Books like They Split the Party — picked by fans

I grew up in the 60s and 70s, when people were often uncomfortable with anyone who had a disability. My sister had Down syndrome and this drew a lot of negative attention. I struggled with being overprotective of her and often angry at those who treated her differently. When I grew up I became an advocate, not only for my sister, but for others who struggled with being accepted because of physical or developmental disabilities. Early on I worked in a pretty awful institution. What I learned there inspired my novel, Free as a Bird. Like my sister, I moved on to do other things, including archaeology, journalism, and teaching for 27 years.

As a child, I was obsessed with comics, whether it was Garfield, Calvin and Hobbes, or the Far Side, I would devour every one I could get my hands on. I discovered the joy of observing two storylines – the one the writing was telling me and one that the pictures were telling me. As I became a teacher, I realized the importance of pictures and stories working together to keep students engaged. The resurgence of graphic novels has now been a focus for me in my pedagogy practices as well as my pathway as an author-illustrator. 

I’m going to date myself horribly here, but…I’m an old-school fan of the guy in the grey hat. Think Kerr Avon of Blake’s 7. The guy you could never quite predict. Or Han Solo until about halfway through The Empire Strikes Back. Are they going to do the right thing? Are they going to follow their heart? And it’s so satisfying when they do! Of course, it’s equally satisfying when they go right ahead and sucker punch the bad guy, ‘cuz hey—only the good guys give warnings, right?

Am I an expert on transportation? No. But I’m fascinated by movement. Physical movement (how do bike gears actually work?) and metaphorical (how does life actually work?) I did enjoy a brief moment as the kind of unofficial bike traffic reporter when I was on CBC Radio here in Canada. I’d report on my 4 am commute to work. But as a writer and illustrator for kids, I know the freedom transportation represents. We all want to fly. In MINRS I write about spaceships. We all want to see the world. In The Fabulous Zed Watson! I write (with my kid Basil) about epic road trips.

Since writing a middle-grade novel about a lab rat living on the International Space Station, I was curious to see how other authors tackled the challenge of creating stories about talking rats and mice. After all, these rodents are not generally popular in real life. What exciting approaches did others use to get past this dilemma? I wanted to see how they balanced the ideal—being true to the nature of a species—while constructing original characters in challenging situations. Analyzing how other writers succeed is always useful.

I came to my passion for history later in life—when I realized I could trade in the endless date memorization I remembered from history class for an exploration of fierce lady pirates like Shek Yeung and unwilling empresses like Sisi of Austria. Historical stories that felt like thrillers, adventures, or mystery novels. Comedies. Tragedies. And most of all: books that didn’t require a history PhD to get swept up in the story. These are the books that made me fall in love with history, and they’re the kind of books I now write. I’m the author of three historical novels, all written first and foremost to sweep you away into a damn good story.

As a young student, my goal was to be invisible. I was the child who hid between the time-honored cracks in the floorboards of the antiquated school where – decades earlier – my mother also attended. I resided between the cracks (BTC); the not-so-fancy term for those students who faintly prick the adult senses that something is amiss. How ironic as I fast-forward to my initial career decision, I actually chose to become a teacher, a daily life path in the very environment I once despised. Yet, former BTC membership caused me to seek out those silent, self-marginalized students to bring them out of the floorboards and into the daylight.

I have always been a reader, and with Irish and Scottish families, I’ve grown up hearing beautiful stories of magic and the fair folk. When I discovered romance novels, I was able to combine my love of happily ever afters and the myth and legend of my childhood. I even took classes on the Mythology of Ireland and Britain while I was obtaining my degrees. With a specialty in British Literature, I have been able to ensure my stories, while full of myth and magic, are also steeped in historical accuracy. The lush and vivid descriptions in my stories are paired with magic and time travel, with every story leaving the reader satisfied with the happily ever after the characters have earned.

I'm an American writer who grew obsessed with all things King Arthur at age 10. Trying to be the best 7th-grade Arthurian scholar in the world set me on a path of life-long learning and research. My historical fantasy novels for children have been flatteringly called "maybe the only [fiction] depiction of the complexities of feudal obligations & responsibilities I've ever seen" by a real medievalist. While that wasn't what I was going for, it speaks to the thing I seek out when I read: total immersion in another world. If you don't feel like you scrubbed pots in the Middle Ages, why would you read about a medieval scullery maid?

I am a kid from Brooklyn who is, and always has been, an inveterate hero worshiper. In a world that is generally mad and too often violent, I have weaned myself on the lives of heroes. I may lack their prowess, but I have striven for their dedication to excellence. I have published numerous books, including The Capitalist Manifesto: The Historic, Economic, and Philosophic Case for Laissez-Faire. But it is my recent book that crowns a lifetime of thinking about heroes. What is their nature? What factors in the world give rise to the possibility—and the necessity—of heroes? How do we rationally define the concept “hero”? These are the questions my book addresses and seeks to answer.