Books like Rejected Princesses — picked by fans

People kept telling me to read it, so I finally did–just in time to include it on this list. Rotating narrators–a White missionary’s wife and four daughters from the American South–represent disparate points of view concerning their family’s move to the Belgian Congo in 1959.

One thing I loved is the attention to historical detail and Kingsolver’s ability to include multiple, complex subplots to better frame the colonial history of this particular time/place and to better demonstrate the insidious ongoing brutality of colonization in terms of inequitable global wealth.

Language and religion play a major role in the plundering resource extraction industries, as do political and military interference, apartheid, and so much more. I loved her exploration of language(s): the power held in naming and misnaming. The youngest daughter sums it up best. “My life: what I stole from history, and how I live with it.” Characters are primarily White… show more.

Another way to ease yourself into historical fiction is to start with books for young readers—like this gorgeous, compelling read set during the Communist regime’s fall in Romania in 1989. 

Our heroine is a young girl named Ileana who loves stories, even though stories can be dangerous (like the one that got her uncle arrested for criticizing the government). Afraid for her life, her parents send her to live with grandparents she’s never met—and still she gets caught up in the independence. 

I adored this book as an adult reader and—bonus!—it would be the perfect thing to co-read with a middle schooler or young teen if you’ve got one in your life. 

This book reads more like a thriller with heart than a historical novel, which makes it the perfect historical fiction for those just dipping a toe into the genre. 

Set in 1969 in Malaysia, during the historic race riots, the story follows a Beatles-obsessed teenage girl with OCD as she struggles to survive and get back to her family. I devoured this story over a couple of nail-biting days – and I bet you will too.

If you love a quirky narrator, this is your perfect entry point into historical fiction. In 1890 Atlanta, our heroine—Jo Kuan—works as a lady’s maid by day and offers up wit and wisdom as a secret advice columnist by night. 

The voice in this one is what had me wrapped around Jo’s funny, sharp, insightful little finger. Expect to laugh, get angry, unravel a few mysteries, and learn a few dark things about American history along the way. There’s a reason this book was a Reese’s Book Club pick.

The premise of this short novel sucked me in right away. Missy Wright is shy, unhappy, poor, and a spinster. She is stifled and demeaned by her overbearing sisters and the local small-town gossips where she lives. Despite the fact that Ms. McCullough paints the portrait of a fairly unsavory heroine in the form of Missy, I still found myself rooting for her, wishing with all my might that she would (under the most improbable circumstances) find love. When I write about a heroine in my own novels, I want my readers to see past appearances and the superficial trappings of our society’s ideals. That is what this novel does—it draws you in and makes you believe the impossible is possible if only we can see beyond what is right in front of our faces—that dreams really can come true, for all shapes, sizes, styles, and substance.

I thought it was great to have Circe herself narrate her love affair with Odysseus.

The first half of the novel interestingly shares her tribulations growing up as a child in a family of gods. I found that this establishes a theme of immortality vs. mortality that the book explores in profound ways. Especially fascinating was Circe’s personal story of her love affair with Odysseus.

I was surprised and delighted that Miller included the resulting child, Telegonus, who is not in Homer but is in ancient myth. Even more surprising to me was Circe falling in love with Telemachus, Odysseus’ son by Penelope (also not in Homer!). This relationship allows the novel to end on a positive note as Circe learns to live like a mortal in her new life with Telemachus.

When I first encountered this book in the late 1980s, it was titled Jackaroo--named for the Robin Hood-like folk hero in the non-magical secondary world called the Kingdom. However, the star of the story is Gwyn, so the renaming makes sense. The book is riveting in its action moments, but somehow I'm even more drawn to the scenes of daily toil. I have absolutely no idea how Voigt can make scrubbing the floor seem so important! (This is the real floor-scrubbing book of this list.) The Tale of Gwyn evokes a medieval European past that feels more real than the best-researched historical novel. Hopefully the series rebrand draws the wide readership it deserves--it is both exciting and thoughtful, bleak and hopeful, and I return to it again and again. 

I love this story, especially because the hero, Brooks, not only falls in love first but also believes the heroine betrays him, so he breaks things off with her. But Brooks never stops loving her.

I love the apologies, I love the way actions speak louder than words in this book, and I love the way they get back together for a well-deserved HEA (happily ever after).

As a historian I have often felt the need to get to grips with the basis of western mythical-historical writing, meaning—Homer. After reading Mythos, I couldn’t resist reading Fry’s second book of his Greek mythology trilogy, and I was rewarded! Despite the often-confusing flood of Greek names of gods, Titans, divine mortals, etc. you can’t help enjoying this exciting read of Paris’ abduction of Helen of Sparta. As usual, Fry’s erudition is combined with side-splitting humor and wit. He has the brilliance to bring alive the ancient classical Homer’s Iliad to a modern-day audience. 

To me, it seems like you have to become an optimist when you study history, because you understand the terrible circumstances that we have managed to get away from. But it doesn’t happen by itself. This is the story about some of the most important individuals who made that possible. Jim Powell portrays freedom fighters throughout history, from Cicero and Locke to Martin Luther King Jr and F A Hayek, and many less well-known names. But Powell does not just describe their ideas, but their lives, the communities that made them possible, their courage, and their doubts. It’s incredibly inspiring.