indigenous Peoples.
Manuel argues that the victories of the anti-colonial independence movements of the twentieth century did not end colonial domination of Indigenous Peoples—what he calls the Fourth World. The Fourth World is not a destination but the right to travel on your own road in your own way.
With a new insightful introduction, foreword, and afterword, the book's latest edition shows how Manuel’s analysis of colonialism and vision for solidarity continue to be relevant to contemporary struggles for decolonization.
A foundational work of radical anticolonialism, back in print
Originally published in 1974, The Fourth World is a critical work of Indigenous political activism that has long been out of print. George Manuel, a leader in the North American Indian movement at that time, with coauthor journalist Michael Posluns, presents a rich historical document that traces the struggle for Indigenous survival as a nation, a culture, and a reality. The authors shed light on alternatives for coexistence that would take place in the Fourth World-an alternative to the new world, the old world, and the Third World. Manuel was the…
I am a historian and a social geographer whose main interest is in examining why some of us are embraced (legally, politically, economically, culturally) by the society we live in while some others are excluded. Probably due to my status as someone who is an immigrant to Canada and also a person with a disability, the topic of belonging and exclusion fascinates me.
I really love this study because it provides a crystal-clear example of how colonialism and dispossession have worked in Canada from the legal, cultural, political, and social angles. It also delves into the topic of the histories we, as a country, choose to remember and those we choose to forget, as well as the issue of who is forgotten in the process.
1919 is often recalled as the year of the Winnipeg General Strike, but it was also the year that water from Shoal Lake first flowed in Winnipeg taps. For the Anishinaabe community of Shoal Lake 40 First Nation, construction of the aqueduct led to a chain of difficult circumstances that culminated in their isolation on a man-made island where, for almost two decades, they have lacked access to clean drinking water.
In Aqueduct: Colonialism, Resources and the History We Remember, Adele Perry analyzes the development of Winnipeg's municipal water supply as an example of the history of settler colonialism. Drawing…
In my life, I have always loved visiting the unsung places: villages rather than cities, places where I am the only tourist. In both reading and writing, I’m drawn to the quietly dramatic times, the moments before important events, or the aftermaths. I want to see how real characters live in real places dealing with real problems, even if all three are invented. I spent most of my childhood getting lost in books, emerging only long enough to return to the library to discover more places and times where I could snuggle between the covers of a story. As a writer, I hope I can do this for other readers.
We all need rock stars to idolize, and mine is Alice Munro, a Canadian writer whose books are mostly short story collections about the quietly intense lives of farmers and townspeople in rural Canada.
I’m from a generation of writers who learned about writing through the stories of Alice Munro, Anton Chekhov, and Raymond Carver, among others. Choosing my favorite Munro book is a challenge—for decades I read them all over and over—but if I had to, I’d say it’s Dance of the Happy Shades.
No one understands better what it’s like to be an adolescent girl than Alice Munro, and no one is more gifted at portraying it, particularly in the stories “An Ounce of Cure” and “Red Dress—1946,” with such generous characterizations and courageous honesty.
In these fifteen short stories--her eighth collection of short stories in a long and distinguished career--Alice Munro conjures ordinary lives with an extraordinary vision, displaying the remarkable talent for which she is now widely celebrated. Set on farms, by river marshes, in the lonely towns and new suburbs of western Ontario, these tales are luminous acts of attention to those vivid moments when revelation emerges from the layers of experience that lie behind even the most everyday events and lives.
"Virtuosity, elemental command, incisive like a diamond, remarkable: all these descriptions fit…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’m the author of 26 twisty psychological thrillers, many of which are Amazon bestsellers. I’ve sold over three-quarters of a million books and particularly enjoy writing about dysfunctional families and unpleasant neighbours! Several of my novels touch upon this theme: The Visitors, The New Neighbour, and Violets Are Blue, to name just three. And yes, I have drawn upon some difficult experiences I’ve had with neighbours... I’m a full-time author and I’m also an avid reader of thrillers and enjoy nothing more than reading a book with an ending that makes me gasp!
I love a book where the idyllic life people see from the outside is NOT accurate.
This story followed one family as their life spiraled out of control and I was enthralled with the shifting perspectives and the way the story peeled back the layers of this seemingly perfect family. It’s dramatic, messy, and full of tension.
While not all of the twists surprised me, I still found it a gripping, entertaining read. I certainly wouldn’t want to be living next to these neighbours!
The wife: Eve is desperate for her life to be perfect. Living in a beautiful house, with gorgeous views of the countryside, is all she's ever wanted. And she'll do whatever it takes to hold onto her dream life.
The son: Joe is a model student; he never puts a foot wrong. He knows his mother wouldn't tolerate it. Until the night of his sixteenth birthday party, when things go horribly wrong and someone in the house is left fighting for their life. As the blue flashing lights of the police…